Offers practical, in-depth information for an internship or first job in the field of television.

The old screenwriting motto is, “Work on your script, and the jobs will come.” This is false. A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply “get a production assistant job.” But then what? And how do you get that job to begin with? Breaking into TV Writing contains all the crucial information left out of most screenwriting books, like: How to get your first job in TV What TV writing samples you need How to break into the elusive TV writers’ room How a writers’ room creates an episode of TV Which assistant jobs are worth your time (and which you should avoid at all costs) Anton Schettini provides a rare insider’s glimpse of the modern-day network and streaming TV writers’ room. Here, you will find practical advice, career-path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer. The industry would love to tell you to put your head down, work hard, write a lot, and pay your dues; Schettini will show you why that hackneyed mantra is misleading, and how you can put yourself in the best position to break through the barriers and see your work on the TV screen.

The 10th anniversary edition, now with a new preface by the author "A wonderfully smart, lively, and culturally astute survey." - The New York Times Book Review "Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be." - The Wall Street Journal "I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed." - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture.

Provides answers to hundreds of questions about acting in Hollywood.

Successfully entering the TV industry can be difficult to navigate. Breaking into Factual TV will guide you through the process from how to get your first job to how to make it at the top. Written in a clear and accessible way, author Zenia Selby demystifies the TV industry for new entrants and covers all the key roles including runner, researcher, assistant producer, producer and director. Selby reveals what no one ever tells you when you start working at a TV production company – the chain of hierarchy, the most effective ways to network, and the best way to structure your work. The book will travel with you up your career ladder: as you progress from runner to researcher to producer to director, each section provides you with the blueprint you need to excel with every promotion and warns you of the pitfalls to avoid. Perspectives from industry professionals are provided throughout, with interviews with Mitchell Langcaster-James (The Only Way is Essex, QI, and Celebs Go Dating), Jeremy Turner (Edward Snowden: Whistleblower or Spy?, and Women in Prison), Alec Lindsell (Inside the Factory, and The One Show), and Sophie Smith (Albert: The Power Behind Victoria, and Digging for Britain) to offer insight into the reality of their roles. The book is ideal for emerging professionals and graduates of television courses looking to take their first step in the TV industry.

Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series, edited by David P. Pierson, explores the contexts, politics, and style of AMC's original series Breaking Bad. The book's first section locates and addresses the series from several contemporary social contexts, including neo-liberalism, its discourses and policies, the cultural obsession with the economy of time and its manipulation, and the epistemological principles and assumptions of Walter White's criminal alias Heisenberg. Section two investigates how the series characterizes and intersects with current cultural politics, such as male angst and the re-emergence of hegemonic masculinity, the complex portrayal of Latinos, and the depiction of physical and mental impairment and disability. The final section takes a close look at the series' distinctive visual, aural, and narrative stylistics. Under examination are Breaking Bad's unique visual style whereby image dominates sound, the distinct role and use of beginning teaser segments to disorient and enlighten audiences, the representation of geographic space and place, the position of narrative songs to complicate viewer identification, and the integral part that emotions play as a form of dramatic action in the series.

(Applause Books). Television Writing from the Inside Out is a how-to book with a difference: Larry Brody is a television writer-producer who has helped shape the medium. The book is rooted in experience, and told in the breezy style that is the trademark of Brody and his award-winning website TVWriter.Com, which has helped launch the careers of many new writers. The information given by Brody and the manner in which he gives it has made him a writing guru to thousands of hopefuls. Television Writing from the Inside Out covers: what writing jobs are available; the format, structure and stages of teleplay development; tips on the writing of different genres drama, comedy, action, the television film, soap opera, animation; and sample teleplays by Brody and others, with analyses of why they were written the way they were in terms of creativity, business, production and "insider politics." Television Writing from the Inside Out presents all that Larry Brody has learned about writing, selling and surviving in the television industry. The best-kept secret in show business has been that it is a business, but Brody's readers will know the truth and armed with their new knowledge, they will have a significant edge as they set out to conquer this fascinating field.

For use in schools and libraries only. When the television breaks, Jeffrey is forced to find fun and imaginative ways to entertain himself.

'Incredibly timely, practical advice for developing contacts and skills' Jo Taylor, 4Talent Manager at Channel 4 TV is a notoriously difficult industry to get into and progress within. There is no set career path and 70% of applicants rely on contacts to get a foothold. Based on the author's experience as a TV researcher, series producer and recruitment executive, this contemporary guide will help thousands of hopefuls break into TV. It is packed with inside information and advice from training bodies, HR executives, and people working in the industry at every level, including for example: Conrad Green - the multi award-winning British Executive Producer of American Idol and Dancing With the Stars (US) Tim Hincks - Chairman of Endemol (makers of Big Brother) Grant Mansfield - Chairman and MD of RDF Television Kate Phillips - Head of Development at BBC TVFrom the do's and don'ts of work experience, the role of the researcher, the 'seven stages of CV', pathways to series producer and how to move up the ladder, this is the TV job hunter's bible.

Blake Snyder's Save the Cat!®, the world's top-selling story method for filmmakers and novelists, introduces The Last Book on Creating Binge-Worthy Content You'll Ever Need. ​Screenwriter Jamie Nash takes up Snyder's torch to lay out a step-by-step approach using Blake's principles so that both new and experienced writers can learn how to: -Use all the nuances, tricks, and techniques of pilot-writing (The Opening Pitch, The Guided Tour, The Whiff of Change) with examples from today's hottest series -Discover the Super-Secret Keep It On The Downlow TV Pitch Template that combines all the critical points of your amazing TV series into one easy-to-read-over-lunch high-level document -Define the 9 TV Franchise Types -Crack your story using the Save the Cat! beat sheet -Devise high-level series concepts with multi-season potential -Map out and organize TV pilots and multi-season shows -Break down the best and most diverse TV series using examples from Atlanta, Barry, Ozark, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, Law and Order: SVU and more -Create layered characters who are driven by complex internal struggles It's time for Save the Cat! Writes for TV to help you create your binge-worthy TV series!