The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.

Revealed to contemporaries by the South African War, the basis on which the system would develop soon became the focus for debate. Commercial organizations, including newspaper combinations and news agencies such as Reuters, fought to protect their interests, while "constructive imperialists" attempted to enlist the power of the state to strengthen the system. Debate culminated in fierce controversies over state censorship and propaganda during and after World War I. Based on extensive archival research, this study addresses crucial themes, including the impact of empire on the press, Britain's imperial experience, and the idea of a "British world".

In this highly-illustrated account, Nicolas Barker reveals the history of the British Library's treasure house of books and manuscripts. The Library's holdings cover collections spanning almost three millennia, from the establishment of the British Museum, which brought together the libraries of Sir Hans Sloane, Sir Robert Cotton and Robert Harley, first Earl of Oxford, to the foundation of the British Library in 1973 and to some outstanding acquisitions of the present day.

Running: Cheaper than Therapy is a witty and expertly compiled compendium of running wisdom and humour. From fantastic running quotes ('How do you know if someone ran a marathon? Don't worry, they'll tell you.' Jimmy Fallon) and hilarious spectator signs ('Worst parade ever!') to witty potted profiles of different types of runners (charity muggers, gadget gurus and inexplicably good old dears) and PB-busting training tips, Running: Cheaper than Therapy is designed to be the perfect gift for the runner, jogger or triathlete in your life. Written by a Telegraph and Guardian journalist and self-confessed running nut, this smartly packaged and brilliantly knowing miscellany details entertaining, real-life runners' stories (being overtaken by a kid/OAP or getting lost while training) and takes a humorous look at the mistakes runners make (wearing a brand new pair of trainers for half marathon or getting so pumped by your morning run you have arguments with everyone at work).

During the early years of the Cold War, England and the United States both found themselves reassessing their relationship with their former ally the Soviet Union, and the status of their own “special relationship” was far from certain. As Jeffrey P. Stone argues, maps from British and American news journals from this period became a valuable tool for relating the new realities of the Cold War to millions of readers. These maps were vehicles for political ideology, revealing both obvious and subtle differences in how each country viewed global geopolitics at the onset of the Cold War. Richly illustrated with news maps, cartographic advertisements, and cartoons from the era, this book reveals the idiomatic political, cultural, and material differences contributing to these divergent cartographic visions of the Cold War world.

This is a study of the British state's generation, suppression and manipulation of news to further foreign policy goals during the early Cold War. Bribing editors, blackballing "e;unreliable"e; journalists, creating instant media experts through provision of carefully edited "e;inside information"e;, and exploiting the global media system to plant propaganda--disguised as news--around the world: these were all methods used by the British to try to convince the international public of Soviet deceit and criminality and thus gain support for anti-Soviet policies at home and abroad. Britain's shaky international position heightened the importance of propaganda. The Soviets and Americans were investing heavily in propaganda to win the "e;hearts and minds"e; of the world and substitute for increasingly unthinkable nuclear war. The British exploited and enhanced their media power and propaganda expertise to keep up with the superpowers and preserve their own global influence at a time when British economic, political and military power was sharply declining. This activity directly influenced domestic media relations, as officials used British media to launder foreign-bound propaganda and to create the desired images of British "e;public opinion"e; for foreign audiences. By the early 1950s censorship waned but covert propaganda had become addictive. The endless tension of the Cold War normalized what had previously been abnormal state involvement in the media, and led it to use similar tools against Egyptian nationalists, Irish republicans and British leftists. Much more recently, official manipulation of news about Iraq indicates that a behind-the-scenes examination of state propaganda's earlier days is highly relevant. John Jenks draws heavily on recently declassified archival material for this book, especially files of the Foreign Office's anti-Communist Information Research Department (IRD) propaganda agency, and the papers of key media organisations, journalists, politicians and officials. Readers will therefore gain a greater understanding of the depth of the state's power with the media at a time when concerns about propaganda and media manipulation are once again at the fore.

This volume is the first scholarly treatment of the News of the World from news-rich broadsheet to sensational tabloid. Contributors uncover new facts and discuss a range of topics including Sunday journalism, gender, crime, empire, political cartoons, the mass market, investigative techniques and the Leveson Inquiry.

Inhaltsangabe:Zusammenfassung: Der Nachrichtenfluss von Entwicklungs- zu Industrieländern wird seit Jahrzehnten heftig debattiert. Auch den britischen Medien wird eine unausgewogene Auslandsberichterstattung vorgeworfen, die ein verzerrtest Bild der Realität zeigt. Diese Arbeit analysiert die Nachrichten über Lateinamerika in der britischen Presse und richtet dabei besondere Aufmerksamkeit auf die Autoren der Artikel und darauf, wer über Lateinamerika zu Worte kommt. In welchem Maße sich Einheimische in den britischen Zeitungen Gehör verschaffen können wird dabei ebenso behandelt wie die Bedeutung von alternativen Quellen (z.B. andere Nachrichtenagenturen als die Großen Drei ). Die Gründe für redaktionelle Entscheidungen (wie z.B. der Einsatz von festen Korrespondenten anstelle von eingeflogenen Reportern, oder die Wahl der Nachrichtenagenturen) und journalistische Praktiken werden außerdem untersucht. Die folgenden Fragen sollen beantwortet werden: - Welches Bild vermittelt die britische Presse von Lateinamerika? - Auf welchem Wege fließen die Nachrichten von Lateinamerika zur britischen Presse? Wer schreibt sie? - Welche Informationsquellen werden genutzt, welche vernachlässigt? Wird Einheimischen und alternativen Quellen Gehör verschafft? Auf der Grundlage einer Inhaltsanalyse von fünf britischen broadsheet Zeitungen und Interviews mit britischen Korrespondenten in Lateinamerika sowie Lateinamerikanern, die in Großbritannien leben, weist diese Arbeit nach, dass viele der Bedenken, die vor 25 Jahren in den Debatten über globale Nachrichtenflüsse zum Ausdruck gebracht wurden, noch immer Relevanz haben. Obwohl sich viele Journalisten darum bemühen, dies zu ändern, tragen verschiedene Faktoren noch immer dazu bei, dass sie es meist nicht schaffen, die Öffentlichkeit mit ausgewogenen Berichten über Geschehnisse und Prozesse in Lateinamerika zu versorgen, die frei von Stereotypen sind und sich auf eine Vielzahl von Informationsquellen stützen. Hinweis: Diese Arbeit ist in englischer Sprache verfasst! Abstract: For several decades, the news flows from developing to industrialized countries have been a major issue of debate. In Britain, too, foreign reporting is said to be unbalanced, thus creating a distorted picture of reality. This study analyses the way in which news about Latin America is being covered by the British quality press, looking in particular at who writes the news and who is speaking about Latin America. It aims to [...]

This book is devoted to the analysis of cross-media and cross-cultural peculiarities of Russian, British and American media discourse from the intertextual perspective. The study of a complex variety of intertextual links which exist between texts and genres is a contemporary aspect in the theory of intertextuality. There are numerous theoretical approaches in the study of intertextuality, but there is a lack of an empirically profound framework for its analysis across many disciplines. An interdisciplinary approach to the study of intertextuality is a necessary step to investigate this phenomenon comprehensively. This book offers an alternative approach to the study of intertextuality, singling out intra-textual, textual and inter-genre levels on which this phenomenon comes to the fore.