What does a magazine's look and feel say about it? Sometimes more than its written content. Starting with the advent of two periodicals--Punch in 1841 and the Illustrated London News a year later--this groundbreaking study investigates the design history of British magazines over the past 170 years, right up to thebeginnings of digital distribution. This pioneering survey of a still-developing story encompasses graphic design, typography, photography, and innovative print technology, and explores why magazines have looked how they do and how they have changed over time. The wealth of superb illustrations is drawn from the V&A'sNational Art Library's unparalleled archive of periodicals.

A landmark publication offering a definitive overview of one of the most influential transatlantic magazines produced in the 1980s and 1990s Launched by NME editor and Smash Hits creator Nick Logan in 1980, The Face became an icon of “style culture,” the benchmark for the latest trends in art, design, fashion, photography, film, and music being defined by a thriving youth culture. The Story of The Face tracks the exciting highs and calamitous lows of the life of the magazine in two parts. Part one focuses on the rise of the magazine in the 1980s, highlighting its striking visual identity—embodied by Neville Brody’s era-defining graphic designs, Nick Knight’s dramatic fashion photography, and the “Buffalo” styling of Ray Petr— and its unflinching approach to journalism. Contributors included a host of writers who subsequently made their impact in the wider world, from Julie Burchill, Robert Elms, Tony Parsons, and James Truman to Jon Savage, Richard Benson, and Sheryl Garratt. Part two shows how in the 1990s, after surviving a disastrous Jason Donovan libel suit, the magazine heralded the post-acid house era of Britpop and Brit Art. However, after the magazine had become the engine of the booming British magazine industry, the end of this decade also saw the eventual demise of The Face. Including an introduction by Dylan Jones, The Story of The Face is an engaging behind-the-scenes look at the rise and fall of one of the 80s and 90s’ most influential music and style publications.

Following the success of 'Issues', this title explores the very latest trends and creative design styles in contemporary magazines from around the world. Short interviews, essays and comment pieces focus on key themes such as logo design, Japanese magazines, French fashion magazines and branding.

Twenty popular magazines are explored from conception to execution.

What makes a magazine into a design classic? How can timeless ideas be incorporated into an ever-changing contemporary context? While many books on editorial design simply illustrate great work, Horst Moser has selected a huge range of examples from his amazing collection of international magazines and used them to illustrate the principles of classic editorial design. He discusses the design challenges that face today's art directors, and showcases the most successful solutions, from the cutting edge of modern style to classic techniques that can be used year after year. This striking ideas book offers a range of innovative approaches for every aspect of a magazine, inside and out, pictorial and typographical, from standfirsts and subheads to columns and captions. With over a thousand full-colour illustrations, this will be an inexhaustible source of inspiration for students and professionals, and an essential and authoritative guide for anyone involved in magazine design.

Employing numerous examples of classic British design, Designing Modern Britain delves into the history of British design culture, and thereby tracks the evolution of the British national identity.

A visual and comprehensive guide to a hugely popular graphic style. The distinctive aesthetic of mid-century design captured the post-war zeitgeist of energy and progress, and remains hugely popular today. In Mid-Century Modern Graphic Design Theo Inglis takes an in-depth look at the innovative graphics of the period, writing about the work of artists and designers from all over the world. From book covers, record covers and posters to advertising, typography and illustration, the designs feature eye-popping colour palettes, experimental type and prints that buzz with kinetic energy. The book features artworks from a wide selection of international designers and illustrators whose work continues to inspire and influence today, including Ray Eames, Paul Rand, Alex Steinweiss, Joseph Low, Alvin Lustig, Elaine Lustig Cohen, Leo Lionni, Rudolph de Harak, Abram Games, Tom Eckersley, Ivan Chermayeff, Josef Albers, Corita Kent, Jim Flora, Ben Shahn, Herbert Bayer and Helen Borten. Theo draws from a broad range of sources including advertising, magazine covers, record sleeves, travel posters and children’s book illustration to show the development of the design style globally, and how this continues to influence design today. The book is packed with hundreds of colour illustrations, including classic designs, such as Saul Bass’ film posters and Miroslav Šašek’s children’s books, alongside lesser-known gems.

The Ambassador has been described as 'probably the most daring and enterprising trade magazine ever conceived'. With the motto 'Export or Die!', the magazine was renowned for its innovative design and adventurous editorial approach in promoting British manufacturing in the post-war period. Using striking photography, it promoted fine art as an inspiration for design, and highlighted innovations in textile design, and the latest couture fashions. This book takes a detailed look at the background and impact of The Ambassador.