From county grounds where Denis Compton hit a century to the smallest village field Britain’s Lost Cricket Grounds movingly shows how picturesque greenery gave way to shopping malls and housing estates. The cricket ground is as much a part of the British landscape as the parish church. Hastings used to have a historic ground in the middle of the town surrounded by elegant houses – but then recently it disappeared under a shopping precinct with a branch of River Island where the wicket used to be. Yorkshire used to play at Sheffield’s Bramall Lane – until the football club built grandstands over it. Like so many companies with works grounds, Guinness have closed their cricket ground at Park Royal and sold it for an industrial estate. Now, in a further addition to Aurum’s successful ‘Lost’ series, following Britain’s Lost Cities and Lost Victorian Britain, Guardian journalist Chris Arnot tours the country in search of our most lamented lost cricket grounds, hearing reminiscences from former players and spectators, and finding what, if anything, is left nowadays, apart from the poignant photographs of their picturesque heyday that make this a nostalgic and rueful trip back in time.

One of Literary Hub's Most Anticipated Books of 2022 A “brilliant London historian” (BBC Radio) tells the story of Britain as never before—through its abandoned villages and towns. Drowned. Buried by sand. Decimated by plague. Plunged off a cliff. This is the extraordinary tale of Britain’s eerie and remarkable ghost towns and villages; shadowlands that once hummed with life. Peering through the cracks of history, we find Dunwich, a medieval city plunged off a cliff by sea storms; the abandoned village of Wharram Percy, wiped out by the Black Death; the lost city of Trellech unearthed by moles in 2002; and a Norfolk village zombified by the military and turned into a Nazi, Soviet, and Afghan village for training. Matthew Green, a British historian and broadcaster, tells the astonishing tales of the rise and demise of these places, animating the people who lived, worked, dreamed, and died there. Traveling across Britain to explore their haunting and often-beautiful remains, Green transports the reader to these lost towns and cities as they teeter on the brink of oblivion, vividly capturing the sounds of the sea clawing away row upon row of houses, the taste of medieval wine, or the sights of puffin hunting on the tallest cliffs in the country. We experience them in their prime, look on at their destruction, and revisit their lingering remains as they are mourned by evictees and reimagined by artists, writers, and mavericks. A stunning and original excavation of Britain’s untold history, Shadowlands gives us a truer sense of the progress and ravages of time, in a moment when many of our own settlements are threatened as never before.

The Shorter Wisden is a compelling distillation of what's best in its bigger brother. Available from all major eBook retailers, Wisden's digital version includes the influential Notes by the Editor, all the front-of-book articles, reviews, obituaries and all England's Tests from the previous season. Brought together for the first time, here are the first five editions of The Shorter Wisden, distilled from the Almanacks published between 2011 and 2015.

Neville Cardus described how one majestic stroke-maker 'made music' and 'spread beauty' with his bat. Between two world wars, he became the laureate of cricket by doing the same with words. In The Great Romantic, award-winning author Duncan Hamilton demonstrates how Cardus changed sports journalism for ever. While popularising cricket - while appealing, in Cardus' words to people who 'didn't know a leg-break from the pavilion cat at Lord's'- he became a star in his own right with exquisite phrase-making, disdain for statistics and a penchant for literary and musical allusions. Among those who venerated Cardus were PG Wodehouse, John Arlott, Harold Pinter, JB Priestley and Don Bradman. However, behind the rhapsody in blue skies, green grass and colourful characters, this richly evocative biography finds that Cardus' mother was a prostitute, he never knew his father and he received negligible education. Infatuations with younger women ran parallel to a decidedly unromantic marriage. And, astonishingly, the supreme stylist's aversion to factual accuracy led to his reporting on matches he never attended. Yet Cardus also belied his impoverished origins to prosper in a second class-conscious profession, becoming a music critic of international renown. The Great Romantic uncovers the dark enigma within a golden age.

The Shorter Wisden is a compelling distillation of what's best in its bigger brother. Available from all major eBook retailers, Wisden's digital version includes the influential Notes by the Editor, all the front-of-book articles, reviews, obituaries and all England's Tests from the 2011 season.

LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2017 'Exquisite' Gideon Haigh 'Magical, a head rush, a marvel' Rahul Bhattacharya 'Startlingly original' Matthew Engel In 1975 Patrick Eagar took some photographs which were unlike any cricket photographs anyone had seen before. It was the summer of an Ashes and a World Cup (cricket's first), a near last-gasp summer before revolution when cricket was still a sport of helmetless faces and green fields with no advertising paint on them. A clamour of rare glamour descended on England: Thommo and D.K., baby-cheeked Viv Richards, careworn David Steele, lithe supercat Clive Lloyd, the Chappell brothers, Andy Roberts, Tony Greig, Doug Walters, trails of cigarette smoke gusting in his wake. From this raw material, a thirty-one-year-old with an expired Sports Illustrated subscription and a love of long lenses found something almost magical. Eagar's pictures reveal that "feeling is the thing that happens in 1000th of a second". So this is a cricket book about photography and what it can do - tell the future and show human beings in ways not available to our eyes. It is part detective story, (and reconstruction of one of cricket's greatest summers), part biography, part wild-roaming conversation, part essay on the power of the image, myth and reality. It shows Christian Ryan as one of the most elegant and perceptive writers on sport today. With seventy black-and-white and colour photographs by Patrick Eagar and other seminal photographers, it is is essential reading (and looking) for ardent fans and will exhilarate those who know nothing about cricket.

Over 500 pages of facts, statistics, and records of every match and every player for the Australian national Rugby Union team from the first match in June 1899 up to December 2023.

The cricket festival - when one of the county cricket clubs takes a week or so of games out of its home ground to a club ground somewhere else in the county, and attracts a large and festive crowd to a bucolic arena fringed with white marquees, beer tents and deckchairs - is a declining phenomenon. This follow-up to 'Britain's Lost Cricket Grounds' visits 30 lost festival grounds from Bournemouth to Abergavenny, Weston-super-Mare to Harrogate, and talks to former players, ground staff, club secretaries and spectators to re-live the days when the world's finest players came to town for one week only, packed the beer tent and thrilled the crowds.

______________________________ The huge word-of-mouth bestseller – completely updated for 2019 THE LONDON THAT TOURISTS DON’T SEE Look beyond Big Ben and past the skyscrapers of the Square Mile, and you will find another London. This is the land of long-forgotten tube stations, burnt-out mansions and gently decaying factories. Welcome to DERELICT LONDON: a realm whose secrets are all around us, visible to anyone who cares to look . . . Paul Talling – our best-loved investigator of London’s underbelly – has spent over fifteen years uncovering the stories of this hidden world. Now, he brings together 100 of his favourite abandoned places from across the capital: many of them more magnificent, more beautiful and more evocative than you can imagine. Covering everything from the overgrown stands of Leyton Stadium to the windswept alleys of the Aylesbury Estate, DERELICT LONDON reveals a side of the city you never knew existed. It will change the way you see London. ______________________________ PRAISE FOR THE DERELICT LONDON PROJECT ‘Fascinating images showing some of London’s eeriest derelict sites show another side to the busy, built-up capital.’ Daily Mail ‘Talling has managed to show another side to the capital, one of abandoned buildings that somehow retain a sense of beauty.’ Metro ‘Excellent . . . As much as it is an inadvertent vision of how London might look after a catastrophe, DERELICT LONDON is valuable as a document of the one going on right in front of us.’ New Statesman ‘From the iconic empty shell of Battersea Power Station to the buried ‘ghost’ stations of the London Underground, the city is peppered with decaying buildings. Paul Talling knows these places better than anyone in the capital.’ Daily Express ‘[London has an] unusual (and deplorable) number of abandoned buildings. Paul Talling’s surprise bestseller, DERELICT LONDON, is their shabby Pevsner.’ Daily Telegraph ______________________________

A century has always had a special resonance, in all walks of life, and none more so than in cricket. Scoring one hundred runs is the ultimate for a batsman. As former England captain Andrew Strauss admits, it's incredibly hard to do; for Ricky Ponting, it's a transformational moment in the career of a cricketer. Or in the words of Geoffrey Boycott, 'a century has its own magic'. In The Art of Centuries, Steve James applies his award-winning forensic insight to the very heart of batting. Through interviews with the leading run-scorers in cricket history and his own experiences, Steve discovers what mental and physical efforts are required to reach those magical three figures. Despite his own haul of 47 first-class tons, he himself felt at times that he was poorly equipped for the task. So working out how to score centuries is an art. And bowlers might not agree, but there really is no better feeling in cricket.