In the first major academic work to examine British variety theatre, Double provides a detailed history of this art form and analyses its performance dynamics and techniques. Encompassing singers, comedians, dancers, magicians, ventriloquists and diverse speciality acts, this vibrant book draws on a series of new interviews with variety veterans.

Dance Psychology is the study of dance and dancers from a scientific, psychological perspective. Written by Dr Peter Lovatt (AKA Dr Dance), this Dance Psychology textbook provides a general introduction to the Psychology of Dance and then it delves in to eleven of the most central questions concerning Dance Psychology. Are humans born to dance? Does the way you move your body change the way you think? Will dancing make people happier? Can dancing put people in to a trance-like state? Will a person's dance confidence change across the lifespan? Does dancing make people healthier? Why do we enjoy watching some dance performances more than others? How do dancers remember so many dance routines? Why don't dancers get dizzy? Will dancing improve a person's self-esteem? How do we communicate emotions with our body? Drawing on academic literature, this book is engaging, technical and, in places, critical; it is essential reading for anyone with an interest in Dance Psychology.

The founder of the Dance Psychology Lab, Dr. Peter Lovatt, reveals the surprising cognitive and emotional benefits of dancing and prescriptive ways to dance yourself happy. Dancing isn’t just good exercise. Surrendering yourself to the beat can have a far-reaching impact on all areas of your life –it can help you communicate better, to think more creatively, and can be a powerful catalyst for change. Losing yourself in the moment to a song or piece of music can also alleviate anxiety, depression, and feelings of isolation, Dr. Peter Lovatt has found. Drawing on great stories from dance history as well as fascinating case studies from his Dance Psychology Lab and his own life, Dr Lovatt shares his best steps and routines, as well as top dance anthems to inspire everyone—even those who believe they “can't dance”—to turn the music on, stand up, and dance themselves happy. The Dance Cure is filled with surprising prescriptions covering a variety of needs, revealing how a particular type of dance can help. Looking to become more empathetic? Pair up for a Scottish country dance Eager to enhance your creativity? Shake it up with contemporary dance Need to de-stress? Let loose with punk-era pogo Looking to prolong your life? Zumba is the secret In need of showing yourself more love? Go solo as you trip the light fantastic. Want to bolster your self-confidence? Try ballet and belly dance. An irresistible blend of science and whimsy, The Dance Cure shows you how to turn the beat—and your life—around.

Calvin always wins because Calvin writes the rules. But this year, as he sits in judgement upon the mingers, clingers and blingers whom he has pre-selected in his carefully scripted 'search' for a star, he has no idea that the rules are changing. The 'real' is about to be put back into 'reality' television.

The inspirational memoir by international classical music star Paul Potts, winner of Britain’s GotTalent—soon to be a major motion picture from The Weinstein Company One Chance is the remarkable true story of Paul Potts, cell phone salesman by day, amateur singer by night, who stepped onto the stage in the premiere season of Britain’s Got Talent, and changed his life. When he opened his mouth to sing Puccini’s “Nessun Dorma,” judge Simon Cowell and millions of viewers were stunned. Paul went on to win the show’s competition and become a YouTube sensation and multiplatinum artist virtually overnight. Filled with personal recollections not featured in the film, this is the wonderful story of the shy, bullied Welsh store manager who seized his biggest dreams and won audiences around the world. The film One Chance, starring James Corden, Tony-winning star of One Man, Two Guvnors, and Julie Walters, star of Mamma Mia! and Billy Elliot, was directed by David Frankel (The Devil WearsPrada) and written by Justin Zackham (The Bucket List), and will be released in fall 2013.

Earlier this year, a dog danced his way into the history books as the first canine winner of Britain's Got Talent. En route to the title, Pudsey and his owner Ashleigh Butler won over Walliams, delighted Dixon, stole the heart of Holden, and utterly captivated Cowell. They charmed the nation, too - with millions of viewers tuning in to see them take the crown. But what do we really know of Pudsey's journey to stardom? How did he get from being a depressed dog to the mutt of the moment? In this, the most unusual celebrity book of the year, he's finally ready to tell his tale. As a young pup, Pudsey always knew he was somehow different to his dog-standard peers. While his brothers and sisters contented themselves with chasing their tails, he sat apart, yearning for something more. With the help of the menagerie of pets that fill the Butler household and despite some dastardly opposition threatening to stop him at every turn, Pudsey managed to achieve his dream. This Autobidography tells the story of his incredibly journey, straight from the dog's mouth.

THE HILARIOUS AND HEARTWARMING SUNDAY TIMES BESTSELLER Ant and Dec hold a special place in the hearts of TV viewers everywhere. This is their epic story, with never-before-seen photography and the very best tales from their 30 years in TV. Ant: As the old Chinese proverb says, 'Good things come in pairs'. Dec: And as another Chinese proverb says, 'If you've been in a double act with your best mate for thirty years, why not write a book about all your most memorable moments in three decades of showbusiness?' Ant: Less catchy that one, isn't it? Dec: But no less true. And after three decades together, we're writing that book. Covering everything from a pirate radio storyline in Byker Grove through to the biggest shows on telly, this is our story. Ant: Thirty years, eh? Amazing. Dec: Absolutely. Especially when you consider we are both still 27 years old. From their modest beginnings in Byker Grove through to their "unique" time as pop stars and an award-laden TV career, the last three decades have flown by in the blink of an eye. They've also featured an incredible cast of supporting characters, including their first scriptwriter (an unknown comedian called David Walliams), Saturday night fun and games with countless Hollywood A-listers, and celebrities they torture - sorry, work with - every year in the jungle. Told through the lens of every TV show they've made, as well as everything they've learnt along the way, this is the riotously funny journey of two ordinary lads from Newcastle who went on to achieve extraordinary things.

What if Germany had invaded the British Isles? “A distinguished contribution to the canon of alternate histories” (Military History). If Britain Had Fallen is a fascinating contemplation of what it would have been like for Britain to live day to day under Nazi occupation. It discusses every phase of the scenario, from the German pre-invasion maneuvering and preparations, to the landing of troops, to the German seizure of power. What would have happened to the king and the government? Would America, Canada, or Australia have come to the rescue? Would the British people have grown to accept the occupation? Would the deportation of friends and the flying of the swastika from Buckingham Palace incite passive compliance, or brave resistance? All these questions and more are explored in this thought-provoking and chilling pastiche of the twentieth century’s most enduring and darkest episodes. Based on a classic television film of the same name, this book includes illustrations and an updated foreword by military historian Norman Longmate.

This “sobering tale of the real consequences of gender bias” explores how Britain lost its early dominance in computing by systematically discriminating against its most qualified workers: women (Harvard Magazine) In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In Programmed Inequality, Mar Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole. Drawing on recently opened government files, personal interviews, and the archives of major British computer companies, Programmed Inequality takes aim at the fiction of technological meritocracy. Hicks explains why, even today, possessing technical skill is not enough to ensure that women will rise to the top in science and technology fields. Programmed Inequality shows how the disappearance of women from the field had grave macroeconomic consequences for Britain, and why the United States risks repeating those errors in the twenty-first century.

In April 2009, a modest middle-aged woman from a village in Scotland was catapulted to global fame when the YouTube video of her audition for Britain's Got Talent touched the hearts of millions all over the world. From singing karaoke in local pubs to live performance with an eighty-piece orchestra in Japan's legendary Budokan arena and a record-breaking debut album, Susan Boyle has become an international superstar. This astonishing transformation has not always been easy for Susan, faced with all the trappings of celebrity, but in the whirlwind of attention and expectation, she has always found calm and clarity in music. Susan was born to sing. Now, for the first time, Susan tells the story of her life and the challenges she has struggled to overcome with faith, fortitude and an unfailing sense of humour. 'When I strutted onto the stage for that audition, I was a scared wee lassie, still grieving for my mother, not caring how I looked. I think I've grown up a lot in the last year, become more of a lady, and I'm not so frightened anymore. I'm telling my story to try and show that you shouldn't judge a book by its cover, that you shouldn't just look at the label - you must look at the whole person, emotionally, physically, mentally and spiritually. I hope that it will show that dreams are not impossible, if you've got courage and a willingness to go on no matter what the circumstances.'