Bridle rosettes–functional objects that stabilized the bridle headstall, beautifully decorated and often imbued with family, political, or social symbols–are "roadmaps of America," spanning the last 200 years and reminding us of the major contribution of the horse to the development of the country. Over 10,000 different varieties were produced between c. 1850 and 1930. In over 800 vivid color photos many of these varieties are shown. Chapters explore glass and metal rosettes and related hardware, composition rosettes, and rosettes representing various organizations, businesses (advertising), and the military. Two later chapters present information and photographs of rosette pins, and contemporary (post-1960) and recycled rosettes. Historians, horse enthusiasts, collectors, and dealers alike will all treasure this book.

66 History in Real Life by Jennifer Singleton 73 Show-Ring Savvy {a photo essay} 77 The Inquisitive Mr. Day by Ken Wheeling 82 To Clean & Protect by Merri Ferrell 85 The Dating of Carriages, part 3 by Christopher Nicholson 90 The Stallion Importers by Tom Ryder Departments 96 Collectors' Corner • Bridle Rosettes 98 From the CMA Library 100 The Bookshelf {reviews} 101 CAA Bookstore 102 The Passing Scene {news} 127 Your Letters 128 The View from the Box {by John Lipovich]

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

- Vibrant color paintings illustrate soldiers and battles of the war - Color photos of seldom-seen period artifacts such as uniforms, weapons, and other equipment In this collection, renowned artist Don Troiani teams up with leading artifact historian James L. Kochan to present the American Revolution as it has existed only in our imaginations: in living color.From Bunker Hill to Yorktown, from Washington to Cornwallis, from the Minute Men to the Black Watch, these pages are packed with scenes of grand action and great characters, recreated in the vivid blues and reds that defined the Revolutionary era. Troiani's depictions of these legendary fife-and-drum soldiers are based on firsthand accounts and, wherever possible, surviving artifacts. Scores of color photographs of these objects--many of them from private collections and seen here for the very first time--accompany the paintings. Items range from muskets and beautifully ornate swords to more unique pieces such as badges with unit insignia or patriotic slogans and Baron von Steuben's liquor chest.More than just a glimpse into a world long past, this is the closest the modern reader can get to experiencing the Revolutionary War firsthand.

Annie Zook struggles to keep her promise to her preacher father to abandon her art and prove her worthiness to "join church." At the same time she is dangerously close to succumbing to another forbidden desire--a relationship with the handsome Englisher whose interest in her is more than mere curiosity. Yet Ben Martin has secrets of his own...