A visceral account of the white-knuckled bombing mission carried out on Hitler’s hometown. In April 1945, Linz was one of Nazi Germany’s most vital assets: a crucial transportation hub and communications centre, its railyards brimming with war materiel destined for the front lines. Linz was also the town Hitler claimed as home. Inevitably, it was one of the most heavily defended targets remaining in Europe. In their unheated, unpressurized B‐24 Liberator and B‐17 Flying Fortress heavy bombers, the young men of the US Fifteenth Air Force battled elements as dangerous as anything the Germans could throw at them. When batteries of German anti‐aircraft guns did open fire, the men flew into a man‐made hell of exploding shrapnel. Drawing on interviews with dozens of surviving World War II veterans and residents of Linz, as well as previously unpublished sources, Mike Croissant compellingly relates one of the war’s last truly untold stories – a gripping chronicle of warfare and a timeless tale of courage and terror, loss and redemption. With a foreword by Richard Overy, author of The Bombers and the Bombed

This is a groundbreaking new study of an overlooked area of Second World War History.

A “candid and revealing memoir shows a normal boy and a family at war and in its aftermath, determined to do what it took to survive . . . fascinating” (The Great War). When Adolf Hitler and the Nazi Party came into power in 1933, he promised the downtrodden, demoralized, and economically broken people of Germany a new beginning and a strong future. Millions flocked to his message, including a corps of young people called the Hitlerjugend—the Hitler Youth. By 1942 Hitler had transformed Germany into a juggernaut of war that swept over Europe and threatened to conquer the world. It was in that year that a nine-year-old Wilhelm Reinhard Gehlen, took the ‘Jungvolk’ oath, vowing to give his life for Hitler. This is the story of Wilhelm Gehlen’s childhood in Nazi Germany during World War II and the awful circumstances which he and his friends and family had to endure during and following the war. Including a handful of recipes and descriptions of the strange and sometimes disgusting food that nevertheless kept people alive, this book sheds light on the truly awful conditions and the twisted, mistaken devotion held by members of the Hitler Youth—that it was their duty to do everything possible to save the Thousand Year Reich.

Uncommon and uncanny, hypnotic, multidimensional, realistic, often hilarious, these fifteen stories represent something new in American fiction. Martone calls them mixtures of fact and fiction, fame and obscurity, their sources the little stories people repeat without thinking and then turn into myth.

In 1925, Adolf Hitler chose a remote mountain area in the south-east corner of Germany as his home. Hitler settled in a small house on the Obersalzberg, a district overlooking the picturesque town of Berchtesgaden in the Bavarian Alps. After Hitler became Chancellor of Germany in 1933, the Obersalzberg area was transformed into the southern seat of power for the Nazi Party. Eventually, the locale became a complex of houses, barracks and command posts for the Nazi hierarchy, including the famous Eagle’s Nest, and the mountain was honeycombed with tunnels and air raid shelters. A bombing attack at the end of the Second World War damaged many of the buildings and some were later torn down, but several of the ruins remain today, hidden in woods and overgrown. Hitler’s Berchtesgaden: A Guide to Third Reich Sites in the Berchtesgaden and Obersalzberg Area will help history-minded explorers find these largely-forgotten sites, both on the Obersalzberg and in Berchtesgaden and the surrounding area, with detailed directions for driving and walking tours. Illustrations: 100 colour photographs

A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times

This is the first book to treat bombing during WWII as a European phenomenon and not just the 'Blitz' on Britain and Germany. With Western Europe now at the heart of a united continent, it is even more difficult to explain how only 70 years ago European states destroyed much of the urban landscape from the air. There were many blitzes between 1940 and 1945 with an estimated 700,000 people killed. The purpose of this book is to provide the basis for a comparison of the experience of western states under the impact of bombing. In particular, it considers the political, cultural and social responses to bombing rather than the military, strategic and social dimensions which have formed the core of the discussion hitherto. This book will correct the popular perception of the British Blitz as the key bombing experience by exposing the reality of life under the bombs for communities as far apart as Brest, Palermo, and Rostock. An international panel of historians consider the issues raised amidst the bombing of human rights and protection of civilians in this seminal event in C20th history.

“An essential part of the literature of World War II.” —Jonathan Yardley, The Washington Post From acclaimed World War II historian Richard Overy comes this startling new history of the controversial Allied bombing war against Germany and German-occupied Europe. In the fullest account yet of the campaign and its consequences, Overy assesses not just the bombing strategies and pattern of operations, but also how the bombed communities coped with the devastation. This book presents a unique history of the bombing offensive from below as well as from above, and engages with moral questions that still resonate today.

Could the Allies have prevented the deaths of tens of thousands of Holocaust victims? Inspired by a conference held to mark the opening of the US Holocaust Memorial Museum, this book brings together the key contributions to this debate.

Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.