DescriptionHow did it work, exactly, that Johnners magic? Brian Johnston was arguably the most distinctive and best loved voice in British broadcasting. Elder statesman of the Test Match Special team, he was also Britain's most entertaining commentator with an irrepressible and infectious sense of humour. Johnners also had an enviable talent like few other broadcasters of making his listeners feel like close, personal friends.Drawing on Brian Johnston's own papers and other previously unpublished sources as well as conversations with an enormous selection of his friends and colleagues, Tim Heald's fully authorised biography brings to us the many different sides of Johnners and encapsulates brilliantly his truly remarkable life.Praise for Brian Johnston'Tim Heald is a good writer, an assiduous researcher and an experienced biographer... The result is outstanding, so revealing that you have to refer to the dust jacket to reassure yourself this is authorised... There has never been an Englishman quite like Brian Johnston. Tim Heald, without rocking boats or destroying legends, has written a masterpiece which will humanise the legend' Daily Mail'Heald's light touch and anecdotal approach are entirely in keeping with the man -Johnners would have approved' Time Out'Packed as sweetly as some rich cake with... fun and humour... Inspired' The Times'Delightful' Daily Express

From industry terms and mathematical equations, to retail display guidelines and press sizes, this book is a quick reference guide to almost anything you will need in your library of information as a Structural Packaging Designer, focusing primarily on the corrugated side of packaging materials. This book consists of information and notes that have been accumulated from over twenty years experience in the Packaging Industry as a Structural Designer. Whether you are a veteran in the industry, or a student just starting out, this book will be a handy resource of guidelines that will assist you along your journey. What can you find inside? - Calculating basis weights of materials, cubic volumes, and stacking strengths - Shipping volumes for Transport Trucks and Sea Containers - Design Thinking and Tips - Box Standards and their tolerances And much more.

"After a long sojourn in China, Brian Johnston arrived in Cairns to join his sister on a campervan trip across the 'top end'. Into the Never-Neveris a beautifully written and often hilarious account of their adventures in the remote outback and on to the coast and the cities, in search of the Australia they knew only from tourist brochures and soap operas. The book is suffused with Johnston's growing affection for the country and its people. It is also shadowed by an acute awareness of Australia s underlying cultural tensions. From warts-and-all accounts of casual racism in the outback to unabashed delight in Sydney s Mardi Gras, Into the Never-Neverpresents Australia s burgeoning cultural diversity in microcosm.In his second traveller's tale, Brian Johnston's dry wit and wonderful descriptive powers are once again in evidence. Whether bogged on a beach in Broome, sightseeing in Canberra with a Laotian friend, or speaking with the traditional owners on a cliff-top in Kakadu, he never loses his keen sense of the absurd and his sensitivity to the nuances of everyday encounters."

Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas. Brian Johnston is Chief Editor of Theater Three. He is the author of The Ibsen Cycle and To the Third Empire, and is Visiting Professor, Department of Drama, Carnegie Mellon University.

Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.

Following on from the success of STUMPED! THE WORLD'S FUNNIEST CRICKET QUOTES, here is a new selection of gaffes and quips from cricket lovers the world over, guaranteed to make you smile.

No aircraft ever captured the curiosity & fascination of the public like the SR-71 Blackbird. Nicknamed "The Sled" by those few who flew it, the aircraft was shrouded in secrecy from its inception. Entering the U.S. Air Force inventory in 1966, the SR-71 was the fastest, highest flying jet aircraft in the world. Now for the first time, a Blackbird pilot shares his unique experience of what it was like to fly this legend of aviation history. Through the words & photographs of retired Major Brian Shul, we enter the world of the "Sled Driver." Major Shul gives us insight on all phases of flying, including the humbling experience of simulator training, the physiological stresses of wearing a space suit for long hours, & the intensity & magic of flying 80,000 feet above the Earth's surface at 2000 miles per hour. SLED DRIVER takes the reader through riveting accounts of the rigors of initial training, the gamut of emotions experienced while flying over hostile territory, & the sheer joy of displaying the jet at some of the world's largest airshows. Illustrated with rare photographs, seen here for the first time, SLED DRIVER captures the mystique & magnificence of this most unique of all aircraft.

With his sly little moustache, broad gap-toothed grin, garish waistcoats and ostentatious cigarette holder, Terry-Thomas was known as an absolute bounder, both onscreen and off. Graham McCann’s hugely entertaining biography celebrates the life and career of a very English rascal. Born in 1911 into an ordinary suburban family, Thomas Terry Hoar-Stevens set about transforming himself at a very early age into a dandy and a gadabout. But he did not put the finishing touches to his persona until the mid-1950s with his groundbreaking TV comedy series How Do You View?, a forerunner of The Goon Show and Monty Python. Terry-Thomas went on to carve out a long and lucrative career in America, appearing on TV alongside Judy Garland, Bing Crosby and Lucille Ball, and in Hollywood movies with Jack Lemmon, Rock Hudson and Doris Day. He became every American’s idea of a mischievous English gent. After a long battle with Parkinson’s disease, he died in 1990 in comparative obscurity, but his influence lives on. Basil Brush was a polyester tribute to Terry-Thomas, and comedians including Vic Reeves and Paul Whitehouse hail T-T as a role model. ‘Dandyism is the product of a bored society,’ D’Aurevilly observed. Terry-Thomas cocked a snook at the dull sobriety of post-war Britain with his sly humour. As he would say himself: ‘Good show!’