This book analyses the European border at Lampedusa as a metaphor for visible and invisible powers that impinge on relations between Europe and Africa/Asia. Taking an interdisciplinary approach (political, social, cultural, economic and artistic), it explores the island as a place where social relations based around race, gender, sex, age and class are being reproduced and/or subverted. The authors argue that Lampedusa should be understood as a synecdoche for European borders and boundaries. Widening the classical definition of the term ‘border’, the authors examine the different meanings assigned to the term by migrants, the local population, seafarers and associative actors based on their subjective and embodied experiences. They reveal how migration policies, international relations with African, Middle Eastern and Asian countries, and the perpetuation of new forms of colonization and imperialism entail heavy consequences for the European Union. This work will appeal to a wide readership, from scholars of migration, anthropology and sociology, to students of political science, Italian, African and cultural studies.

This book reframes the debate around migration in the Mediterranean, and specifically around Lampedusa, by exploring how art forms - including works by Aida Silvestri, Bouchra Khalili, Isaac Julien, Maya Ramsay, Dagmawi Yimer and Broomberg & Chanarin - have become a platform for subverting the dominant narrative of migration.

This book examines the rapidly expanding EU agency’s distinct role in EU border control, showing that Frontex is a prominent border control actor that reshapes the EU borders by promoting a new border control culture. Bringing culture into the analysis of Frontex, this book offers an alternative in-depth understanding of the agency’s function, focusing on the production and diffusion of border control assumptions and practices within a border control community. Based on data drawn from primary research at Frontex and two EU external borders, namely Lampedusa and Evros, this book examines Frontex’s contribution to the emergence of a new border control culture in Europe, replacing the pre-existing Schengen culture. Compared with the existing literature on Frontex, this novel account takes into consideration the evolving nature of borders and border control, discussing three contemporary challenges for the established border control regime: Brexit, the COVID-19 pandemic, and hard security preoccupations, such as the fall-out from the Russian invasion in Ukraine and the weaponisation of migration at the Greek-Turkish land border. Frontex and the Rising of a New Border Control Culture in Europe will appeal to scholars and students of border management, EU studies, migration, geography, international relations, and security, along with policymakers and practitioners with an interest in EU border control and Frontex.

This book introduces readers to the cultural imaginings of borders: the in-between spaces in which transnationalism collides with geopolitical cooperation and contestation. Recent debates about the "refugee crisis" and the spread of the COVID-19 pandemic have politicized culture at and of borders like never before. Border culture is no longer culture at the margins but rather culture at the heart of geopolitics, flows, and experience of the transnational world. Increasingly, culture and borders are everywhere yet nowhere. In border spaces, national narratives and counter-narratives are tested and evaluated, coming up against transnational culture. This book provides an extensive and critical vision of border culture on the move, drawing on numerous examples worldwide and a growing international literature across border and cultural studies. It shows how border culture develops in the human imagination and manifests in human constructs of "nation" and "state", as well as in transnationalism. By analyzing this new and expanding cultural geography of border landscapes, the book shows the way to a fresh, broader dialogue. Exploring the nature and meaning of the intersection of border and culture, this book will be an essential read for students and researchers across border studies, geopolitics, geography, and cultural studies.

Few concepts are as central to understanding the modern world as borders, and the now-thriving field of border studies has already produced a substantial literature analyzing their legal, ideological, geographical, and historical aspects. Such studies have hardly exhausted the subject’s conceptual fertility, however, as this pioneering collection on the aesthetics of borders demonstrates. Organized around six key ideas—ecology, imaginary, in/visibility, palimpsest, sovereignty and waiting—the interlocking essays collected here provide theoretical starting points for an aesthetic understanding of borders, developed in detail through interdisciplinary analyses of literature, audio-visual borderscapes, historical and contemporary ecologies, political culture, and migration.

Using the borderscapes concept, this book offers an approach to border studies that expresses the multilevel complexity of borders, from the geopolitical to social practice and cultural production at and across the border. Accordingly, it encourages a productive understanding of the processual, de-territorialized and dispersed nature of borders and their ensuring regimes in the era of globalization and transnational flows as well as showcasing border research as an interdisciplinary field with its own academic standing. Contemporary bordering processes and practices are examined through the borderscapes lens to uncover important connections between borders as a ’challenge' to national (and EU) policies and borders as potential elements of political innovation through conceptual (re-)framings of social, political, economic and cultural spaces. The authors offer a nuanced and critical re-reading and understanding of the border not as an entity to be taken for granted, but as a place of investigation and as a resource in terms of the construction of novel (geo)political imaginations, social and spatial imaginaries and cultural images. In so doing, they suggest that rethinking borders means deconstructing the interweaving between political practices of inclusion-exclusion and the images created to support and communicate them on the cultural level by Western territorialist modernity. The result is a book that proposes a wandering through a constellation of bordering policies, discourses, practices and images to open new possibilities for thinking, mapping, acting and living borders under contemporary globalization.

Using the borderscapes concept, this book offers an approach to border studies that expresses the multilevel complexity of borders, from the geopolitical to social practice and cultural production at and across the border. Accordingly, it encourages a productive understanding of the processual, de-territorialized and dispersed nature of borders and their ensuring regimes in the era of globalization and transnational flows as well as showcasing border research as an interdisciplinary field with its own academic standing. Contemporary bordering processes and practices are examined through the borderscapes lens to uncover important connections between borders as a ‘challenge' to national (and EU) policies and borders as potential elements of political innovation through conceptual (re-)framings of social, political, economic and cultural spaces. The authors offer a nuanced and critical re-reading and understanding of the border not as an entity to be taken for granted, but as a place of investigation and as a resource in terms of the construction of novel (geo)political imaginations, social and spatial imaginaries and cultural images. In so doing, they suggest that rethinking borders means deconstructing the interweaving between political practices of inclusion-exclusion and the images created to support and communicate them on the cultural level by Western territorialist modernity. The result is a book that proposes a wandering through a constellation of bordering policies, discourses, practices and images to open new possibilities for thinking, mapping, acting and living borders under contemporary globalization.

Survival and Witness at Europe's Border focuses on one of the most mediatized migrant disasters in Europe. On October 3, 2013, an overcrowded fishing boat carrying Eritrean refugees caught fire near Lampedusa, Italy, where 368 people died. Karina Horsti shows with empathy and passion how this disaster produced a kaleidoscope of afterlives that continue to assume different forms depending on the position of the witness or survivors. Pasts and futures intersect in the present when people who were touched by the disaster engage with its memory and politics. Horsti underscores how the perspective of survival can envision a way forward from a horrific unsustainable present. Survival and Witness at Europe's Border develops the concept of survival to rethink border deaths beyond the structures and processes that produce the murderous border and constitute the focus of critical migration studies. It demonstrates how the process of survival transforms people and societies. Survival is productive, Horsti argues, shifting the focus in migration studies from apparatuses of control to emphasize the agency and subjectivity of refugees.

This book examines how Lampedusa, Italy’s southernmost island, has become a transnational symbol representing migration to Europe from the Global South. It analyses how three very different associations have used the name “Lampedusa” as a means of restoring a sense of subjectivity or agency to migrants themselves. Jacopo Colombini argues that the work of the Archivio delle Memorie Migranti (Rome), the self-organised refugee group Lampedusa in Hamburg, and the Lampedusa-based Collettivo Askavusa offers an alternative to the stereotypical, often racially connoted, public discussion of migrant presence in Italy and Europe. He also demonstrates, however, that the marginalisation of migrant and refugee voices in the public discourse is also partially and unavoidably reproduced in the cultural projects that wish to restore their agency.

This book offers a zemiological approach for understanding border control practices, state power, and their social impact. Drawing on an ethnographic study on the borderisation of the Mediterranean island of Lampedusa, it explores border harms from the perspective of the non-migrant community. Social Harm at the Border examines a range of social harms associated with border control, and draws on themes of security, racialised humanitarianism, economic harms, environment, and culture. It explores the ways in which borderisation exercises control over both migrants and non-migrants, ensuring that border communities remain subordinated to the power of institutional actors, and it offers a novel framework with which to illuminate and explain border harms and their generative mechanisms. An accessible and compelling read, this book will appeal to students and scholars of criminology, zemiology, sociology, criminal justice, politics, geography, and those interested in the harms caused by border control practices.