Boris, the round-headed child, reigns like a despot in the little house he lives in with his mother. His mother, Bulle, formerly known as Aglaia, was once the all-powerful queen of the country Marylene. Since Marylene's fall, residents have lived in peace thanks to a self-governing system they have adopted. But when Boris meets Sabine, a warrior French fry thirsty for revenge, nothing will ever be the same ...The final book in Anne Simon's "Tales of Marylene '' graphic novel trilogy (after The Song of Aglaia and Empress Cixtisis), Boris the Potato Child delivers a bitter critique of our consumerist impulses and abuses. Mixing literature and pop culture (such as mashing Simone de Beauvoir with the Beatles), Simon has created in Marylene a world as abundant in visual imagination as Oz or Narnia, but crafted with a Swiftian pen that's mightier than any man's sword.

Boris is a musician, playing the songs he learned growing up in Russia. Stella is a baker, baking cakes and pastries like her father used to back in Italy. Boris and Stella live in the city and are best friends. They like movies, hats, and each other. At holiday time, Stella wants to give Boris the perfect present for Hanukkah. She wants him to know how special he is. Boris wants to give Stella the perfect present for Christmas—she means so much to him. But perfect presents cost money and their savings banks contain very little. To make their dreams of perfect presents come true, Boris and Stella each sacrifice something very special. In a nod to O. Henry’s The Gift of the Magi comes this tender story celebrating traditions, friendships, and gifts from the heart.

From the hilarious and subversive children's author, essayist and NPR commentator, true tales drawn from his cordial--if dysfunctional--relationships with the dogs in his life. illustrations.

There's nothing like a day at the beach with Lottie! Armed with a handy towel and plenty of ingenuity, she turns lemons into lemonade in Petra Mathers's sweet, funny, and completely winning picture book.

Aglaia is a simple sea nymph. One day, a Merman seduces Aglaia, forever altering her life’s course. She is cast out of Oceanid by her chauvinistic father, forcing her to wander many days and nights, until one day she finds herself at the benefit of one Mr. Kite, whose traveling circus welcomes her (including the star attraction, a waltzing Horse named Henry) and once again alters her fate, sending her down many more unexpected paths. The Song of Aglaia is the first solo graphic novel by cartoonist Anne Simon, presenting a beautifully crafted female spin on the classic heroic myths of Greek literature, tracing the journey of a victimized and then almighty woman with a graceful understanding of human relationships and loving nods to the Bronte sisters, David Bowie, and the Beatles.

"In 1870, Leopold von Sacher-Masoch publishes 'Venus in Furs, ' an erotic novel revealing the author's desire to be dominated by a woman. After the success of the novel, a woman turns up at his doorstep and offers to take on the role of the dominant woman. He submits to her completely and they get married. Years later, Leopold has remarried and lives a quiet life, far removed from the sexual escapades of his first marriage. This is when he learns that his surname is being used, to his detriment, to describe a new sexual perversion: masochism."

Cixtisis, the empress of Tchitchinie, kidnaps all of the men from Agalaia’s kingdom to castrate them and make them her slaves. Anger grows amongst the female residents of Suffragette City―they want their husbands back. Will Aglaia be able to avert war and bring peace once again to the region? Anne Simon showcases a deft touch in this allegorical fantasy graphic novel brimming with subversive twists and comical turns.

The acclaimed author of A Replacement Life shifts between heartbreak and humor in this gorgeously told recipe-filled memoir. A story of family, immigration, and love—and an epic meal—Savage Feast explores the challenges of navigating two cultures from an unusual angle. A revealing personal story and family memoir told through meals and recipes, Savage Feast begins with Boris’s childhood in Soviet Belarus, where good food was often worth more than money. He describes the unlikely dish that brought his parents together and how years of Holocaust hunger left his grandmother so obsessed with bread that she always kept five loaves on hand. She was the stove magician and Boris’ grandfather the master black marketer who supplied her, evading at least one firing squad on the way. These spoils kept Boris’ family—Jews who lived under threat of discrimination and violence—provided-for and protected. Despite its abundance, food becomes even more important in America, which Boris’ family reaches after an emigration through Vienna and Rome filled with marvel, despair, and bratwurst. How to remain connected to one’s roots while shedding their trauma? The ambrosial cooking of Oksana, Boris’s grandfather’s Ukrainian home aide, begins to show him the way. His quest takes him to a farm in the Hudson River Valley, the kitchen of a Russian restaurant on the Lower East Side, a Native American reservation in South Dakota, and back to Oksana’s kitchen in Brooklyn. His relationships with women—troubled, he realizes, for reasons that go back many generations—unfold concurrently, finally bringing him, after many misadventures, to an American soulmate. Savage Feast is Boris’ tribute to food, that secret passage to an intimate conversation about identity, belonging, family, displacement, and love.

Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.

Julie's grandmother deflates many of her husband's tall tales about their journey from Russia to America and their life on Hester Street.