The Victorian and Edwardian eras in the run-up to 1914 marked the golden age of the English country house, when opulence and formality attained a level that would never be matched again. The ease of these perfect settings for flirtation and relaxation was maintained by a large and well-trained staff of servants. Although those 'in service' worked very long hours and had little personal freedom, many were proud of their positions and grateful for the relative security these gave. Indeed, the strictly hierarchical world below stairs could be more snobbish than that of a house's owners. Michael Paterson skilfully and entertainingly explores the myths and realities of this vanished world, both upstairs and down.

The modern House reflects upon the complicated relationship architecture has with the terms "Modernist", "Modernism" and "Modern" specifically in relation to the potent concept of the home, reflecting in part the narrative of how some of the most important examples of Modern houses were commissioned and built in the UK. These special examples of British Modernism include such progressive experiments on communal urban living as London's Isokon Building, completed in 1934 by eminent architect Wells Coates, and Berthold Lubetkin's Highpoint, which is today considered one of the most prominent examples of the early International Style. Compared with these urban enormities are private houses, such as the Laslett House in Cambridge, 1958, by the architect Trevor Dannatt, or the Winter House, designed by John Winter as his own residence. Included are an extended introductory essay by acclaimed architectural journalist Jonathan Bell, former architecture editor for Wallpaper* and contributing editor at Blueprint, and projects such as those designed by renowned architect Carl Turner, responsible for the low energy Slip House, a cantilevered sculptural abode of translucent glass, steel and concrete. With images of yet to be seen interiors and restorations, The Modern House illuminates the convergent characteristics of functionalism, truth to materials, flowing space and natural light within the Modern home as a space for living.

Britain’s stately homes and grand housesare among its greatest treasures, andThe Most Amazing Stately Homes inBritain brings you the grandest, mostmagnificent, eccentric and unusual ofthem all. This wonderfully illustratedregional touring guide describes eachhouse and tells its story, following theebb and flow of fortune and fame.Every house has something that setsit apart from the rest: the magnificentfour-storey Tudor tower (set in worldfamous gardens) of Sissinghurst inKent; sumptuous painted cloth wallhangingsof romantic Owlpen Manorin Gloucestershire; superb topiary atLevens Hall in Cumbria; sinister mythsof Blickling Hall in Norfolk and theenchanting Great Garden of Edzell Castlein Scotland, created in 1604 to stimulatethe mind and the senses. Discoverancient deer parks; exquisite collectionsof furniture, national treasures andbreathtaking views, to enjoy season-byseasonand year-round.The cover features Chatsworth inDerbyshire, one of Britain’s most famoushistoric houses and the fastest-growingpaid-for visitor attraction in 2010* withmore than 716,000 visitors. In May 2012Chatsworth featured in a popular threepartBBC1 documentary covering a yearbehind the scenes of the house and estate.

The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.

The New Towns Programme of 1946 to 1970 was one of the most substantial periods of urban development in Britain. The New Towns have often been described as a social experiment; so what has this experiment proved? This book covers the story of how these towns came to be built, how they aged, and the challenges and opportunities they now face as they begin phases of renewal. The new approaches in design throughout their past development reflect changes in society throughout the latter half of the twentieth century. These changes are now at the heart of the challenge of sustainable development. The New Towns provide lessons for social, economic and environmental sustainability. These lessons are of great relevance for the regeneration of twentieth century urbanism and the creation of new urban developments today.

The UK's chronic housing shortage is lowering the quality of life for millions, turning the British dream of home ownership into a cruel nightmare – not least for 'generation rent'. Countless vulnerable families are meanwhile being deprived of access to decent social housing, causing homelessness to spiral. In this searing polemic, Liam Halligan offers radical solutions to the most urgent political issue of our times. Fully updated, with a foreword from former Chancellor Sajid Javid and drawing on extensive interviews with Cabinet ministers, civil servants, leading developers and struggling homebuyers across the country, Home Truths is a no-holds-barred critique of the UK's housing crisis.

There is ‘no place like home’ sighs Dorothy in The Wizard of Oz. A sentiment with heightened meaning in Britain 2020. There is no book like Broken Homes either.

This richly illustrated and valuable resource reaches back five centuries to document the evolution and ingenuity of house design in the British Isles. The architecture of Britain's houses displays a dizzying variety of styles and details. Brimming with 600 full-colour photographs, House annotates hundreds of examples from every conceivable angle: from gables and pediments to chimneys and roofs; from bow windows and casements to fanlights and door furniture. Armed with a career's worth of experience and research, Philippa Lewis takes readers up and down the country to feature examples of typically British building, including cottages, manor houses, castles, bungalows, and flats. She also looks at houses built from a wide variety of materials, including stone, glass, wood, brick, and even corrugated iron, in different settings such as rural, suburban, seaside, and urban. Lively texts help identify specific details and place them in their historical context, as well as offering compelling examples of how innovative conversions of structures such as watermills, gatehouses, and churches reflect and sustain their environment. Readers interested in architectural history and design, and anyone looking to understand the nooks and crannies of their own home, will find this unique guide the most eye-opening and comprehensive of its kind. AUTHOR: Philippa Lewis is the author of Everything You Can Do in the Garden without Actually Gardening and co-author of A Dictionary of Ornament. She lives in Somerset, England. 650 colour images REDUCED FROM $70.00