BOROBUDUR IS NOT A BUDDHA TEMPLE When and who did Hindu / Buddhist missionaries / preachers born in pre-Islamic India enter the archipelago, so that sites in the archipelago are said to be based on one of the teachings of India ....? That it is true that Hindu / Buddhist originates from India and it is not true that sites in the Indonesian Archipelago are based on Hindu / Buddhist ... in fact what is depicted on these sites is the "teaching" that underlies the birth of Hinduism, Buddhism and Jainas in India INDONËSIARYĀ By : Santo Saba eBook pdf : WA +62813 2132 9787 https://wa.me/message/OO5THVF7RNNDO1

The magic tree house transports Jack and Annie to the deck of the Titanic to find the mysterious gift that will free a small dog from a magic spell.

26.Do NOT CLOSE THE OLD ARCHIPELAGES FACTS ... is "Lying" there is a "Porn" scene in the bas-relief of "Borobudur" .... This publication must be "Stop" ..... Don't close the "Facts" to the glories of the Old Archipelago Note: There are 160 basic relief panels published with the naming "Karmawibhangga" using an interpretation of the text "Mahakarmawibhangga", but not completely following the text , Bernet Kempers 1970: 151 & 1976 The basic relief photographed by K. Cheppas 1890 was then closed in 1891, with the consideration that it would collapse, but no "Crack" was displayed ... ● Virupã ● Mãhéçãkhya ● Vyąsąda, äbhídya, mītthyädrstï ● Kųsălă ● Sûvãrnăvărnă, ćaityãvãndãnä ● Māhojáskásámådhânà, şuşvârâ ● argavarga, bhă .... (unreadable) ● argavarga, bhă ... (unreadable) ● Mãhěs (şă) khyãmădhãnä ● Cākrāvārtį ● Şvąrggã ● Măhē (şä) khyãsãmãvâdhąną, ğhæntä ● Çãkrãvãrtï ● Şabdåsråvānā ● Şvãrggã, bôghį ● Prásáditâ, vàstràdãnã ● Şvãrggã ● Kųsãlädhãrmãbæjănā ● Bhőgį ● Şvãrggã ● Pātākā ● Ádyâbhógì ● Şvãrggã ● ... tąná ... unreadable ● Şvãrggã ● Ćhätrădãnã ... mähãnă ● Şvãrggã ● Şvãrggã, pűspādānā ● Şvãrggã ● Mąlądhănã, bhõgì, şvãrggä ● jnjálï There are 12 words "Şvãrggã", not written the word, "Jannah" or "Nirvana", this proves that the language and teachings that are the originals of ours are native to the Indonesian Archipelago, Literacy text words "Şvãrggã", these are not from Arabic or India The word "Svargga" is the original word of the Archipelago because it does not have a declination in the form of a locative case, namely "Svarge" or "Svargge", the writing of this inscription is not in accordance with the grammatical "Sanskrit Panini" and concerning declination if the word is nominative with additional examples in the case 'h' or 'Visarga', Macdonell 1954: 371 & Zoetmulder 1995: 1169 ● In the source of the lontar quote "Geguritan Bhima Svargga", this Svargga Loka is understood to be a holy realm, the blessings of the Gods as a temporary stopover for people with good spirits. "Svarggaloka" is a third world filled with light and happiness which is home to saints. In the "Putru Pasaji" ejection, it is said that there is a realm of gods and goddesses "Svargga Manik" The literary text "Şvãrggã" is the native language of the Archipelago, "Suargo" or "Svargga", Svãrggãloka, Kādəwãn, Kâyângân, Svârggã ... which later were absorbed into the word "Heaven" ..... this is the proof ● In Islamic Eschatology, "Akhirah / Akhirah" (الآخرة) is used to term life after death, "Jannah" (جنّة) is the concept of "Heaven", whereas the meaning of "Jannah" in Arabic is "Gardens" not found in the text literacy of the word "heaven" in the scriptures ● In "Vedas" it is said that Swarga is a "third world" full of light and light which is the abode of the gods termed "Swarga Loka" Bhagawad Gita said: "Swarga" is a temporary stopover "After enjoying extensive Swarga, they returned to the world", Swarga as a temporary pleasure place, while true happiness is the union of "Atman" / Soul with "Brahman" the Creator ● the Venerable Siddartha Gautama, explained "Buddhism" as a raft which, after floating on the river, would allow the passenger to attain "Nirvana / Nibbana" is the highest happiness Happiness "Nibbana" cannot be experienced by pampering the senses, but by calming it, "Nibbana" is not a place, "Nibbana" is not an absence or extinction "Nibbana" is not a "Heaven" or "Svargga" So ... the word "Paradise" is not from India or Arabic, this word is the result of absorption from the teachings and the native language of the archipelago namely Svârggã ..... which colors India Do not close the "Facts" to the glory of the Old Archipelago, ... is "Lying" there is a "Porno" scene in the basic relief of Vhwănā Çhaķâ Phalā which is now published as Borobudur ... INDONËSIARYĀ By: Santosabapiliang (Datuok Panglimo Soko) Book Info: WA +62813 2132 9787

"This glorious ninth-century Buddhist monument - the largest Buddhist monument in the world - stands in the midst of the lush Kedu plain of central Java in Indonesia, where it is visited annually by over a million people. Borobudur consists of over a thousand exquisite relief sculptures extending along its many terraces for a total distance of more than a mile. The monument is constructed to symbolically represent the pilgrimage to enlightenment. The visitor ascends Borobudur, past scenes depicting the world of desire, through the life story of the Buddha and the heroic deeds of other famous enlightened beings, finally arriving at the great circular terraces at the very top of the structure, symbolizing the formless world of emptiness and the attainment of enlightenment. With over eighty color photographs and an informative text, this book celebrates the art and architecture of this famous Buddhist monument. This is the first volume to be published since the ten-year restoration and reconstruction of Borobudur was completed in 1985. In addition to illuminating the archaeological history, religious symbolism, and cultural context of the monument, it presents a detailed description of the sculptured panels and their significance in Buddhist history and philosophy. This book not only provides a scholarly introduction to Borobudur and its historical context, but it also retells - in text and stunning color photographs - the major stories illustrated in the hundreds of bas-relief panels that rank among the masterpieces of Asian and Buddhist art." --

Borobudur in Central Java is one of the world's largest religious monuments, and since its restoration under the auspices of UNESCO, it has become a leading tourist attraction. Placing the monument in the context of eighth-century Javanese architecture and contemporary Buddhist culture,Jacques Dumarcay examines the construction and symbolism of Borobudur, and the huge task that faced its restorers.

Inside Buddhism covers the development, spread, teachings, practices, holy days, and festivals of a religion that began with the life of Siddhartha Gautama in the 5th century B.C. In addition to valuable historical and practical information, this book provides review questions, questions for discussion, key word lists, a test, and an answer key. These features facilitate student assimilation of the fundamentals of a religion practiced by an estimated 324 million people around the globe. Whether your objective is a comprehensive study of Buddhism or a simple overview, this book affords you the opportunity to easily accomplish either one. You will be delighted to observe your students' growing understanding of the rich cultural and historical heritage of the Buddhist religion.

This book is the first systematic study of the genealogy, discursive structures, and political implications of the concept of ‘Greater India’, implying a Hindu colonization of Southeast Asia, and used by extension to argue for a past Indian greatness as a colonial power, reproducible in the present and future. From the 1880s to the 1960s, protagonists of the Greater India theme attempted to make a case for the importance of an expansionist Indian civilisation in civilizing Southeast Asia. The argument was extended to include Central Asia, Africa, North and South America, and other regions where Indian migrants were to be found. The advocates of this Indocentric and Hindu revivalist approach, with Hindu and Indian often taken to be synonymous, were involved in a quintessentially parochial project, despite its apparently international dimensions: to justify an Indian expansionist imagination that viewed India’s past as a colonizer and civilizer of other lands as a model for the restoration of that past greatness in the future. Zabarskaite shows that the crucial ideologues and elements used for the formation of the construct of Greater India can be traced to the svadeśī movement of the turn of the century, and that Greater India moved easily between the domains of the scholarly and the popular as it sought to establish itself as a form of nationalist self-assertion.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.