The advent of the atomic bomb, the social and cultural impact of nuclear science, and the history of the British nuclear state after 1945 is a complex and contested story. British Nuclear Culture is an important survey that offers a new interpretation of the nuclear century by tracing the tensions between 'official' and 'unofficial' nuclear narratives in British culture. In this book, Jonathan Hogg argues that nuclear culture was a pervasive and persistent aspect of British life, particularly in the years following 1945. This idea is illustrated through detailed analysis of various primary source materials, such as newspaper articles, government files, fictional texts, film, music and oral testimonies. The book introduces unfamiliar sources to students of nuclear and cold war history, and offers in-depth and critical reflections on the expanding historiography in this area of research. Chronologically arranged, British Nuclear Culture reflects upon, and returns to, a number of key themes throughout, including nuclear anxiety, government policy, civil defence, 'nukespeak' and nuclear subjectivity, individual experience, protest and resistance, and the influence of the British nuclear state on everyday life. The book contains illustrations, individual case studies, a select bibliography, a timeline, and a list of helpful online resources for students of nuclear history.

The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book's editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base. Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Kodwo Eshun and Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London.

Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.

For almost five decades, the United Kingdom made plans for a nuclear attack that never came. To help their citizens, civil servants, and armed forces prepare, those in power designed and published a variety of booklets, posters, and how-to guides. Most infamous among these was the Protect and Survive campaign, but just as fascinating are lesser-known materials prepared for the United Kingdom Warning and Monitoring Organisation and the Royal Observer Corps, many of which are reproduced here for the first time. From terrifying images issued by central government, to local councils' sometimes amateurish survival guides, 'Nuclear War in the UK' is a look at the way Britain's authorities reacted to the Soviet nuclear threat.

This collection offers a fresh interpretation of the Cold War as an imaginary war, a conflict that had imaginations of nuclear devastation as one of its main battlegrounds. The book includes survey chapters and case studies on Western Europe, the USSR, Japan and the USA. Looking at various strands of intellectual debate and at different media, from documentary film to fiction, the chapters demonstrate the difficulties to make the unthinkable and unimaginable - nuclear apocalypse - imaginable. The book will be required reading for everyone who wants to understand the cultural dynamics of the Cold War through the angle of its core ingredient, nuclear weapons.

Grappling with the Bomb is a history of Britain’s 1950s program to test the hydrogen bomb, code name Operation Grapple. In 1957–58, nine atmospheric nuclear tests were held at Malden Island and Christmas Island—today, part of the Pacific nation of Kiribati. Nearly 14,000 troops travelled to the central Pacific for the UK nuclear testing program—many are still living with the health and environmental consequences. Based on archival research and interviews with nuclear survivors, Grappling with the Bomb presents i-Kiribati woman Sui Kiritome, British pacifist Harold Steele, businessman James Burns, Fijian sailor Paul Ah Poy, English volunteers Mary and Billie Burgess and many other witnesses to Britain’s nuclear folly.

The story of the rise, fall and second ascendancy of nuclear power in the United Kingdom. Britain was a pioneer in civil nuclear power and there were once high hopes in the 1950s that this could be a source of cheap electricity and a valuable export opportunity. In The Fall and Rise of Nuclear Power in Britain, Simon Taylor examines why these hopes were never realised, and how we have come to see a new rise in nuclear power in recent years. He traces the UK's nuclear energy history, from the optimism of the 1950s, through the disillusionment of the 1980s, to a new role for nuclear in the 21st century. The construction of Britain's first new nuclear power station in 20 years, Hinkley Point C, marks a major change of policy. Throughout this book, Taylor provides a comprehensive overview of energy policy, economics, politics and changing environmental priorities, keying into debates about the generation and sustainability of this controversial energy source. Will this new nuclear energy turn out to be a heroic story of UK leadership on a matter of global importance, or will it prove a hugely costly folly, as with British nuclear power in the past?

This book examines the impact of the Cold War in a global context and focuses on city-scale reactions to the atomic warfare. It explores urbanism as a weapon to combat the dangers of the communist intrusion into the American territories and promote living standards for the urban poor in the US cities. The Cold War saw the birth of ‘atomic urbanisation’, central to which were planning, politics and cultural practices of the newly emerged cities. This book examines cities in the Arctic, Europe, Asia and Australasia in detail to reveal how military, political, resistance and cultural practices impacted on the spaces of everyday life. It probes questions of city planning and development, such as: How did the threat of nuclear war affect planning at a range of geographic scales? What were the patterns of the built environment, architectural forms and material aesthetics of atomic urbanism in difference places? And, how did the ‘Bomb’ manifest itself in civic governance, popular media, arts and academia? Understanding the age of atomic urbanism can help meet the contemporary challenges that cities are facing. The book delivers a new dimension to the existing debates of the ideologically opposed superpowers and their allies, their hemispherical geopolitical struggles, and helps to understand decades of growth post-Second World War by foregrounding the Cold War.

A comprehensive, chronological, and gripping account of how nuclear policy has shaped world history.