Winner of the 2015 Geoffrey Faber Memorial Prize Winner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection Shortlisted for the 2015 T. S. Eliot Prize Shortlisted for the 2014 Forward Prize for Best First Collection In this remarkable, intensely moving, first collection, Fiona Benson shows her fascination with human experience. The poems move on archaeological fast-forward from submerged Devonian forests and a Paleolithic cave-bear skull to the site of decommissioned submarines at HMNB Devonport, where the sea is ‘still a torpedo-path, / an Armageddon road’. She explores the shared human continuum of bodily longing – from the Prehistoric maker of a wooden fertility fetish, to a modern-day couple wading through summer pollen – and the timeless cycles of conception, birth and child-rearing. A central sequence of dramatic monologues addressed to Van Gogh allows for a focussed exploration of depression, violence, passion and creativity. In these poems, as in all the poems in this impressive debut, we feel keenly the sense of life lived at the edge of threat – catastrophe, even – but also on the cusp of beauty and happiness. Other poems about the bewildering loss of miscarriage are hard to read and impossible to forget, moving with grace and authority through great grief to arrive at a hard-won destination of selfless, unqualified love. ‘I remember again / the corridor / of the labour ward // and that woman / sitting weeping / with her man // having given birth / to a death – / small grey face, // no breath, / something you cannot help / but love – // habibi, akushla, /I go home alone / but carry you, // courie you, / little slipped thing, / to the ends of the earth.’

A wise and extraordinary YA tale of great challenges, myths and folklore; the third title in the award-winning Travellers series. Lutha of the Floating Village helps Ish, the outcast boy, escape with his beloved dogs, Jak and Nip, but before long, they are swept away, hurtled down an underground river only to emerge in the harsh land of the Great White Bear. The Bear Man comes to their rescue and takes Ish under his wing. It’s through their friendship, Ish discovers the Bear Man is a servant of the village people: he is their wise one, their healer, their shaman. In this timeless story by one of New Zealand's finest writers for children, Ish gains wisdom and a place. He learns the profound power of knowledge, the terrifying force of superstition, and witnesses first hand the mysteries of the human spirit. But in this land of blinding light there lurks a dark, menacing presence threatening all who may offend her. Ish, discovering he is to be blinded, escapes the Droll and her servant with the help of the Shaman, and finds his way back to Lake Ka and Lutha.

From Sofia Coppola’s luxurious family retreat in beautiful Bernalda, Italy, to the beaches of Kate Winslet’s secret Scottish hideaway of Eilean Shona, to Kate Moss’s favorite beach in the Maldives, each of these thirty-six personal tales of the loveliest spots around the globe are packed with anecdotes and lyrical descriptions to transport readers. The photography bursting across each page—from the crystal waters and azure skies of UXUA Casa Hotel & Spa, to the lush hillsides of Sri Lanka, to the hipster hangouts of Portland, Oregon—adds to the allure, inspiring a new desire to discover these beloved corners of the world. Condé Nast Traveller Britain has been setting the luxury travel agenda for almost twenty years, providing inspiration and advice for discerning travelers looking for unique, unforgettable experiences. Editor Melinda Stevens, named BSME New Editor of the Year in 2013, began her career at Vogue, followed by roles at Tatler, The Sunday Times and the London Evening Standard. Fiona Kerr is features editor and Matthew Buck is photographic editor of Condé Nast Traveller.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.