A soldier's account of the Iraq War as told though his journal and letters.

The Oxford Handbook of Military Psychology describes the critical link between psychology and military activity. The extensive coverage includes topics in of clinical, industrial/organizational, experimental, engineering, and social psychology. The contributors are leading international experts in military psychology.

A woman tries to uncover the mysterious fate of a friend in Cambodia in this “very smart” and suspenseful novel (The New York Times Book Review). Liz Headleand is one of London’s best-known and most prominent psychiatrists. One day she arrives at work to find a mysterious package, postmarked from Cambodia. Inside, she finds various scraps of paper, a laundry bill from a Bangkok hotel, old newspaper clippings—and pieces of human finger bones. Shocked but intrigued, she realizes the papers belong to her old friend Stephen Cox, a playwright who moved to Cambodia to work on a script about the Khmer Rouge. Convinced Stephen is trying to send her some sort of message, Liz follows the clues in the box to the jungles of Cambodia, risking her life to find her friend. In this thrilling novel, Margaret Drabble continues the trilogy she began in The Radiant Way and A Natural Curiosity, taking us far from the civilized, familiar streets of London, and painting an “urgent, brilliant” portrait of the tumultuous, terror-ridden landscape of Cambodia in the late twentieth century (The Boston Globe). “A tour de force.” —Calgary Herald “Unputdownable . . . A sojourn within The Gates of Ivory is not something one soon forgets.” —Edmonton Journal

Studying the work of Joyce, Woolf, Stein and Beckett, Sara Crangle explores the everyday human longings found in Modernist writing. This discussion is set within a framework of continental philosophy, particularly the thinking of Emmanuel Levinas.

This book collects the lifelong research on boredom by American psychologist Augustin de la Peña (1942-2021). It focuses on the experience of boredom—and other similar states, including ennui, melancholy, laziness, interest, attention, and entertainment—and its associated behaviors. Offering an interdisciplinary chronicle of boredom, from Antiquity to the present, special attention is paid to its daily experience as a ubiquitous phenomenon that informs cultural and political actions that continue to shape our society. Dr. de la Peña describes the obsolescence of the Western Commonsense View of Reality to propose a Developmental Psychophysiological Approach to Reality, reconceptualizing boredom. The book theorizes the condition as both logical and emotional, an axis that has defined the sensibility of the modern era. This is a volume edited posthumously by Josefa Ros Velasco and Christian Parreno in homage to Augustin’s work and his invaluable contribution to the establishment of the field of boredom studies.

“In these lyrical, searing pages, Guest manages to break our hearts and put them back together again.” —Ann Hood In the tradition of Lucy Grealy’s Autobiography of a Face, One More Theory About Happiness is a bold and original memoir from the acclaimed, Whiting Award-winning poet Paul Guest, author of My Index of Horrifying Knowledge. A remarkable account of the accident that left him a quadriplegic, and his struggle to find independence, love, and a life on his own terms, One More Theory About Happiness has been praised by Charles Bock, author of Beautiful Children, as, “Smart and honest and clear eyed and above all, humane.”

The basis for the HBO® Original Series starring Jason Schwartzman (Rushmore), Zach Galifianakis (The Hangover), and Ted Danson, Bored to Death is a Raymond Chandleresque tale of a struggling Brooklyn writer—curiously named Jonathan Ames—who, in a moment of odd whimsy and boredom, becomes a private detective after spontaneously posting an ad on craigslist. As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

In The Space of Boredom Bruce O'Neill explores how people cast aside by globalism deal with an intractable symptom of downward mobility: an unshakeable and immense boredom. Focusing on Bucharest, Romania, where the 2008 financial crisis compounded the failures of the postsocialist state to deliver on the promises of liberalism, O'Neill shows how the city's homeless are unable to fully participate in a society that is increasingly organized around practices of consumption. Without a job to work, a home to make, or money to spend, the homeless—who include pensioners abandoned by their families and the state—struggle daily with the slow deterioration of their lives. O'Neill moves between homeless shelters and squatter camps, black labor markets and transit stations, detailing the lives of men and women who manage boredom by seeking stimulation, from conversation and coffee to sex in public restrooms or going to the mall or IKEA. Showing how boredom correlates with the downward mobility of Bucharest's homeless, O'Neill theorizes boredom as an enduring affect of globalization in order to provide a foundation from which to rethink the politics of alienation and displacement.

Bored women populate many of the most celebrated works of British modernist literature. Whether in popular offerings such as Robert Hitchens's The Garden of Allah, the esteemed middlebrow novels of May Sinclair or H. G. Wells, or now-canonized works such as Virginia Woolf's The Voyage Out, women's boredom frequently serves as narrative impetus, antagonist and climax. In this book, Allison Pease explains how the changing meaning of boredom reshapes our understanding of modernist narrative techniques, feminism's struggle to define women as individuals and male modernists' preoccupation with female sexuality. To this end, Pease characterizes boredom as an important category of critique against the constraints of women's lives, arguing that such critique surfaces in modernist fiction in an undeniably gendered way. Engaging with a wide variety of well- and lesser-known modernist writers, Pease's study will appeal especially to researchers and graduates in modernist studies and British literature.