Set in Northern California in the late ’70s, this timeless coming-of-age story examines the nature of evil, the art of storytelling, and the possibility of redemption. Fifteen-year-old RJ Armante has never known a life outside his deadend hometown of Arcangel, CA. The Blackjacks rule as they have for generations, luring the poorest kids into their monopoly on petty crime. For years, they’ve left RJ alone, but now they have a job for him: prey upon an old loner in town. In spite of the danger, RJ begins to resist. He fights not only for himself, but for his younger brother, Charley, whose disability has always made RJ feel extra protective of him. For Roxanne, the girl he can’t reach, and the kids in his crew who have nothing to live for. Even for the old loner, who has secrets of his own. If RJ is to break from the Blackjacks’ hold, all of Arcangel must be free of its past.

In ancient Ireland, an island ruled by kings and druids, the nuns of Saint Brigid are fighting to keep their monastery alive. When the bones of Brigid go missing from their church, the theft threatens to destroy all they have worked for. No one knows the danger they face better than Sister Deirdre, a young nun torn between two worlds.Trained as a bard and raised by a druid grandmother, she must draw upon all of her skills, both as a bard and as a nun, to find the bones before the convent begins to lose faith.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • NEW YORK TIMES BESTSELLER From award-winning author Alan Bradley comes the next cozy British mystery starring intrepid young sleuth Flavia de Luce, hailed by USA Today as “one of the most remarkable creations in recent literature.” Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the English hamlet of Bishop’s Lacey is busily preparing to open its patron saint’s tomb. Nobody is more excited to peek inside the crypt than Flavia, yet what she finds will halt the proceedings dead in their tracks: the body of Mr. Collicutt, the church organist, his face grotesquely and inexplicably masked. Who held a vendetta against Mr. Collicutt, and why would they hide him in such a sacred resting place? The irrepressible Flavia decides to find out. And what she unearths will prove there’s never such thing as an open-and-shut case. BONUS: This edition includes an excerpt from Alan Bradley’s The Dead in Their Vaulted Arches. Acclaim for Speaking from Among the Bones “[Alan] Bradley scores another success. . . . This series is a grown-up version of Nancy Drew, the Hardy Boys and all those mysteries you fell in love with as a child.”—The San Diego Union-Tribune “The precocious and irrepressible Flavia . . . continues to delight.”—Publishers Weekly (starred review) “Fiendishly brilliant . . . Bradley has created an utterly charming cast of characters . . . as quirky as any British mystery fan could hope for.”—Bookreporter “Delightful and entertaining.”—San Jose Mercury News

An intriguing visual history of the veneration in European churches and monasteries of bejeweled and decorated skeletons Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls—this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as “the catacomb saints,” were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.

Originally published: 1st ed. Garden City, N.Y.: Doubleday, 1982.

As the world heads toward war, who can save France's greatest treasures? On a rainy night in New York City, Mason Wright receives a surprise visit from his old flame, Collette Moulie. Despite his misgivings, he agrees to help her and her father in a risky, and probably illegal plan to save the art treasures of France from a possible Nazi invasion. Mason immediately finds himself caught up in a world of fine art, stolen paintings, master forgeries¿and the men who will stop at nothing to acquire them. Traveling to France, Mason realizes that he has suddenly become one of the most wanted men in all of Europe. Putting his life in the hands of a man he barely knows, Mason traverses the catacombs and streets of Paris, pursued by black marketeers and German spies. Mason learns early on that there is no one he can trust. Can he find his way out of France before the Blitzkrieg begins?

A fascinating, intelligent, and sometimes funny tour of the human relics at the root of the world’s major religions By examining relics—the bits and pieces of long-dead saints at the heart of nearly all religious traditions—Peter Manseau delivers a book about life, and about faith and how it is sustained. The result of wide travel and the author’s own deep curiosity, filled with true tales of the living and dubious legends of the dead, Rag and Bone tells of a California seeker who ended up in a Jerusalem convent because of a nun’s disembodied hand; a French forensics expert who travels on the metro with the rib of a saint; two young brothers who collect tickets at a Syrian mosque, studying English beside a hair from the Prophet Muhammad’s beard; and many other stories, myths, and peculiar histories. With these, and an array of other digits, limbs, and bones, Manseau provides a respectful, witty, informed, inquisitive, thoughtful, and fascinating look into the "primordial strangeness that is at the heart of belief," and the place where the abstractions of faith meet the realities of physical objects, of rags and bones.

A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.

Thieves, dangerous magic, and a weapon built with the power to destroy a god clash in this second novel of Gareth Hanrahan's acclaimed epic fantasy series, The Black Iron Legacy. "This is genre-defying fantasy at its very best... Insanely inventive and deeply twisted" (Michael R. Fletcher). Enter a city of spires and shadows . . . The Gutter Miracle changed the landscape of Guerdon forever. Six months after it was conjured into being, the labyrinthine New City has become a haven for criminals and refugees. Rumors have spread of a devastating new weapon buried beneath the streets - a weapon with the power to destroy a god. As Guerdon strives to remain neutral, two of the most powerful factions in the godswar send agents into the city to find it. As tensions escalate and armies gather at the borders, how long will Guerdon be able to keep its enemies at bay? "A groundbreaking and extraordinary novel . . . Hanrahan has an astonishing imagination" (Peter McLean). The Shadow Saint continues the gripping tale of dark gods and dangerous magic that began with Hanrahan's acclaimed debut The Gutter Prayer.

Relics were everywhere in medieval society. Saintly morsels such as bones, hair, teeth, blood, milk, and clothes, and items like the Crown of Thorns, coveted by Louis IX of France, were thought to bring the believer closer to the saint, who might intercede with God on his or her behalf. In the first comprehensive history in English of the rise of relic cults, Charles Freeman takes readers on a vivid, fast-paced journey from Constantinople to the northern Isles of Scotland over the course of a millennium.In "Holy Bones, Holy Dust," Freeman illustrates that the pervasiveness and variety of relics answered very specific needs of ordinary people across a darkened Europe under threat of political upheavals, disease, and hellfire. But relics were not only venerated--they were traded, collected, lost, stolen, duplicated, and destroyed. They were bargaining chips, good business and good propaganda, politically appropriated across Europe, and even used to wield military power. Freeman examines an expansive array of relics, showing how the mania for these objects deepens our understanding of the medieval world and why these relics continue to capture our imagination.