WHEN MEXICAN FOLKORE MEETS U.S. POP CULTURE!!!! Border Bang is a passionate love letter to the Tijuana and US border, documenting the bootleg artifacts sold to locals and tourists alike. Reappropriating the bombardment of pop culture images is the border’s reaction to global issues and events, telling viewers and consumers not to glorify these situations but rather to acknowledge them through their subversive presentation. Border artisans and shysters digest the influx of international popular culture, reappropriating and reconfiguring images to express themselves and empower objects with subversive ideas masked underneath bold colors and text. Raised in Tijuana, Gutierrez crossed the border to the US to attend elementary and middle school. Each day, he was dazzled and entranced by the objects being sold, creating alternative narratives to the cartoon characters and celebrity portraits that he saw. Border Bang is a reflection of his childhood narrative, using images from Mickey Mouse to Tupac Shakur to convey the reflections and meditations of global events as witnessed by the border, exploring his love affair with Mexican pop and folk culture.

Uli’s first flight, a late-night joy ride with his brother, changes their lives forever when the engine stops and the boys crash land, with “Texas to the right and Mexico to the left.” Before the accident, Uli juggled his status as both an undocumented immigrant and a high school track star in Harlingen, Texas, desperately hoping to avoid being deported like his father. His mother Araceli spent her time waiting for her husband. His older brother Cuauhtémoc, a former high-school track star turned drop-out, learned to fly a crop duster, spraying pesticide over their home in the citrus grove. After the crash, Cuauhtémoc wakes up bound and gagged, wondering where he is. Uli comes to in a hospital, praying that it’s on the American side of the border. And their mother finds herself waiting for her sons as well as her missing husband. Araceli knows that she has to go back to the country she left behind in order to find her family. In Mexico, each is forced to navigate the complexities of their past and an unknown world of deprivation and violence. Ruthless drug cartels force Cuauhtémoc to fly drugs. “If a brick goes missing, Cuauhtémoc dies. If a plane goes missing, Cuauhtémoc dies. If Cuauhtémoc goes missing, they find Cuauhtémoc (wherever he’s at) and Cuauhtémoc dies.” If they can’t find him, they will kill his mother. They have photos of her in Matamoros to prove they can enforce the threat. Meanwhile, Uli returns to his family’s home in San Miguel and finds a city virtually abandoned, devastated by battles between soldiers, cartels and militias that vie for control. Vividly portraying the impact of international drug smuggling on the innocent, Peña’s debut novel also probes the loss of talented individuals and the black market machines fed with the people removed and shut out of America. Ultimately, Bang is a riveting tale about ordinary people forced to do dangerous, unimaginable things.

Covering the main themes of globalization, state power and culture from the fifteenth to the twenty-first century, this book explores the changing nature, meaning and significance of the Greater Mekong Sub-region.

This is not your ordinary short story collection. In his newest work, Daniel Chacón subverts expectation and bends the rules of reality to create stories that are intriguing, hilarious, and deeply rooted in Chicano culture. These stories explore the concept of a wall that reaches beyond our immediate thoughts of a towering physical structure. While Chacón aims to address the partition along the U.S.-Mexico border, he also uses these stories to work through the intangible walls that divide communities and individuals—particularly those who straddle multiple cultures in their daily lives. Set in El Paso and other Latinx-dominant urban spaces, Kafka in a Skirt is an immersive look into the myriad lives of the characters who inhabit these culturally diverse areas. Chacón masterfully weaves elements of the surreal and fantastic through a shining tapestry of fiction, creating moments of touching realism in contrast with scenes that are fascinatingly unfamiliar. Occasionally teasing the ghosts of Jorge Luis Borges and the Argentine poet Alejandra Pizarnik, this collection disregards boundaries and transports readers into a world merely parallel to our own. Kafka in a Skirt unravels the intricacies of culture, sexuality, love, and loneliness in a collection that shows the personal implications of barriers while remaining hopeful and bright.

The built environment along the U.S.-Mexico border has long been a hotbed of political and creative action. In this volume, the historically tense region and visually provocative margin—the southwestern United States and northern Mexico—take center stage. From the borderlands perspective, the symbolic importance and visual impact of border spaces resonate deeply. In Border Spaces, Katherine G. Morrissey, John-Michael H. Warner, and other essayists build on the insights of border dwellers, or fronterizos, and draw on two interrelated fields—border art history and border studies. The editors engage in a conversation on the physical landscape of the border and its representations through time, art, and architecture. The volume is divided into two linked sections—one on border histories of built environments and the second on border art histories. Each section begins with a “conversation” essay—co-authored by two leading interdisciplinary scholars in the relevant fields—that weaves together the book’s thematic questions with the ideas and essays to follow. Border Spaces is prompted by art and grounded in an academy ready to consider the connections between art, land, and people in a binational region. Contributors Maribel Alvarez Geraldo Luján Cadava Amelia Malagamba-Ansótegui Mary E. Mendoza Sarah J. Moore Katherine G. Morrissey Margaret Regan Rebecca M. Schreiber Ila N. Sheren Samuel Truett John-Michael H. Warner

Borders are changing in response to terrorism and immigration. This book shows why this matters, especially for sovereignty, individual liberty, and citizenship.

In this “riveting read, meshing memoir with scientific explication” (Nature), a world-renowned neuroscientist reveals how he learned to communicate with patients in vegetative or “gray zone” states and, more importantly, he explains what those interactions tell us about the working of our own brains. “Vivid, emotional, and thought-provoking” (Publishers Weekly), Into the Gray Zone takes readers to the edge of a dazzling, humbling frontier in our understanding of the brain: the so-called “gray zone” between full consciousness and brain death. People in this middle place have sustained traumatic brain injuries or are the victims of stroke or degenerative diseases, such as Alzheimer’s and Parkinson’s. Many are oblivious to the outside world, and their doctors believe they are incapable of thought. But a sizeable number—as many as twenty percent—are experiencing something different: intact minds adrift deep within damaged brains and bodies. An expert in the field, Adrian Owen led a team that, in 2006, discovered this lost population and made medical history. Scientists, physicians, and philosophers have only just begun to grapple with the implications. Following Owen’s journey of exciting medical discovery, Into the Gray Zone asks some tough and terrifying questions, such as: What is life like for these patients? What can their families and friends do to help them? What are the ethical implications for religious organizations, politicians, the Right to Die movement, and even insurers? And perhaps most intriguing of all: in defining what a life worth living is, are we too concerned with the physical and not giving enough emphasis to the power of thought? What, truly, defines a satisfying life? “Strangely uplifting…the testimonies of people who have returned from the gray zone evoke the mysteries of consciousness and identity with tremendous power” (The New Yorker). This book is about the difference between a brain and a mind, a body and a person. Into the Gray Zone is “a fascinating memoir…reads like a thriller” (Mail on Sunday).

"Changing borders: reportage from our Mekong contains the work produced by 21 journalists from Cambodia, China, Laos, Thailand, Myanmar and Vietnam as part of their fellowship under the sixth cycle of the Imaging Our Mekong media programme"--P. [4] of cover.

The term "open borders" refers to a policy of allowing free movement between countries without restrictions or border control. In an era characterized by the Brexit referendum and the Trump administration's policy of restricting immigration in the U.S., the prospect of borders being open may seem improbable. A number of politicians, policymakers, economists, and citizens assert that referendums and restrictions are the best way to address the economic and social issues that the international community faces today. This volume helps readers examine the issue of open borders from a variety of angles, examining its economic, social, political, moral, and legal aspects.

Adopted by woodchucks at birth, a baby goose never feels she truly belongs--until the day she discovers she can fly.