The perspective of the non Christian in a subculture society during 1971 experimenting with alternative life styles, music, and hallucinating drugs were prevalent, it was Libbys desire to write from their emotional perspective and capture this time in history whereby the cold war with Russia created a dooms day cataclysmic effect on the minds of a subculture generation who grew up to turn on and drop out a generation waiting for the next shoe to fall as Nikita Khrushchev had pounded the podium with his shoe at the UN in 1958 and then the Bay of Pigs where they awaited John F. Kennedys decision as to whether we would go to nuclear war in 1961 with Cuba whose allies were with Russia. At that time this subculture generation lived by their own rules some grew to adulthood without changing, some did change. There was no nuclear bomb to this day and time which fell on humankind but a great deal of testing of nuclear bombs in the waters of the earth was done.

We're going on a bear hunt. Through the long wavy grass, the thick oozy mud and the swirling, whirling snowstorm - will we find a bear today?

The last thirty years have witnessed one of the most fertile periods in the history of children's books. A fascinating reference guide to the world of children's literature, this volume covers every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns

Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves. Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture. Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.

Animal abuse is an increasingly recognized issue throughout the world and makes headlines every year. The plight of animals is well documented, but the hidden cost to those who help is not fully understood. This practical handbook covers definitions, types and explanations of forms of animal abuse, and then examines the impacts of animal abuse on professionals and provides coping strategies. The book concludes with a guide to dealing with animal abuse, including providing first aid for common emergencies and dealing with the human abusers.

"This work is a serious anthropological study of Australian Aboriginal religion. It is designed to be read by adults, and is primarily for use in universities and/or similar institutions. It is not, therefore, for use in schools. Where Australian Agorigines are concerned, and in areas where traditional Aboriginal religion is still significant, this book should be used only after consultation with local male religious leaders. This restriction is important. It is imposed because the concept of what is secret, or may not be revealed to the uninitiated in Aboriginal religious belief and action, varies considerably throughout the Australian continent; And because the varying views of Aborigines in this respect must on all occasions be observed. January 30th 1973 Ronald M. Berndt" --

Musaicum Books presents to you this meticulously edited collection of world's greatest classics with the most influential female protagonists in literature: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Harding Davis) Little Women (Louisa May Alcott) Behind a Mask (Louisa May Alcott) The Portrait of a Lady (Henry James) Daisy Miller (Henry James) The Bostonians (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) Wives and Daughter (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) Herland (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) Hedda Gabler (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) The Story of a Baby (Ethel Sybil Turner) New Amazonia (Elizabeth Burgoyne Corbett) Ann Veronica (H. G. Wells) A Girl of the Limberlost (Gene Stratton-Porter) A Daughter of the Land (Gene Stratton-Porter) The Iron Woman (Margaret Deland) O Pioneers! (Willa Cather) My Ántonia (Willa Cather) The Song of the Lark (Willa Cather) The House of Mirth (Edith Wharton) Summer (Edith Wharton) Sister Carrie (Theodore Dreiser) Jennie Gerhardt (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) Voyage Out (Virginia Woolf) Parnassus on Wheels (Christopher Morley) The Job (Sinclair Lewis) Miss Lulu Bett (Zona Gale) The Rainbow (D. H. Lawrence) The Lost Girl (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Fanny Herself (Edna Ferber) So Big (Edna Ferber)