In this work by maritime artist Mal Wright, both the official and unofficial paint schemes that adorned ships of the Royal Navy and Commonwealth during World War II are depicted in detail. During the Second World War navies developed low visibility camouflage for their ships, on both the vertical and horizontal surfaces, in order reduce visibility by blending in with the sea, or confuse the identity of a ship by applying more obtrusive patters. In this the second volume by maritime artist Mal Wright, both the official and unofficial paint schemes that adorned the capital ships of the Royal Navy and Commonwealth are depicted in detail, along with discussions on changes of armament and electronics that effected the outward appearance of each ship. Beginning with the Royal Sovereign class, the book goes on to cover all the other battleship classes as well as the battlecruisers, monitors, the first and second generation carriers as well as light and escort carriers. Where possible both sides of the ship are depicted, and there are multiple images of the ships where armament or equipment changes had a fundamental impact on a ships appearance. Overhead views are also included. With 525 full color illustrations, arranged by ship type rather than camouflage scheme, this book concentrates the clearest possible information into a single volume to provide a one-stop reference source. Many schemes would be difficult for the reader to have found other than with the most intensive research so that historians, collectors, modelmakers and wargamers will find this unique reference source absolutely invaluable. "With 525 full color illustrations, all of named vessels, this book concentrates an astonishing level of information regarding paint colors, schemes and patterns into a single volume to provide a unique one-stop reference source." - Model Boats Magazine

During World War II, navies developed camouflage for their ships. Applying it to both vertical and horizontal surfaces, they reduced visibility and confused the identities of their ships to the enemy. Maritime artist Malcolm Wright continues his depictions of the official and unofficial paint schemes that adorned the capital ships of the Royal Navy and Commonwealth. Many schemes included in this volume are difficult to find without intensive research, making this a unique and valuable resource.

During the Second World War navies developed low visibility camouflage for their ships, on both the vertical and horizontal surfaces, in order reduce visibility by blending in with the sea, or confuse the identity of a ship by applying more obtrusive patters. In this the second volume by maritime artist Mal Wright, both the official and unofficial paint schemes that adorned the capital ships of the Royal Navy and Commonwealth are depicted in detail, along with discussions on changes of armament and electronics that effected the outward appearance of each ship. Beginning with the Royal Sovereign class, the book goes on to cover all the other battleship classes as well as the battlecruisers, monitors, the first and second generation carriers as well as light and escort carriers. Where possible both sides of the ship are depicted, and there are multiple images of the ships where armament or equipment changes had a fundamental impact on a ship's appearance. Overhead views are also included. With 525 full colour illustrations, arranged by ship type rather than camouflage scheme, this book concentrates the clearest possible information into a single volume to provide a one-stop reference source. Many schemes would be difficult for the reader to have found other than with the most intensive research so that historians, collectors, modelmakers and wargamers will find this unique reference source absolutely invaluable.

This is a major new study of Italian naval camouflage schemes developed and used during World War II. When Italy entered the War in June 1940, the Regia Marina (Italian navy) was a force still under development and both Italian warships and merchant ships started the war in their peacetime colors, although prewar plans had been made for camouflaging ships. At that time, all the principal warships were painted in a light matte grey ("grigio cenerino chiaro"), that was adopted in the 1920s and early '30s. With the advent of war, and the start of convoy traffic to Libya, the need to camouflage ships for purposes of deception, rather than outright concealment, became apparent and the first initiatives were undertaken. Employing contemporary schematic drawings, photographs, and his own CAD profiles, Marco Ghiglino, describes the development of the varied schemes that were adopted for the capital ships, such as Caio Duilia and Littorio, cruisers, destroyers and torpedo boats, landing craft, and merchant ships; even the royal yacht and small tugs were given camouflage schemes. Ghiglino depicts all the ships and their schemes, at different dates, with both sides of the ship shown where possible, in his own beautifully rendered schematic profiles, all in full color. It is this section with more than 700 drawings that gives the reader a complete and detailed picture of the development of Italian naval camouflage. He also looks in detail at the Greek theater where there were many exceptions, influenced by the German presence and by the camouflage schemes of captured vessels. This major new reference book will prove invaluable to historians, collectors, model makers, and wargamers and follows in the wake of the hugely successful editions covering German and British camouflage schemes of World War II.

During the Second World War navies developed low visibility camouflage for their ships, on both vertical and horizontal surfaces, in order reduce visibility by blending in with the sea, or confuse the identity of a ship by applying more obtrusive patters. In this the second volume by maritime artist Mal Wright, both the official and unofficial paint schemes that adorned the cruisers of the Royal Navy and Commonwealth are depicted in detail, along with discussions on changes of armament and electronics that effected the outward appearance of each ship. Beginning with the older cruisers, the book goes on to cover all the other cruiser classes, taking in heavy cruisers, prewar and wartime cruisers; the author then covers minelayers. Where possible both sides of the ship are depicted, and there are multiple images of the ships where armament or equipment changes had a fundamental impact on a ships appearance. Overhead views are also included. With 800 full color illustrations, arranged by ship type rather than camouflage scheme, this book concentrates the clearest possible information into a single volume to provide a one-stop reference source. Many schemes would be difficult for the reader to have found other than with the most intensive research so that historians, collectors, model makers and wargamers will find this unique reference source absolutely invaluable.

During the Second World War navies developed low visibility camouflage for their ships, on both the vertical and horizontal surfaces, in order reduce visibility by blending in with the sea, or confuse the identity of a ship by applying more obtrusive patters. In this new book by maritime artist Mal Wright both the official and unofficial paint schemes that adorned ships of the Royal Navy and Commonwealth are depicted in detail, along with discussion on changes of armament and electronics that effected the outward appearance of each ship.??Starting with destroyers from WW1 still in service during WW2, the book progressively covers ships below cruisers, class by class, to provide a detailed and easy-to-use guide to paint schemes in use. In some cases individual ships are shown in the several schemes they wore thus providing a source that covers various periods of service. With 740 full colour illustrations, all of named vessels, this book concentrates information into a single volume to provide a one-stop reference source, and, for the first time in a single volume, it covers not just the well-known ships, but also escort vessels, minesweepers, trawlers, coastal craft and auxiliaries in sequential format. ??Many schemes would be difficult for the reader to have found other than with the most intensive research so that historians, collectors, modelmakers and wargamers will find this unique reference source absolutely invaluable.

Originally published: Barnsley: Seaforth Pub., 2012.

The battleships of the Kongō class were the oldest, smallest, and fastest battleships in the Imperial Japanese Navy during WWII. Initially classified as battle cruisers, the lead ship in the class, Kongō, was built in England just prior to WWI. The remaining three ships in the class--Haruna, Kirishima, and Hiei--were all built and completed in Japan by 1915. All four ships were highly reconfigured in the 1920s, and they were reclassified as battleships in the 1930s. The four Kongō-class ships were the most active among the 12 WWII-era Japanese battleships and saw heavy combat throughout the war in such major campaigns as Pearl Harbor, Midway, Guadalcanal, and Leyte. All four ships were sunk by Allied forces by war's end. This book features rare Japanese primary source material, including numerous photos, line schemes, and detailed charts.

"This book contains authentic photographs and salient facts covering 358 troopships used in World War II. In addition, other vessels of miscellaneous character, including Victory and Liberty type temporary conversions for returning troops, are listed in the appendices ..."--Pref.