British travellers regarded all inhabitants of the seventeenth-century Ottoman empire as ‘slaves of the sultan’, yet they also made fine distinctions between them. This book provides the first historical account of how British travellers understood the non-Muslim peoples they encountered in Ottoman lands, and of how they perceived and described them in the mediating shadow of the Turks. In doing so it changes our perceptions of the European encounter with the Ottomans by exploring the complex identities of the subjects of the Ottoman empire in the English imagination, de-centering the image of the ‘Terrible Turk’ and Islam.

British travellers regarded all inhabitants of the seventeenth-century Ottoman empire as 'slaves of the sultan', yet they also made fine distinctions between them. This book provides the first comprehensive cultural historical account of how British travellers understood the non-Muslim minority peoples they encountered in the Ottoman empire, and of how they perceived and described them in the mediating shadow of the Turks. In doing so it seeks to change our perceptions of the British encounter with the Ottomans by exploring the entangled identities of the Ottoman subjects in the English imagination, de-centering the image of the 'Terrible Turk' and Islam.

"The Discovery of Ottoman Greece unearths forgotten research by the early modern philhellenist and Lutheran reformer Martin Crusius. His extensive study of Greek Orthodox life, including interviews with traveling alms-seekers, sheds light on European views of Greek decline under Ottoman rule as well as on the global ambitions of Lutheran reform"--

This book traces the history of conflict and contact between Muslims, Christians, and Jews in the Ottoman Middle East prior to 1914.

Using a plethora of hitherto unused and under-utilized sources from the Ottoman, British and Iranian archives, Ottoman-Iranian Borderlands traces seven decades of intermittent work by Russian, British, Ottoman and Iranian technical and diplomatic teams to turn an ill-defined and highly porous area into an internationally recognized boundary. By examining the process of boundary negotiation by the international commissioners and their interactions with the borderland peoples they encountered, the book tells the story of how the Muslim world's oldest borderland was transformed into a bordered land. It details how the borderland peoples, whose habitat straddled the frontier, responded to those processes as well as to the ideas and institutions that accompanied their implementation. It shows that the making of the boundary played a significant role in shaping Ottoman-Iranian relations and in the identity and citizenship choices of the borderland peoples.

Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production.

A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion

The neutrality maintained by Turkey during most of the Second World War enabled it to rescue thousands of Jews from the Holocaust in the Nazi-occupied or collaborating countries of Europe. This book shows how in France, the Turkish consuls in Paris and Marseilles intervened to protect Turkish Jews from application of anti-Jewish laws introduced both by the German occupying authorities and the Vichy government and rescued them from concentration camps, getting them off trains destined for the extermination chambers in the East, and arranging train caravans and other special transportation to take them through Nazi-occupied territory to safety in Turkey. 'an important and unique addition to the vast scholarship available on that tragic era' Rabbi Abraham Cooper

Based on the account of an Ottoman ambassador's expedition to France in 1720, G"o, cek's study reveals the complex and differential impact these two societies had on each other.

Focusing on early Renaissance Franco-Ottoman relations, this book fills a gap in studies of Ottoman representations by early modern European powers by addressing the Franco-Ottoman bond. In French Encounters with the Ottomans, Pascale Barthe examines the birth of the Franco-Ottoman rapprochement and the enthusiasm with which, before the age of absolutism, French kings and their subjects pursued exchanges-real or imagined-with those they referred to as the 'Turks.' Barthe calls into question the existence of an Orientalist discourse in the Renaissance, and examines early cross-cultural relations through the lenses of sixteenth-century French literary and cultural production. Informed by insights from historians, literary scholars, and art historians from around the world, this study underscores and challenges long-standing dichotomies (Christians vs. Muslims, West vs. East) as well as reductive periodizations (Middle Ages vs. Renaissance) and compartmentalization of disciplines. Grounded in close readings, it includes discussions of cultural production, specifically visual representations of space and customs. Barthe showcases diplomatic envoys, courtly poets, 'bourgeois', prominent fiction writers, and chroniclers, who all engaged eagerly with the 'Turks' and developed a multiplicity of responses to the Ottomans before the latter became both fashionable and neutralized, and their representation fixed.