A young trader with the secret to Earth’s destruction gets drawn into a mystery surrounding telepathically trained soldiers in this classic techno-fantasy. Sparrow’s my name. Trader. Deal-maker. Hustler, some call me. I work the Night Fair circuit, buying and selling pre-nuke videos from the world before. I know how to get a high price, especially on Big Bang collectibles. But the hottest ticket of all is information on the Horsemen—the mind-control weapons that tilted the balance in the war between the Americas. That’s the prize I’m after. But it seems I’m having trouble controlling my own mind. The Horsemen are coming . . . A Finalist for the Hugo, Locus, Nebula, and World Fantasy Awards Praise for Bone Dance “Style and gusto and fireworks. Great stuff.” —Neil Gaiman “Bull’s high-voltage prose propels this journey of self-discovery into a class by itself. Recommended where cyberpunk and/or new wave sf is popular.” —Library Journal “A winning book.” —Publishers Weekly “Mixing symbolism from the Tarot deck, voodoo mythology, and a finely detailed vision of life and technology after the nuclear war, Bull has come up with yet another winner.” —School Library Journal

A collection of poems focusing on the author's identity as a Hopi Indian, and how she fits in with today's culture and society as well as the pull of her ancestry

When her father wills her a cabin on land in rural Manitoba, Alexandra meets a young man who shares her Indian heritage and her experience of being haunted by spirits. Reprint.

Music may soothe the savage breast, but in this fifth collection of witty and wicked crime fiction from the Ladies' Killing Circle, music provides the background for tales of murder and mayhem. Eighteen stories by Canadian women crime writers along with poems from Joy Hewitt Mann take their inspiration from titles as varied as the upbeat "Wake Up Little Suzie" through the romantic "Summertime" and musicals such as "There's No Business Like Show Business". It's a collection you won't want to put down until you've read every one and hummed all the tunes. You'll never listen to your favourite songs again without wondering what nefarious deeds they may have inspired.

One by one, the magical inhabitants of Elder Valley are disappearing and it’s up to Maeve, a runaway witch with an erratic nature and dubious powers, to save them. Maeve’s been a vagabond, riding the roads with her trucker friends, but the magic she’s tried to escape for years is forcing her home. Worse, it has given her responsibility for a strange lonely witch, an impertinent little harpy, and a love-struck dragon. With an evil sorcerer’s thugs in furious pursuit, Maeve must keep her charges safe as they race across the country to save her home from death and ruin.

A rendition of a traditional African American spiritual.

Minister and theologian Marcia Mount Shoop Offers an analysis of Reformed heritage---and an impassioned provocation that we live more adventurously. "Beautifully written and deeply felt. This work offers a vivid theology relocated in the flesh and blood of life's utter physicality. Finally a book to recommend when people ask about resources on bodies and theology!"---Bonnie J. Miller-McLemore, E. Rhodes and Leona B. Carpenter Professor of Pastoral Theology, The Divinity School and Graduate Department of Religion, Vanderbilt University "An incredibly compelling theological work. Bringing together a host of cutting-edge concerns that matter not simply to academic theologians, but to the lived life of faith, this project invokes the importance of bodies and their marking by gender, race, ethnicity, etc. Mount Shoop uses these now-familiar themes to break new ground by revealing the inadequacy of the overly verbal and cognitive character of Protestant worship and practice. It is groundbreaking."---Mary McClintock Fulkerson, Professor of Theology, Duke Divinity School, and author of Places of Redemption: Theology for a Worldly Church "Mount Shoop thiks in new ways about central theological concepts and dares to imagine a new church emerging out of them. She combines the intellectual vigor of an academic with the heart and soul of a pastor who understands what it means to lead a congregation. Happily, she writes like a poet. Let the Bones Dance is provocative, stimulating, and readable."---John M. Buchanan, pastor, Fourth Presbyterian Church, Chicago, Illinois, and author of A New Church for a New World Contemporary Christian faith and practice tend to address spiritual, mental, and emotional issues but ignore the body. As a result, many believers are uncomfortable in their own skins. Mount Shoop addresses this "dis-ease" with a theology that is attentive to physical experience. She also suggests how worship services can more fully invite God to inhabit every part of a congregation---including their flesh-and-blood bodies.

Dancing on Bones is the story of how the leaders of China, Russia, and North Korea manipulate the past to serve the present and secure the future of authoritarian rule.History didn't end. Democracy didn't triumph. America's leading role in the world is no longer assured. Instead, authoritarian rule is on the rise, and the global order established after 1945 is under attack. This is the phenomenon Katie Stallard tackles in Dancing on Bones, probing the version ofhistory that leaders in China, Russia, and North Korea teach their citizens.These three states consistently top the list of threats to the global order and US national security. All are governed by autocratic regimes. All have nuclear weapons and believe that the era of American hegemony is fading. All three share a sense of historical grievance, rooted in the wars of thelast century - specifically World War II and the Korean War - that their leaders exploit to shore up popular support at home and fuel increasingly aggressive foreign policy. Decades after the real guns fell silent, these wars rage on in China, Russia, and North Korea, reimagined in popular media,public memorials, and patriotic education campaigns. This is not history as it was, but as the current rulers need it to be. Since coming to power in China, Xi Jinping has almost doubled the length of the war with Japan, Vladimir Putin has brought back bombastic military parades through Red Square,and Kim Jong Un has invested vast sums in rebuilding war museums in his impoverished state, while historians who try to challenge the official line are silenced and jailed. But this didn't start with the current leaders and it won't end with them.Drawing on first-hand, on-the-ground reporting, Dancing on Bones is the story of how the leaders of China, Russia, and North Korea manipulate the past to serve the present and secure the future of authoritarian rule. If we want to understand where these three nuclear powers are heading, we mustunderstand the stories they are telling their citizens about the past.

This book is a conversation starter. The author is re-imagining the theological landscape of historical practices of dance in order to open up a space where further explorations can be made. This is done in a two step manner. First, the book uncovers the restrictions of earlier research on the topic of dance in and around churches. In the second step, Hellsten suggests a practice for how historical sources can be imagined in a new frame. Opening up a new field of previously neglected and much needed historical studies on Dance in the Christian churches of the Latin West this study aims at questioning old paradigms and opening new vistas rather than reinterpreting concrete liturgical manuscripts or scrutinizing all the details of the historical sources presented.

Dance Anatomy is a visually stunning presentation of more than 100 of the most effective dance, movement, and performance exercises, each designed to promote correct alignment, improved placement, proper breathing, and prevention of common injuries.