After narrowly escaping marauding pirates, Arabella has returned to safety and is ready to go through with her arranged marriage. The human Prince Phillip isn't who she wants to wed, but he was chosen by her parents to unite the elven and human realms. Arabella has fought her way through too many death threats and attacks to give up on this important goal, although the pirate Captain Smythe remains set on keeping the two countries enemies. With the odds and her own heart against her, Arabella must overcome forces beyond her control if she's to forge peace between the kingdoms.

A unique anthology of poems from around the world and through the ages that celebrate magic and magicians No matter how modern or scientifically advanced our societies become, human beings remain perpetually enthralled by the idea of magic, from our daily superstitions to our choices of entertainment. Magic has long been a central subject of poetry, and the poems in this collection are evocative evidence that the poet’s art depends on a form of wizardry—the ability to conjure enchantment from a particular combination of words. Venerable literary wizards such as Shakespeare's Prospero, Tennyson's Merlin, and T. S. Eliot's Mr. Mistoffelees make appearances here alongside illusionists and prestidigitators in Kay Ryan's "Houdini," Ted Kooser's "Card Trick," Charles Simic's "My Magician," and Richard Wilbur's "The Mind-Reader." Here is a treasury of poetic spells, charms, and incantations, from Elise Paschen's "Love Spell," Robert Graves's "Love and Black Magic," and Lu Yu's "The Pedlar of Spells," to a Cherokee "Spell to Destroy Life." And here, too, are all sorts of sorcerers, conjurers, enchantresses, and witches, as captured in Emily Dickinson's "Best Witchcraft is Geometry," Michael Schmidt's "Nine Witches," and H. D.'s "Circe," keeping company with magical poems from cultures around the world. Everyman's Library's Pocket Poets are pocket-sized hardcovers that feature acid-free cream-colored paper bound in a full-cloth case with two-color foil stamping, decorative endpapers, a silk ribbon marker, a European-style half-round spine, and a full-color illustrated jacket.

Introductions to the epistles to Timothy and Titus are followed by a verse-by-verse exegesis of the biblical text.