A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

Within the recent explosion of creative nonfiction, a new type of form is quietly emerging, what Brenda Miller calls "hermit crab essays." The Shell Game is an anthology of these intriguing essays that borrow their structures from ordinary, everyday sources: a recipe, a crossword puzzle, a Craig's List ad. Like their zoological namesake, these essays do not simply wear their borrowed "shells" but inhabit them so perfectly that the borrowed structures are wholly integral rather than contrived, both shaping the work and illuminating and exemplifying its subject. The Shell Game contains a carefully chosen selection of beautifully written, thought-provoking hybrid essays tackling a broad range of subjects, including the secrets of the human genome, the intractable pain of growing up black in America, and the gorgeous glow residing at the edges of the autism spectrum. Surprising, delightful, and lyric, these essays are destined to become classics of this new and increasingly popular hybrid form.

"In Borrowed Design, Steven Heller and Julie Lasky offer a critical assessment of the use and abuse of what designers employ or ""borrow"" to creatae their works. Contemporary designers often engage historical styles for their own objectives without fully understanding a style's original context of purpose. Borrowed Design is an invaluable source for any student or professional in graphic or fine arts who intends to establish personal guidelines regarding the appropriate use of history in their work."

First Published in 1990. This title embraces the descriptive, comparative and historical aspects of the language. It also concerns itself with the classical form as well as the modern and contemporary standard forms and their dialects. Moreover, it attempts to study the language in the appropriate regional, social and cultural settings. This series will be of interest not only to students and researchers in Arabic linguistics but also to students and scholars of other disciplines who are looking for information of theoretical, practical or pragmatic interest.

An informative and insightful collection of essays on cultural appropriation, focusing on America's appropriation and use of Native American culture specifically. The topics in this book covers topics from the arts, land, and artifacts to ideas, knowledge, and symbols.

Genealogical linguistics and areal linguistics are rarely treated from an integrated perspective even if they are twin faces of diachronic linguistics. In Copies versus Cognates in Bound Morphology Lars Johanson and Martine Robbeets take up this challenge. The result is a wealth of empirical facts and different theoretical approaches, advanced by internationally renowned specialists and young scholars whose research is highly pertinent to the topic. Copies versus Cognates in Bound Morphology puts genealogical and areal explanation for shared morphology in a balanced perspective and works out criteria to distinguish between morphological cognates and copies. Lars Johanson and Martine Robbeets provide nothing less than the foundations for a new perspective on diachronic linguistics between genealogical and areal linguistics. Contributors include: Alexandra Aikhenvald, Ad Backus, Dik Bakker, Peter Bakker, Éva Csató, Stig Eliasson, Victor Friedman, Francesco Gardani, Anthony Grant, Salomé Gutiérrez-Morales, Tooru Hayasi, Ewald Hekking, Juha Janhunen, Lars Johanson, Brian Joseph, Folke Josephson, Judith Josephson, Johanna Nichols, Martine Robbeets, Marshall Unger, Nikki van de Pol, Anna Verschik, Lindsay Whaley.

This book presents new empirical findings about Germanic heritage varieties spoken in North America: Dutch, German, Pennsylvania Dutch, Icelandic, Norwegian, Swedish, West Frisian and Yiddish, and varieties of English spoken both by heritage speakers and in communities after language shift. The volume focuses on three critical issues underlying the notion of ‘heritage language’: acquisition, attrition and change. The book offers theoretically-informed discussions of heritage language processes across phonetics and phonology, morphology, syntax and semantics and the lexicon, in addition to work on sociolinguistics, historical linguistics and contact settings. With this, the volume also includes a variety of frameworks and approaches, synchronic and diachronic. Most European Germanic languages share some central linguistic features, such as V2, gender and agreement in the nominal system, and verb inflection. As minority languages faced with a majority language like English, similarities and differences emerge in patterns of variation and change in these heritage languages. These empirical findings shed new light on mechanisms and processes.

This book shows how, when, and why English took words from other languages and explains how to find their origins and reasons for adoption. It covers the effects of contact with languages ranging from Latin and French to Yiddish, Chinese, and Maori, from Saxon times to the present. It will appeal to everyone interested in the history of English.

We gratefully acknowledge the financial support of COST (European Cooperation in Science and Technology), funded by the Horizon 2020 Framework Programme of the European Union. Current grammatical knowledge about particular sign languages is fragmentary and of varying reliability, and it appears scattered in scientific publications where the description is often intertwined with the analysis. In general, comprehensive grammars are a rarity. The SignGram Blueprint is an innovative tool for the grammar writer: a full-fledged guide to describing all components of the grammars of sign languages in a thorough and systematic way, and with the highest scientific standards. The work builds on the existing knowledge in Descriptive Linguistics, but also on the insights from Theoretical Linguistics. It consists of two main parts running in parallel: the Checklist with all the grammatical features and phenomena the grammar writer can address, and the accompanying Manual with the relevant background information (definitions, methodological caveats, representative examples, tests, pointers to elicitation materials and bibliographical references). The areas covered are Phonology, Morphology, Lexicon, Syntax and Meaning. The Manual is endowed with hyperlinks that connect information across the work and with a pop-up glossary. The SignGram Blueprint will be a landmark for the description of sign language grammars in terms of quality and quantity.