A lively and encouraging picture book celebrating boys who love to dance, from the renowned American Ballet Theatre. Boys who love to dance are center stage in this encouraging, positive, rhyming picture book about guys who love to pirouette, jeté, and plié. Created in partnership with the American Ballet Theatre and with the input of their company's male dancers, here is a book that shows ballet is for everyone. Written by the acclaimed author of A Is for Audra: Broadway's Leading Ladies from A to Z, this book subtly seeks to address the prejudice toward boys and ballet by showing the skill, hard work, strength, and smarts is takes to be a dancer. Fun and buoyant illustrations show boys of a variety of ages and ethnicities, making this the ideal book for any boy who loves dance. An afterword with photos and interviews with some of ABT's male dancers completes this empowering and joyful picture book.

Being with Luke consumes Ellie's time, but when she is cast in the Royal Opera House's Christmas ballet, juggling homework, friends, rehearsals, and a boyfriend becomes too difficult and she must make a heart-wrenching decision.

Tucker Dohr loves ballet but is constantly teased by football players his age for being a sissy, however they see him in a whole new light when circumstances place him in a position to help them win the football championship.

This uplifting novel follows Mitchell to third grade when he becomes a ballet danseur. He is under attack by his peers for choosing to do ballet.

The challenges that young women go through in order to be successful in the world of dance are well known. However, little is known about the experiences of young men who choose to take dance classes in non-professional settings. Dancing Boys is one of the first scholarly works to demystify the largely unknown challenges of adolescent males in dance. Through an ethnographic study of sixty-two adolescent male students, Zihao Li captures the authentic stories and experiences of boys participating in dance classes in a public high school in Toronto. Accompanied by the boys’ artwork and photographs and supported by a documentary-style video, the study explores their motivations for dancing, their reflections on masculinity and gender, and the internal and external factors that impact their decisions to continue to dance professionally or in informal settings. With the author’s reflections on his own journey as a professional dancer woven throughout, Dancing Boys will spark discussion on how and why educators can engage adolescent males in dance.

Surveying the state of American ballet in a 1913 issue of McClure's Magazine, author Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. One hundred years later, ballet is everywhere. There are ballet companies large and small across the United States; ballet is commonly featured in film, television, literature, and on social media; professional ballet dancers are spokespeople for all kinds of products; nail polish companies market colors like "Ballet Slippers" and "Prima Ballerina;" and, most importantly, millions of American children have taken ballet class. Beginning with the arrival of Russian dancers like Anna Pavlova, who first toured the United States on the eve of World War I, Ballet Class: An American History explores the growth of ballet from an ancillary part of nineteenth-century musical theater, opera, and vaudeville to the quintessential extracurricular activity it is today, pursued by countless children nationwide and an integral part of twentieth-century American childhood across borders of gender, class, race, and sexuality. A social history, Ballet Class takes a new approach to the very popular subject of ballet and helps ground an art form often perceived to be elite in the experiences of regular, everyday people who spent time in barre-lined studios across the United States. Drawing on a wide variety of materials, including children's books, memoirs by professional dancers and choreographers, pedagogy manuals, and dance periodicals, in addition to archival collections and oral histories, this pathbreaking study provides a deeply-researched national perspective on the history and significance of recreational ballet class in the United States and its influence on many facets of children's lives, including gender norms, consumerism, body image, children's literature, extracurricular activities, and popular culture.

Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.

"Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender."—Randy Martin, Journal of the History of Sexuality

“A revealing book about the grueling—and glamorous—world of ballet” (Daily News, New York). Is everything really so beautiful at the ballet? For Miami City Ballet principal dancer Jennifer Carlynn Kronenberg it is; but it wasn’t always so. Learn how she made it through all of her high jinx mishaps, missteps, and tribulations, and continued on to a glorious career as a prima ballerina with an internationally acclaimed ballet company. Kronenberg shares her memoirs, hints, tips, and professional advice for aspiring dancers and their parents, hoping to ease them through the hard years of study as well as through the abrupt and challenging transition from student to professional. Covering everything from choosing a school and auditioning, to stage makeup and backstage basics, this books provides the answers young dancers need to help them survive in today’s challenging ballet world. “Chock-full of tips and advice for aspiring dancers and their parents, and includes a personal account of the ballerina’s rocky journey to fame.” —Brooklyn Downtown Star “Entertaining, realistic, and practical—that big sister that you’d like to have beside you.” —Ballet News

Combining the arts of photography and dance, Ballet in Sarawak explores the history of ballet in Sarawak, a Malaysian state on the island of Borneo. Through photographs by Brendan Goh and narratives by Chan LayNa, this visual history tells the story of how ballet first emerged on the Sarawakian scene and how it took root in the small town of Kuching. LayNa shares the story of how she started her own dance academy in Kuching. The subsequent chapters offer a concise reference book and teaching guide for students and teachers alike on the history of ballet, technical details of dance movement and expression, what goes on backstage before curtain call, and the art of the performance. Ballet in Sarawak also details the difficulties of pursing dance, the challenges of insufficient funding and infrastructure, and lack of support from parents or institutions. Yet despite these difficulties, those associated with ballet continue to have hope conductive to the growth of this enduring dance form. It is a story of the strength of a people and culture told through photographs and words.