The world of 1616 was a world of motion. Enormous galleons carrying silk and silver across the Pacific created the first true global economy, and the first international megacorporations were emerging as economic powers. In Europe, the deaths of Shakespeare and Cervantes marked the end of an era in literature, as the spirit of the Renaissance was giving way to new attitudes that would lead to the age of revolutions. Great changes were also taking place in East Asia, where the last native Chinese dynasty was entering its final years and Japan was beginning its long period of warrior rule. Artists there, as in many parts of the world, were rethinking their connections to ancient traditions and experimenting with new directions. Women everywhere were redefining their roles in family and society. Slave trading was relocating large numbers of people, while others were migrating in search of new opportunities. The first tourists, traveling not for trade or exploration but for personal fulfillment, were exploring this new globalized world. Thomas Christensen illuminates this extravagant age by focusing on a single riotous year. Woven with color images and artwork from the period, 1616 tells the surprising tales of the men and women who set the world on its tumultuous course toward modernity.

Anne Clifford’s memoir for the year 1603 and her diary of 1616-1619 are invaluable records of the daily life and social and family relationships of a noblewoman of her time. In them she records her travels, her reading, her religious observances, her relationships with her mother, her husband, and her child, and the progress—or lack thereof—of her legal efforts to obtain what she viewed as her inheritance, extensive estates in the north of England. The two texts offer a unique view of the life, feelings, experience, and self-fashioning of this extraordinary woman, and they bring to life the history and literary culture of the period in a refreshing and direct way. This Broadview edition includes an illuminating introduction that places these texts in their historical and literary context. The appendices include poems dedicated and addressed to Clifford, her funeral sermon, and the “Great Picture” of the Clifford family.

Garments and accessories are prominent in almost all of William Shakespeare's plays, from Hamlet and Othello to A Midsummer Night's Dream and Twelfth Night. The statement 'Clothes maketh the man' was one that would have resonated with their audiences: the rise of England's merchant class had made issues of rank central to Elizabethan debate, and a rigid table of sumptuary laws carefully regulated the sorts of fabric and garment worn by the different classes. From the etiquette of courtly dress to the evolution of the Elizabethan ruff, in this vibrant introduction Sarah Jane Downing explores the sartorial world of the late-16th century, why people wore the clothes they did, and how the dizzyingly eclectic range of fashions (including ruffs, rebatos and French farthingales) transformed over time.

Equal parts Sherlock Holmes and P.G. Wodehouse, Charles Finch's debut mystery A Beautiful Blue Death introduces a wonderfully appealing gentleman detective in Victorian London who investigates crime as a diversion from his life of leisure. Charles Lenox, Victorian gentleman and armchair explorer, likes nothing more than to relax in his private study with a cup of tea, a roaring fire and a good book. But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist the chance to unravel a mystery. Prudence Smith, one of Jane's former servants, is dead of an apparent suicide. But Lenox suspects something far more sinister: murder, by a rare and deadly poison. The grand house where the girl worked is full of suspects, and though Prue had dabbled with the hearts of more than a few men, Lenox is baffled by the motive for the girl's death. When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence Smith? Or was it something else entirely? And can Lenox find the answer before the killer strikes again—this time, disturbingly close to home?

Slaves & Slaveholders in Bermuda, 1616-1782, offers a fresh perspective on the complex relationship between racism & slavery in the often overlooked second-oldest English colony in the New World. As the first blacks were brought onto the islands not specifically for slave labor, but for their expertise as pearl divers & cultivators of West Indies plants, Bermuda's racial history began to unfold much differently from that of the Caribbean islands or of the North American mainland. Bermuda's history records the arrival of the first blacks, the first English law passed to control the behavior of the "Negroes," & the creation of ninety-nine-year indentures for black & Indian servants. Slavery may have dictated & strained the relationships between whites & blacks, but in this smallest of English colonies it differed from slavery elsewhere because of the uniquely close master-slave relations created by Bermuda's size & maritime economy. At only twenty-one square miles in size, Bermuda saw slaves & slave-holders working & living closer together than in other societies. Additionally, the emphasis on maritime pursuits offered slaves a degree of autonomy & a sense of identity unequaled in other English colonies. This groundbreaking history of Bermuda's slavery reveals fewer runaways, less-violent rebellions, & relatively milder punishments for offending slaves. One anecdote recounts that in 1782, seventy black seamen offered freedom in Boston voluntarily returned to their Bermuda homes. Bernhard delves into the origins of Bermuda's slavery, its peculiar nature, & its effects on blacks & whites. She bases her study on archival research drawn from wills & inventories, laws & court cases, governors' reports & council minutes. Intended as an introduction to both the history of the islands & the rich sources for further study, this book will prove invaluable to scholars of slavery, as well as those interested in historical archaeology, anthropology, maritime history, & colonial history.

The Chymical Wedding is an allegoric story divided into Seven Days, or Seven Journeys, and which tells us how Christian Rosenkreuz was invited to go to a wonderful castle full of miracles, in order to assist the Chymical Wedding of the king and the queen. The story is symbolic of alchemy, the Sacred Marriage being the goal.

Ethnographic observations and experiences on the Tongan Islands up to 1810—just prior to intensive Christian missionary activities—provide an early historic baseline of culture for those interested in alter culture change in Tonga, the only Polynesian island group that has never been ruled by outsiders. Ferdon has drawn on a variety of records to provide a well-documented and highly readable account of major aspects of Tongan life—material culture, government, food and drink, recreation, customs, trade, and warfare—at the time when European influences were only beginning to modify traditional island patterns. The ethnohistorical approach to early Tongan culture offers not only a fascinating glimpse into a world long past but also a basis for the comparative study of European acculturation throughout Polynesia. Edwin N. Ferdon first became interested in early Polynesia while serving as an archaeologist with Thor Heyerdahl’s 1955 expedition to Easter Island. He is also the author of Early Tahiti As the Explorers Saw It, 1767–1797.