Rodney Hilton's account of the Peasant's Revolt of 1381 remains the classic authoritative text on the 'English Rising'. Hilton views the revolt in the context of a general European pattern of class conflict. He demonstrates that the peasant movements that disturbed the Middle Ages were not mere unrelated outbreaks of violence but had their roots in common economic and political conditions and in a recurring conflict of interest between peasants and landowners. Now with a new introduction by Christopher Dyer, this survey remains the leading source for students of medieval English peasantry.

Rodney Hilton's account of the Peasant's Revolt of 1381 remains the classic authoritative text on the 'English Rising'. Hilton views the revolt in the context of a general European pattern of class conflict. He demonstrates that the peasant movements that disturbed the Middle Ages were not mere unrelated outbreaks of violence but had their roots in common economic and political conditions and in a recurring conflict of interest between peasants and landowners. Now with a new introduction by Christopher Dyer, this survey remains the leading source for students of medieval English peasantry.

Rodney Hilton's account of the Peasant's Revolt of 1381 remains the classic authoritative text on the 'English Rising'. Hilton views the revolt in the context of a genral European pattern of class conflict. He demonstrates that the peasant movements that disturbed the Middle Ages were not mere unrelated outbreaks of violence but had their roots in common economic and political conditions and in a recurring conflict of interest between peasants and landowners. Now with a new introduction by Christopher Dyer, this survey is still a leading source for students of medieval English peasantry.

Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era--among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet--offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory.

This book sheds light on the shaping of the English Bible and its impact on early modern English society and culture.