Border Matters locates the study of Chicano culture in a broad social context. José Saldívar examines issues of representation and expression in a diverse, exciting assortment of texts—corridos, novels, poems, short stories, punk and hip-hop music, ethnography, paintings, performance, art, and essays. Saldívar provides a sophisticated model for a new kind of U.S. cultural studies, one that challenges the homogeneity of U.S. nationalism and popular culture by foregrounding the contemporary experiences and historical circumstances facing Chicanos and Chicanas. This intellectually adventurous, politically engaged study applies borderlands and diaspora theory to Chicano cultural practices in a way that permanently changes our understanding of both the Chicano experience and the meaning of cultural theory. Defying national (and nationalistic) paradigms of culture, Saldívar argues that the culture of the borderlands is trans-national, constituting a social space in which new relations, hybrid cultures, and multi-voiced aesthetics are negotiated. Saldívar's critical readings treat culture as a social force and reveal the presence of social contexts within cultural texts. Border Matters maps out a new terrain for the study of culture, reshaping the way we understand migration, national identity, and intellectual inquiry itself.

This text locates the study of Chicano culture in a broad social context. The author examines issues of representation and expression in a diverse assortment of texts and art, applying borderlands and diaspora theory to Chicano cultural practices.

The built environment along the U.S.-Mexico border has long been a hotbed of political and creative action. In this volume, the historically tense region and visually provocative margin—the southwestern United States and northern Mexico—take center stage. From the borderlands perspective, the symbolic importance and visual impact of border spaces resonate deeply. In Border Spaces, Katherine G. Morrissey, John-Michael H. Warner, and other essayists build on the insights of border dwellers, or fronterizos, and draw on two interrelated fields—border art history and border studies. The editors engage in a conversation on the physical landscape of the border and its representations through time, art, and architecture. The volume is divided into two linked sections—one on border histories of built environments and the second on border art histories. Each section begins with a “conversation” essay—co-authored by two leading interdisciplinary scholars in the relevant fields—that weaves together the book’s thematic questions with the ideas and essays to follow. Border Spaces is prompted by art and grounded in an academy ready to consider the connections between art, land, and people in a binational region. Contributors Maribel Alvarez Geraldo Luján Cadava Amelia Malagamba-Ansótegui Mary E. Mendoza Sarah J. Moore Katherine G. Morrissey Margaret Regan Rebecca M. Schreiber Ila N. Sheren Samuel Truett John-Michael H. Warner

Discussing on-the-ground issues and controversies, this eye-opening look at the challenges of keeping terrorists, drug smugglers and illegal immigrants from entering the US across our land borders stresses the importance of establishing a clear and comprehensive border security strategy.

I love this state-do not get me wrong. I love Queensland to bits. I don't want to live anywhere else in the world. But at that time we were four million years behind everything else, everyone else.--Lyn Fraser *** Since the end of the Joh Bjelke-Petersen State government, conditions for LGBTIQ identified Queenslanders have improved but remain a tenuous arrangement. As the struggle for rights continues, North of the Border uses documentary photography and first-person narratives to tell the intimate stories of eight lesbians who found themselves existing outside of the 'norm, ' and how that experience informs how they identify as Queenslanders today. North of the Border explores the ways in which state politics and culture impacted negatively upon the lives of LGBTIQ women in Queensland. It gives voice to a group of marginalized women during a moment of renewed interest in sexual politics and identity, and systemic discrimination. This book is the culmination of Heather Faulkner's A Matter of Time project. [Subject: Non-Fiction, Photography, Cultural History, Sociology, Gender Studies, LGBTIQ Studies, Politics

In this third edition of Border Games, Peter Andreas charts the rise and transformation in policing the flow of drugs and migrants across the US-Mexico border. Recent border crackdowns and wall-building campaigns, he argues, are not unprecedented. Rather, they are the outcome of an escalatory dynamic already in motion—but now played out on a far bigger stage, with higher stakes, and in new security and political contexts. Focusing on the power of symbolic politics and policy feedback effects, Andreas traces the logic behind such buildup. Border policing is an attractive political mechanism for handling the often unintended consequences of past policy choices, signaling a commitment to territorial integrity and projecting an image of territorial authority. Yet its negative aftermath is not only frequently glossed over; it also fuels further escalation. With new chapters on the border policies of the Obama, Trump, and Biden administrations, Border Games continues to help readers grasp how the busiest border in the world is also one of the most fortified, and why it plays such a complicated and contentious role in both domestic politics and US-Mexico relations.