“My greatest aim has been to advance the art of photography and to make it what I think I have, a great and truthful medium of history.” —Mathew Brady Mathew Brady and his team of assistants risked their lives to capture up-close images of the fury of the American Civil War and its aftermath. Brady actually got so close to the action during the First Battle of Bull Run that he only narrowly avoided capture. Brady's Civil War Journal chronicles the events of the war by showcasing a selection of Brady's moving, one-of-a-kind images and describing each in terms of its significance. Brady’s team not only captured thousands of portraits of the combatants, the generals, the fighting men, the sick, the dead, and the dying, but also documented the infrastructure of the war machine itself, recording images of artillery pieces, the early railroads, and extraordinary engineering feats. The text by Theodore P. Savas, an expert on the Civil War, adds context to Brady's memorable photographs, creating an unrivaled visual account of the most costly conflict in American history as it unfolded. His unique record of the war gives modern readers a fascinating insight into the terrible maelstrom that shaped our nation.

A comprehensive narrative and collection of photographs of the Civil War.

The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.

Retells the Civil War through the eyes of photographer Mathew Brady and other field photographers as they record a brutal and deadly time.

In this first book-length environmental history of the American Civil War, Lisa M. Brady argues that ideas about nature and the environment were central to the development and success of Union military strategy. From the start of the war, both sides had to contend with forces of nature, even as they battled one another. Northern soldiers encountered unfamiliar landscapes in the South that suggested, to them, an uncivilized society's failure to control nature. Under the leadership of Ulysses S. Grant, William Tecumseh Sherman, and Philip Sheridan, the Union army increasingly targeted southern environments as the war dragged on. Whether digging canals, shooting livestock, or dramatically attempting to divert the Mississippi River, the Union aimed to assert mastery over nature by attacking the most potent aspect of southern identity and power--agriculture. Brady focuses on the siege of Vicksburg, the 1864 Shenandoah Valley campaign, marches through Georgia and the Carolinas, and events along the Mississippi River to examine this strategy and its devastating physical and psychological impact. Before the war, many Americans believed in the idea that nature must be conquered and subdued. Brady shows how this perception changed during the war, leading to a wider acceptance of wilderness. Connecting environmental trauma with the onset of American preservation, Brady pays particular attention to how these new ideas of wilderness can be seen in the creation of national battlefield memorial parks as unaltered spaces. Deftly combining environmental and military history with cultural studies, War upon the Land elucidates an intriguing, largely unexplored side of the nation's greatest conflict.

They took the most memorable photographs of the Civil War. Now their long rivalry was about to climax with the spilled blood of an American president--an event that would usher in a new age of modern media. Mathew Brady and Alexander Gardner were the new media moguls of their day. With their photographs they brought the Civil War -- and all of its terrible suffering -- into Northern living rooms. By the end of the war, they were locked in fierce competition. And when the biggest story of the century happened--the assassination of Abraham Lincoln--their paparazzi-like competition intensified. Brady, nearly blind and hoping to rekindle his wartime photographic magic, and Gardner, his former understudy, raced against each other to the theater where Lincoln was shot, to the autopsy table where Booth was identified, and to the gallows where the conspirators were hanged. Whoever could take the most sensational -- or ghastly -- photograph would achieve lasting camera-lens fame. Compelling and riveting, Shooting Lincoln tells the astonishing, behind-the-photographs story of these two media pioneers who raced to "shoot" the late president and the condemned conspirators. The photos they took electrified the country, fed America's growing appetite for tabloid-style sensationalism in the news, and built the media we know today.

Smithsonian Civil War is a lavishly illustrated coffee-table book featuring 150 entries in honor of the 150th anniversary of the Civil War. From among tens of thousands of Civil War objects in the Smithsonian's collections, curators handpicked 550 items and wrote a unique narrative that begins before the war through the Reconstruction period. The perfect gift book for fathers and history lovers, Smithsonian Civil War combines one-of-a-kind, famous, and previously unseen relics from the war in a truly unique narrative. Smithsonian Civil War takes the reader inside the great collection of Americana housed at twelve national museums and archives and brings historical gems to light. From the National Portrait Gallery come rare early photographs of Stonewall Jackson and Ulysses S. Grant; from the National Museum of American History, secret messages that remained hidden inside Lincoln's gold watch for nearly 150 years; from the National Air and Space Museum, futuristic Civil War-era aircraft designs. Thousands of items were evaluated before those of greatest value and significance were selected for inclusion here. Artfully arranged in 150 entries, they offer a unique, panoramic view of the Civil War.

Fought over the course of four years, the Civil War pitted countrymen against countrymen, North versus South, friend against friend, and brother against brother. The photographs within these pages document the war that united America as one. These rare shots were taken in the middle of the battlefield during the earliest days of photography. Selected from a collection of seven thousand original negatives, these historic photos capture nearly every aspect of Civil War life. Among these photos are images of camps sprawling across acres, soldiers at their battlements, firing of heavy artillery, the aftermath of battle, and the terror that these young men faced. See first-hand of Union and Confederate officers strategizing their next moves, and Abraham Lincoln addressing his Union commanders. Originally released from the private collection of Edward Bailey Eaton in 1907, this edition is a must have for any Civil War buff or historian. No collection can be considered complete without these photographs by Matthew Brady and Alexander Gardner, as well as the meticulous passages that put the images in illuminating context.

Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.

The name TIME-LIFE has become synonymous with providing readers with a deeper understanding of subjects and world events that matter to us all. Now, with the 150th anniversary of the end of the Civil War upon us, TIME-LIFE The Civil War in 500 Photographs will be an indispensable guide to a nation-changing era and the military, social, economic, and political forces that shaped it. The narrative of the Civil War, fought from 1861 to 1865, is familiarly to almost all Americans, from Presidential candidate Abraham Lincoln's noble declaration that "the government cannot endure permanently half-slave, half-free" to Confederate Gen. Robert E. Lee's surrender at Appomattox. Yet the details of the battles and battlefields, the political maneuverings, and the personalities who defined the war continue to fascinate citizens of all ages. TIME-LIFE The Civil War in 500 Photographs taps into that into that interest, providing a fresh and accessible way to appreciate this most important conflict. It will lay out the war's major developments in arresting, colorized images and cover topics from the backstory through secession, the Union's early setbacks, the Underground Railroad, victories at Gettysburg and Vicksburg, and Reconstruction. For history buffs and the newly curious, The Civil War in 500 Photographs will be the ultimate, easy-to-use guide to four years that changed our nation forever.