A comprehensive, full-colour publication of the works of Robert Borlase Smart (1881-1947).Was Borlase Smart pushing the boundaries of what was accepted as the 'norm' within the definitions of traditional art? The fact that he was a great supporter of the young 'moderns' in St Ives, much to the chagrin of many established artists of the day, is well documented. Traditional art had long been underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. His journey towards abstraction was not a sudden, radical one, but more a subtle movement to a 'modern' style in which he found his forté, a style which was eagerly accepted by the mainstream, exhibited at the Paris Salon, the Royal Academy and countless other prestigious institutions.

Borlase Smart (1881-1947) is today best known for his seascapes. Here, the author records the life and work of the artist and the mportant role he played in supporting and encouraging younger artists in St Ives intent on exploring abstraction in their work, despite facing charges of disloyalty from his fellow Royal Academicians.

The periodical's purpose was to report on contemporary developments in painting from the British Isles and elsewhere ; more importantly, each issue contained high quality colour reproductions of examples of various artists' work.

In the period before the First World War, the art colony at St Ives developed an international reputation as a centre for both the practice and teaching of landscape and marine painting, and was visited by leading artists from around the world. This ground-breaking survey of the art of the period brings together, for the very first time, a feast of paintings from this golden age of British art. The show has been researched by David Tovey, and marks the launch of his major new book, Pioneers of St Ives Art at Home and Abroad (1889-1914).

Cornwall, the land of sandy beaches, pretty fishing coves, historic fishing ports, tin mining, mansions and gardens, quaint thatched cottages, atmospheric moors, art galleries, writers and picturesque towns? All of that is true but there is so much more to Cornwall and its influence on the rest of Britain and many parts of the world is often forgotten or unknown but yet continues. The county has seen political intrigue; religious upheavals; financial scandals. It has produced political radicals, slaves and slave owners; artists, writers and musicians; renowned engineers, mineralogists and scientists and was the first to introduce compulsory education. Cornwall was the birthplace of the discoverers of chemical elements, the planet Neptune and solar power and has been hugely significant in radio, electrical telegraphy and television. Cornish people have been influential across the centuries, the world and an incredible number of disciplines.

Since his death in 1942, St Ives has become marinated in the spirit of the naive painter, Alfred Wallis. Naum Gabo, the Russian Constructivist, felt that Wallis's gift as an artist was that he never knew he was one. His unconventional approach and the innocence of his personal method of making art marked Alfred Wallis, even after his death, as a crucial figure in the modernist movement. The art scene in St Ives during World War II is depicted vividly in The Alfred Wallis Factor which illustrates the birth of modernism in the small fishing port in the far south-west of England. With dominant personalities like Sven Berlin, Ben Nicholson, Barbara Hepworth, Adrian Stokes, Bernard Leach, Terry Frost, Peter Lanyon, Wilhelmina Barns-Graham and Patrick Heron, it was inevitable that personal relationships would both form and fracture. Though causes would range from the banal to the bizarre, David Wilkinson never loses focus on the high stakes for which these characters were playing: the creation of their work, and reputations, of lasting significance. Their passion was strong and their ambition even stronger. The Alfred Wallis Factor tells the story of this extraordinary painter's long-lasting influence on - and beyond - modernism: David Wilkinson expounds the events around and following the artist's death, assessing the roles of friends and rivals in making Alfred Wallis a benchmark of modern British art. The Alfred Wallis Factor is a comprehensive examination of a troubled era, in which life met war and changed the destiny of the art world.

Illustrated with Barbara Hepworth's abstract stone carving, with other works of art, and with fascinating vignettes from Adrian Stokes's writing, this biography highlights his revolutionary emphasis on the materials-led inspiration of architecture, sculpture, painting, and the avant-garde creations of the Ballets Russes. In also detailing Stokes's role as catalyst of the transformation of St Ives in Cornwall into an internationally-acclaimed centre of modern art, and his falling in love again in his early forties, this biography shows how Stokes used all these experiences, together with his many years of psychoanalytic treatment by Melanie Klein, in forging insights about ways the outer world gives form to the inner world of fantasy and imagination.

This second edition of the best selling guide to Cornwall is fully updated for 2005. No other guide provides as complete coverage of where to go, what to do, sites of interest, essays on history, architecture and art, as well as comprehensive listings of places to stay, eat and drink. It is the only guide you need.

Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.