A comprehensive history of the Women’s Royal Naval Service of Great Britain in the twentieth century. The Women’s Royal Naval Service was formed in 1917 when the call was for volunteers to release a man for sea service. At the peak there was over 5,000 women serving in Britain and overseas, but efforts to maintain the service in peace time were unsuccessful. It was to be 1939, when the Second World War threatened, before the Wrens were reformed. Theirs was a different and altogether more demanding role which involved the carrying out of some highly secret and responsible duties, and many more of them served outside Britain. By 1945 there were over 75,000 officers and ratings and when the War ended, and those who wished were demobilized, a permanent Service was set up, providing a career for women alongside men of the Royal Navy. This is their story, often told in their own words, which mirrors the changing place of women in our society in a century of tremendous social progress. Features a forward by HRH The Princess Royal

An introduction to the imperial images of the Indian, African and Chinese - created for the youth of Britain through their history textbooks and popular periodicals. Focusing on materials produced for children, by textbook historians and the popular press, it provides a study of both the socialization of the young and the source of race perceptions in 20th-century British society.

In Britannia's Daughters, bestselling novelist Joanna Trollope examines the contribution of women in building and sustaining the British Empire. She draws on a vast range of sources, including diaries and letters home. She provides a panoramic picture of the countless women who departed Britain for India, Australia, the Far East, Canada and Africa - often in search of opportunities unavailable at home. Here are penniless pioneers and governors' wives, missionaries and prostitutes, explorers and army nurses. They people this book as they peopled the Empire - their astonishing courage and endurance, their remarkable personal stories vividly and enthrallingly recaptured.

In an absorbing mixture of poignant biography and wonderfully entertaining social history, Daughters of Britannia offers the story of diplomatic life as it has never been told before. Lady Mary Wortley Montagu, Vita Sackville-West, and Lady Diana Cooper are among the well-known wives of diplomats who represented Britain in the far-flung corners of the globe. Yet, despite serving such crucial roles, the vast majority of these women are entirely unknown to history. Drawing on letters, private journals, and memoirs, as well as contemporary oral history, Katie Hickman explores not only the public pomp and glamour of diplomatic life but also the most intimate, private face of this most fascinating and mysterious world. Touching on the lives of nearly 100 diplomatic wives (as well as sisters and daughters), Daughters of Britannia is a brilliant and compelling account of more than three centuries of British diplomacy as seen through the eyes of some of its most intrepid but least heralded participants.

This book examines what motivated the ordinary British man to go to France in 1914, especially in the early years when Britain relied on the voluntary system to fill the ranks.

This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.