This is a travelogue that provides a detailed account of the author's journeys through northern Italy, documenting the various architectural marvels he encountered along the way. From the cathedrals and palaces of Milan to the Byzantine palaces of Venice, the book offers an insightful perspective on Italian Gothic architecture and the use of brick and marble in construction during the Middle Ages. It also offers descriptions of the various churches, buildings, and monuments accompanied by detailed sketches and photographs.

"Step into the medieval world of architectural splendor with George Edmund Street in 'Brick and Marble in the Middle Ages.' This insightful work, written in the 19th century, delves into the intricacies of medieval construction, exploring the use of brick and marble in the creation of some of Europe's most iconic structures. Street's narrative takes readers on a captivating journey through the cathedrals, churches, and castles of the Middle Ages. Through meticulous analysis and vivid descriptions, he unravels the craftsmanship and design principles behind the use of brick and marble, shedding light on the architectural innovations of the time. More than a treatise on building materials, 'Brick and Marble in the Middle Ages' is a scholarly exploration that unveils the artistic and engineering achievements of medieval builders. Join Street on this literary expedition where each page unfolds a new layer of understanding, making it an essential read for those fascinated by the intersection of history, architecture, and craftsmanship in the medieval era."

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.