This New York Times bestselling author delivers a "page-turning romance" (Nora Roberts) about a woman in jeopardy who finds protection--and love--in the arms of a small-town cowboy. After running wild in his youth, Finn Monroe is now on the other side of the law as the local attorney. Between his practice and working at his family's ranch, his days aren't as exciting as they used to be--until Jessica Blair steps into his office. Gorgeous and determined, Jessie has a hunch her aunt is in trouble, and Finn is her last hope. As someone who relies on facts rather than feelings, Finn is skeptical. But it can't hurt to do a little digging. Jessie knows her aunt, and there is no way she would disappear on an "extended honeymoon" after hastily marrying a smooth-talking cowboy. Something is wrong, and Jessie is going to find out what. As soon as she and Finn start poking around, it becomes clear someone is willing to go to great lengths to keep them from the truth. But as the danger grows, so does their attraction. With both their lives on the line, Finn will discover just how far he'll go to keep Jessie safe. Includes Cowboy to the Rescue, a bonus novella by A.J. Pine!

Spanning a period from the late 1800s to the mid-1900s, To Be a Cowboy recounts the dreams and realities of Otto Christensen, a Denmark immigrant and his son Oliver.

They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

New York Times and USA Today bestselling author Carolyn Brown sends readers on a wild ride in this enemies to lovers romance between a rugged rodeo cowboy and a fierce competitor who thinks it's time for a woman to take the crown. Gemma O'Donnell was incensed when she wasn't the first woman to win the PRCA (Professional Rodeo Championship Association) buckle for bronc riding. This year, she heads out on the PRCA ProRodeo Tour burning to be the second. First stop is Cody, Wyoming where her stiffest competition is Trace Coleman, who already has a jump on her. A tall, dark-haired cowboy with a sexy grin and a swagger, he doesn't really give a damn about the trophy belt buckle—he wants the purse to buy a ranch he has his eye on. He damn sure doesn't have time for a sassy bit of Irish baggage who can evidently ride anything with four legs and make anything with two legs want to take her to bed. Gemma wins a few; Trace wins a few. In the end they both qualify for the final cut in Las Vegas. But when it comes down to the wire, only one can win the bronc-riding competition and take home one helluva prize. But in this competition, it just might be loser takes all...

A carefree cowboy falls for his housekeeper in this sexy “page-turning” romance from a New York Times bestselling author (Nora Roberts). When cowboy Sam Monroe meets his new housekeeper, he’s struck by her beauty as well as her cooking and family-wrangling skills. If only she didn’t dislike him so much . . . The last thing Penny Cash needs is a flirtation with a wild cowboy. Sure, he's funny and sexy, but they're as different as whiskey and tea. And she'll be leaving town as soon as she finds a full-time teaching position. But when trouble comes calling, Penny will find out how serious Sam can be when it comes to protecting the woman he loves . . . Also includes the bonus novella Saved by the Cowboy by A.J. Pine! Olivia Belle has always believed in fairy tales . . . until the moment her boyfriend dropped to one knee. When Olivia speeds into Cash Hawkins' town like a modern-day Cinderella in a ball gown and glass slippers, Cash's careful existence is thrown for a loop. Olivia could be his happily

When a little boy gets set to spend the day at Grandma's, he's really preparing to go on the cowboy ride of his dreams. With his imagination in tow, he and his pardner (brother) ride their horses (Mom and Dad) to meet their ranch hand (Grandma). After having a great day doing all the things that cowfolk do, this fantastic adventure ends in a wonderfully reassuring way as the cowboy and his "horse" are reunited, just in time to be tucked in bed. This is the quintessential cattle-rustling cowboy fantasy, ideal for all young tots with lots of wonder and imagination in their hearts. Dana Kessimakis Smith was born and raised in Utah. Currently she lives in California with her family, working as a full-time writer and mom. Laura Freeman studied art at the School of Visual Arts in New York City, where she lives with her husband and two sons.

“His stories are timeless lessons of living, loving, and learning the Western way of life that will inspire all generations.” —Stuart Rosebrook, author of At Work in Arizona If you’re served a piece of humble pie, thank the server and choke it down. So says H. Alan Day, an award-winning author and American cowboy, who grew up on a 200,000-acre southwestern cattle ranch, made a hand at age five, and lived adventures most of us only witness on Netflix. While interacting with cowhands, horses, and the land, Alan learned valuable life lessons about loyalty, trust, humility, forgiveness, persistence, failure, innovation, and success. Now, this cowboy is ready to share his hard-earned wisdom with those who may never own or even ride a horse, much less rope a cow, train a wild mustang, or witch a well, but who, like Alan, contend day-in and day-out with the true grit of life. Cowboy Up! is a collection of thirty-five personal stories narrated by Alan Day in his authentic western voice. These stories touch on topics that affect us all: friendship, family, business, politics, community, and conservation. As Alan learned early on, a true friend has your back for life, whether that friend has two legs or four legs. If you don’t learn to listen, you may end up swinging from your suspenders on a bunkhouse hook; and if your pickup is about to get washed away in a flash flood, you better do some quick, two-step thinking. Alan’s stories not only explore what it means to be human, they evoke laughter, disbelief, wonder, joy, and more than a few heartfelt tears. FINALIST New Mexico-Arizona Book Award FINALIST Arizona Authors Association Book Award

As the United States expanded west in the 1800s, and cattle became big business, the figure of the young brash cattleman who rode with the herds quickly emerged as a cultural icon. Victorian Americans went crazy for cowboys, snapping up dime-store novels and sheet music, and turning out in droves for Buffalo Bill Cody's Wild West Show. It was only a matter of time before someone brought together these three facets-entertainer, singer, and cowboy. And when Carl T. Sprague recorded the first hit cowboy record ("When the Work's All Done This Fall") in 1925, the singing cowboy as we know him was born. A singing cowboy himself, Douglas B. Green (better known as Ranger Doug from the Grammy-award-winning group Riders In The Sky) is uniquely suited to write the story of the singing cowboy. He has been collecting information and interviews on western music, films, and performers for nearly thirty years. In this volume, he traces this history from the early days of vaudeville and radio, through the heyday of movie westerns before World War II, to the current revival. He provides rich and careful analysis of the studio system that made men such as Gene Autry and Roy Rogers famous, and he documents the role that country music and regional television stations played in carrying on the singing cowboy tradition after World War II. This book, lavishly illustrated with over 140 photos, is a wealth of information that comes out of decades of research. Green has unearthed never-before-published photos and rare movie posters-including one from an all-Black western, Harlem on the Prairie (1938). Through his close friendships with other singing cowboys and their families, Green is able to provide rare insights into the ways that some like Autry became stars and others like Raoul Walsh (who lost his eye in a shooting accident and later became a famous director) did not. Green also traces the history of cowboy music, from popular songs such as "Sweet Betsy from Pike" to the instantly recognizable harmonies of the Sons of the Pioneers. Green even speculates about just when the famous yodel became a ubiquitous part of the singing cowboy's repertoire. More important, Green reveals how the imagery of the singing cowboy has become such a potent force that even now country musicians don cowboy hats so as to symbolically take part in the legend. Nowhere has the recorded history of the singing cowboy and the film history been collected in one volume, and this book is sure to become the resource for students of the style. Co-published with the Country Music Foundation Press

“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.

"Overturns conventional thinking that the Western genre is essentially conservative. Instead, Brode demonstrates that Hollywood liberals used Westerns to espouse a progressive agenda on a range of issues, including gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Doug Brode takes a new look at dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men"--