The word "bibliophilia" indicates a love of books, both as texts to be read and objects to be cherished for their physical qualities. Throughout the history of Iberian print culture, bibliophiles have attempted to explain the psychological experiences of reading and collecting books, as well as the social and economic conditions of book production. Bibliophiles, Murderous Bookmen, and Mad Librarians analyses Spanish bibliophiles who catalogue, organize, and archive books, as well as the publishers, artists, and writers who create them. Robert Richmond Ellis examines how books are represented in modern Spanish writing and how Spanish bibliophiles reflect on the role of books in their lives and in the histories and cultures of modern Spain. Through the combined approaches of literary studies, book history, and the book arts, Ellis argues that two strains of Spanish bibliophilia coalesce in the modern period: one that envisions books as a means of achieving personal fulfilment, and another that engages with politics and uses books to affirm linguistic, cultural, and regional and national identities.

Eighty pieces of short fiction and nonfiction on manhood by some of the world's best writers. To help launch the literary nonprofit Narrative 4, Esquire asked eighty of the world's greatest writers to chip in with a story, all with the title, "How to Be a Man." The result is The Book of Men, an unflinching investigation into the essence of manhood.

An essential fashion reference for students and professionals alike, organized in a series of detailed case studies Fashion design is a process of investigating, understanding context, and constantly questioning what you are doing and why. This comprehensive survey presents the work of a wide range of modern and contemporary designers and reveals the innumerable areas of inspiration and research on which they’ve drawn, from historical examples such as Christian Dior’s “New Look” to traditional textiles from around the world, as seen in John Galliano’s Peruvian-inspired collection of 2005. The first part of the book investigates the research process in the work of designers such as Paul Smith, Comme des Garçons, and Anna Sui. The second section covers subjects like vintage and retro, the use of archives, and the influence of art movements such as op art and surrealism. The third part presents case studies of world-famous designers: Jean Paul Gaultier, Christian Dior, Alexander McQueen, and Coco Chanel, to name but a few.

'[Nelson's] style is swift and straightforward, his narrative gift considerable ... Consistently diverting, this may be the novel about homosexuality to end all novels on the subject .. . [W]ill make many a reader's day.' - Julian MacLaren-Ross, Punch 'Talented, amusing ... the story is told with sustained suspense: the various men in it are not merely types, but flesh and blood, even if one wishes that Patrick had never been born.' - John Betjeman, Daily Telegraph 'Odiously funny and delightfully unwholesome ... a distinct relief after the ponderous treatment homosexuality has tended to get in some recent novels.' - Sunday Times '[S]harp, witty, malicious ... wonderfully developed in the best Machiavellian tradition.' - Malcolm Bradbury, New York Times Book Review 'Classic high camp.' - Books and Bookmen Patrick, the book's opening line tells us, is 'very, very rich'. He's also single, and he has his sights set on Nicholas Milestone, a handsome young provincial journalist. Having lured Nicholas to London with the promise of a job on a tabloid magazine, Patrick moves the young man into his suite at a posh hotel, where he lavishes money and expensive gifts on him. Nicholas enjoys his luxurious new lifestyle and meeting Patrick's amusing and fashionable friends, but he soon understands what Patrick's really after. Knowing he won't be able to resist the older man's advances forever, the greedy Nicholas will have to choose between his conscience and his newly acquired love of money. A Room in Chelsea Square (1958), the semi-autobiographical second novel by Michael Nelson (1921-1990), was published anonymously both because of its frank gay content at a time when homosexuality was still illegal and because its characters were thinly veiled portrayals of prominent London literary figures. Witty, clever, and very funny, Nelson's novel has long been recognized as a gay classic and returns to print in this edition, which features a new introduction by Gregory Woods.

The city has eight million stories, and this one unfolds just south of 14th Street in Manhattan, mostly on the seven blocks of Fourth Avenue bracketed by Union Square and Astor Place. There, for nearly eight decades, from the 1890s to the 1960s, thrived a bibliophiles' paradise. They called it the New York Booksellers' Row, or, more commonly, Book Row. It's an American story, the story that this richly anecdotal historical memoir amiably tells: as American as the rags-to-riches tale of the Strand, which began its life as book stall on Eighth Street and today houses 2.5 million volumes in twelve miles of space. It's a story cast with colorful characters: like the horse-betting, poker-playing go-getter and book dealer George D. Smith; the irascible Russian-born book hunter Peter Stammer, the visionary Theodore C. Schulte; Lou Cohen, founder of the still-surviving Argosy Book Store; gentleman bookseller George Rubinowitz and his legendary shrewd wife Jenny. Rising rents, street crime, urban redevelopment, television-the reasons are many for the demise of Book Row, but in this volume, based on interviews with dozens upon dozens of the book people who bought, sold, and collected there, it lives again.

A chilling indictment on the state of the American family, and the recent drive to deny the fundamental differences between the sexes, Men and Marriage is "an outstandingly important and well-argued book, strangely moving in its combination of scholarly dilligence, common sense, courage, and devotion to the res publica of human civilization".--National Review.

Chronicles the epic journey of Lewis and Clark across uncharted wilderness to the Pacific Ocean, in a narrative that incorporates entries from the explorers' journals and a new preliminary essay on making a filmed recreation.