Gauged brickwork is a term used to describe the superior finish required in the details of an important brickwork elevation, such as moulded reveals, arches, string courses and other forms of ornamentation. This is achieved through shaping the individual bricks to produce a high degree of regularity, accurate dimensions and extreme fineness in the joints. This practical handbook combines simple diagrams and photographs to describe each stage of the process, from rubbing, cutting and shaping the bricks to laying and carving them. It emphasizes the importance of this skill in repairing and repointing rubbed and gauged brickwork and the damage that can be done by those unskilled in the craft. The second edition of this standard reference work has been substantially updated with new material, including additional photographs and illustrations to explain the various procedures and applications. It also now offers a fascinating and detailed historical perspective on the development of this important craft. The insights gleaned from this revised edition will be extremely valuable to architects and builders involved in conserving and repairing gauged brickwork, and also to those who are required to commission new decorative work to a high standard.

1850-1931 (v. 1-40) include reports and papers of the Yorkshire Architectural and York Archaeological Society, and some years, of the Worcestershire Archaeological Society, of the Leicestershire Archaeological Society and of other similar societies.

‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.

A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love