Between 1920 and 1933 the issue of prohibition proved to be the greatest challenge to Canada-U.S. relations. When the United States adopted national prohibition in 1920—ironically, just as Canada was abandoning its own national and provincial experiments with prohibition—U.S. tourists and dollars promptly headed north and Canadian liquor went south. Despite repeated efforts, Americans were unable to secure Canadian assistance in enforcing American prohibition laws until 1930. Bootleggers and Borders explores the important but surprisingly overlooked Canada-U.S. relationship in the Pacific Northwest during Prohibition. Stephen T. Moore maintains that the reason Prohibition created such an intractable problem lies not with the relationship between Ottawa and Washington DC but with everyday operations experienced at the border level, where foreign relations are conducted according to different methods and rules and are informed by different assumptions, identities, and cultural values. Through an exploration of border relations in the Pacific Northwest, Bootleggers and Borders offers insight into not only the Canada-U.S. relationship but also the subtle but important differences in the tactics Canadians and Americans employed when confronted with similar problems. Ultimately, British Columbia’s method of addressing temperance provided the United States with a model that would become central to its abandonment and replacement of Prohibition.

A sequel to 13 Steps for Charlie Birger, Bootlegger Heaven tells the incredible story of the bloody southern Illinois region known as Little Egypt from the 1920s through the 1940s. This novel is so closely based on historic evidence, the actual events are listed in the back of the book.

Reels for 1973- include Time index, 1973-

Includes Jimmy Hoffa's disappearance, the Bath School Massacre, the Purple Gang of Detroit, and many more.

The city of Chicago led the nation when it came to gangland violence during the Prohibition era. As a result, many infamous, unforgettable personalities became a part of America's criminal history. Chicago Assassin is the story of "Machine Gun" Jack McGurn, one of the people responsible for putting much of the roar into the Roaring Twenties. His family immigrated to Chicago from Sicily in 1906, as he grew up in the city's slums and later took up boxing as "Battling" Jack McGurn. After avenging his father's death by killing the three hit men responsible, he came to the attention of Al Capone, who invited him into his organization, known as the Chicago Outfit. There he rose to power and was one of the most feared members Capone's organizations, with more than twenty-five known kills for the mob. "Battling" Jack McGurn became so adept with the Thompson submachine gun that he quickly became known as "Machine Gun" Jack McGurn.

"It is 1921, and both Prohibition and bootlegging are in full swing. When Isaac Bell's boss and lifelong friend Joseph Van Dorn is shot and nearly killed leading the high-speed chase of a rum-running vessel, Bell swears to him that he will hunt down the lawbreakers, but he doesn't know what he is getting into. When a witness to Van Dorn's shooting is executed in a ruthlessly efficient manner invented by the Russian secret police, it becomes clear that these are no ordinary criminals. On a trail that leads from the ravages of post WWI Europe to the speakeasies of New York to the lawless streets of Detroit and Florida's lavish beachside resorts, Isaac tracks the footsteps of a criminal enterprise more ingenious and far-reaching than any he has ever known. He is up against a team of Bolshevik assassins and saboteurs, and they are intent on overthrowing the government of the United States. Packed with daring escapades and incredible heroics"--Provided by publisher

Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.