Where you between Betty Crocker and Gloria Steinem? With that question in mind poets Pamela Gemin and Paula Sergi began collecting the poems in Boomer Girls, an anthology of coming-of-age poems written by women born between 1945 and 1964, give or take a few years on either side. The answers to that question till this volume with the energy, passion, heartbreak, and giddiness of women's lives from childhood to adolescence to middle age. The poems in Boomer Girls are by unknown, emerging, and established writers, women who participated in the second wave of feminism. From Sandra Cisneros' "My Wicked Wicked Ways" to Barbara Crooker's "Nearing Menopause, I Run into Elvis at Shoprite, " from Wendy Mnookin's "Polio Summer" to Kyoko Mori's "Barbie Says Math Is Hard, " these poems call for us to celebrate (in the words of poet Diane Seuss-Brakeman) "glances, romances, beauty and guilt, regret, remorse, rebates and rejuvenations." Boomer Girls share a common culture, bound by their generation's political history by pop icons like Barbie -- that pedestaled Boomer Girl who's just turned forty -- and by the music that's never stopped playing: Janis Joplin, Marvin Gaye, Jimi Hendrix, the Ronettes, Van Morrison, Patsy Cline, John Lennon. The Boomer poets in this feisty anthology speak with diverse voices and embody a wide range of experiences, yet their generation's universal images -- the hula hoops, TV shows, tinned auto-mobiles, and other household gods of their youth -- unite them in ways both hilarious and tender.

Baby Boomer Female Names A Post World War II Boomtime Fictional Memoir by Neal L. Veldenax

The Leaders of the Twenty-First Century was the original title for the manuscript that branched into three and became Food of Love, The Lady of the Lakewood Diner and The Gatsby Game. It's a terrible title, of course, because it sounds too dry and pretentious for a bunch of comedies. But the phrase has excellent comic credentials. It comes from Mickey Mouse himself. The original Mickey Mouse Club TV program always signed off with the inspiring proclamation that the show was "dedicated to you, the leaders of the twenty-first century!" When my little girlfriends and I giggled in our basement "rec rooms," mesmerized by the addictive new show, it never occurred to us the announcer wasn't talking to us as much as to our brothers. We didn't see any women leaders around us, but somehow, the magic of Disney was going to propel us all to new heights. My best friend planned to be a doctor and I wanted to be a famous writer. Or maybe princess of the world. The heroines of these three novels, Congresswoman Rev. Cady Stanton, Princess Regina of San Montinaro, diner owner Dodie Hannigan Codere, rock star Morgan le Fay, and sporting goods CEO Nicky Conway are powerful yet vulnerable (and I hope funny) women who represent those Baby Boomer women who watched the Mickey Mouse Club with me. Our mothers, who fought WWII on the home front only to be lured out of the workplace to a life of suburban housewifery, often saw our generation as entitled and self-involved. But as my character Dodie Hannigan said in the first version of the manuscript: "We're called Boomers, but it wasn't us that did the booming—that was our parents. We just showed up nine months later and got plunked in front of those brand new TVs." We were born at the dawn of the television age to become Madison Avenue's most coveted "target demographic." Advertising campaigns and kid-centric programming made us the first generation to be given a collective identity separate from family or community. And for good or ill, they made us who we have become: women who have demanded to be treated as equals by the other half of the human race. I know it's still something of a taboo to write novels—especially romantic comedies—about women "of a certain age," but Boomer women have been breaking rules since the Mickey Mouse Club proclaimed our destiny. I hope you'll enjoy their stories. Anne R. Allen Los Osos, CA., 2014

In Surfer Girls in the New World Order, Krista Comer explores surfing as a local and global subculture, looking at how the culture of surfing has affected and been affected by girls, from baby boomers to members of Generation Y. Her analysis encompasses the dynamics of international surf tourism in Sayulita, Mexico, where foreign women, mostly middle-class Americans, learn to ride the waves at a premier surf camp and local women work as manicurists, maids, waitresses, and store clerks in the burgeoning tourist economy. In recent years, surfistas, Mexican women and girl surfers, have been drawn to the Pacific coastal town’s clean reef-breaking waves. Comer discusses a write-in candidate for mayor of San Diego, whose political activism grew out of surfing and a desire to protect the threatened ecosystems of surf spots; the owners of the girl-focused Paradise Surf Shop in Santa Cruz and Surf Diva in San Diego; and the observant Muslim woman who started a business in her Huntington Beach home, selling swimsuits that fully cover the body and head. Comer also examines the Roxy Girl series of novels sponsored by the surfwear company Quiksilver, the biography of the champion surfer Lisa Andersen, the Gidget novels and films, the movie Blue Crush, and the book Surf Diva: A Girl’s Guide to Getting Good Waves. She develops the concept of “girl localism” to argue that the experience of fighting for waves and respect in male-majority surf breaks, along with advocating for the health and sustainable development of coastal towns and waterways, has politicized surfer girls around the world.

Twenty years ago, the KGB planted an agent in the American Navy. Today he is the commander of an American nuclear attack submarine! Wayne Newell is all-Navy, all-American, all-traitor. A graduate of the Soviet "Charm School," Newell is captain of the nuclear attack submarine USS Pasadena, now patrolling beneath the Pacific. He's convinced his crew that the world is at war — and that the Russians have a deadly masking device that makes Soviet submarines sound exactly like the most crucial ships in the American fleet: the nuclear-powered ballistic missile submarines known as Boomers. The subs that Pasadena detects may sound American — but they're the enemy and must be destroyed. The deception has begun... In a world of darkness, super-sensitive listening devices and nerve-wracking tension, Newell's crew is being driven to the breaking point, cut off from communications, forced to destroy "enemy" subs in a war they can't confirm. And while the U.S. Pacific Command scrambles to find out who is attacking their fleet, two American submarines must go to war — against an aggressor who knows their every move, and is rapidly destroying America's sea-based strategic nuclear defense. "Technically brilliant...plus the added bonus of strong characters and an intelligent plot." — Nelson DeMille "Taylor rachets the suspense well past the breaking point...BOOMER is a hell of a fine sea story!" — Stephen Coonts

The Baby Boomers, born between 1946 and 1964, form the single largest demographic spike in American history. Never before or since have birth rates shot up and remained so high so long, with some obvious results: when the Boomers were kids, American culture revolved around families and schools; when they were teenagers, the United States was wracked by rebelliousness; now, as mature adults, the Boomers have led America to become the richest and most powerful country in the history of the world. Boomer Nation will for the first time offer an incisive look into this generation that has redefined America's culture in so many ways, from women's rights and civil rights to religion and politics. Steve Gillon combines firsthand reporting of the lives of six Boomers and their families with a broad look at postwar American history in a fascinating mix of biography and history. His characters, like America itself, reflect a variety of heritages: rich and poor, black and white, immigrant and native born. Their lives take very different paths, yet are shaped by key events and trends in similar ways. They put a human face on the Boomer generation, showing what it means to grow up amid widespread prosperity, with an explosion of democratic autonomy that led to great upheavals but also a renewal from below of our churches, industries, and even the armed forces. The same generation dismissed as pampered and selfish has led a revival of religion in America; the same generation that unleashed the women's movement has also shifted our politics into its most market-oriented, anti-governmental era since Woodrow Wilson. Gillon draws many lessons from this "generational history" -- above all, that the Boomers have transformed America from the security- and authority-seeking culture of their parents to the autonomy- and freedom-rich world of today. When the "greatest generation" was young and not yet at war, it was widely derided as selfish and spoiled. Only in hindsight, long after the sacrifices of World War II, did it gain its sterling reputation. Today, as Boomer America rises to the challenges of the war on terror, we may be on the cusp of a reevaluation of the generation of Presidents Bush and Clinton. That generation has helped make America the richest, strongest nation on the planet, and as Gillon's book proves, it has had more influence on the rest of us than any other group. Boomer Nation is an eye-opening reinterpretation of the past six decades.

While this book was written for male Baby Boomers and their significant others, it also includes Boomer history and what lies ahead as we experience the decade of our own sixties. This story reviews our Boomer luck, recounts the great history of being a kid in the 1950s, and the great opportunities provided by improved education in the 1960s, not to ignore a seemingly mind expanding culture. Turning sixty is not for the faint hearted. There are issues ahead. The first thing we all face is taking care of aging parents or what the author refers to as helping your parents check out. Then there are our own Boomer health issues including cataracts and prostate cancer. You likely think there is nothing funny about these topics but the quirky economist author finds humor in all of our aging experiences. This book covers Boomer issues, all in the context of our Boomer culture. We Boomers thought we would be young forever. Maybe that is why it is so amusing.

Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, to Seventeen magazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before. From pre-school to high school and beyond, Girl Culture tackles numerous hot-button issues, including the recent barrage of advertising geared toward very young girls emphasizing sexuality and extreme thinness. Nothing is off-limits: body image, peer pressure, cliques, gangs, and plastic surgery are among the over 250 in-depth entries highlighted. Comprehensive in its coverage of the twenty and twenty-first century trendsetters, fashion, literature, film, in-group rituals and hot-button issues that shape—and are shaped by—girl culture, this two-volume resource offers a wealth of information to help students, educators, and interested readers better understand the ongoing interplay between girls and mainstream culture.