This volume traces the evolution of the Hindi film song to its present status as the cultural barometer of the country through an evaluation of the work of over 50 outstanding composers. Interviews with icons like Lata Mangehskar and Dev Anand are included.

A delightful history of the Hindi film song and its hold over popular psyche De de Khuda ke naam pe' sang Wazir Mohammed Khan in Alam Ara (1931), giving birth to a phenomenon—the Hindi film song. Over the years, the Hindi film song has travelled a long way, influencing and being influenced by popular taste. Considered downmarket not so long ago, it is undoubtedly the most popular musical genre in India today, pervading almost all aspects of Indian life—weddings, funerals, religious festivals, get-togethers and political conventions—and emerging as a medium to articulate every shade of joy and sorrow, love and longing, hope and despair. "Bollywood Melodies traces the evolution of the Hindi film song to its present status as the cultural barometer of the country, through an evaluation of the work of over fifty outstanding composers, singers and lyricists—from K.L. Saigal to Sonu Nigam, Naushad to A.R. Rahman, Sahir Ludhianvi to Javed Akhtar. Placing the song in the social context of the times, Gancsh Anantharaman looks at the influences that shaped it in each era: Rabindra Sangcct in the 1930s, the folk-inspired 1940s, the classical strains of the following decade and the advent of Western beats in the late 1960s. The author also chronicles the decline of music in Hindi films over the next twenty years before a new crop of musicians and singers gave the film song a new lease of life." Erudite yet lively, and including insightful interviews with icons like Lata Mangeshkar, Dev Anand, Gulzar, Manna Dey and Pyarelal, Bollywood Melodies is not only a treasure trove of information for music lovers but also an invaluable guide to understanding the nation’s enduring love affair with the Hindi film song.

Hey Bollywood buffs, ever wondered what makes Bollywood tick? This second edition of "Bollywood" is your all-access pass to the glitz, glamour, and grit of India's iconic film industry. We'll kick things off by diving into how Bollywood dreams are taking over the world. From packed theaters in Mumbai to sold-out shows in New York, Bollywood's magic knows no bounds. We'll even explore how Bollywood's charm isn't just about entertainment; it's a form of soft power diplomacy that shapes how the world sees India. But it's not all song and dance. This book delves into the new wave of filmmakers who are shaking up Bollywood's classic formula. Get ready for stories that challenge stereotypes, spark conversations, and push the boundaries of what Bollywood can be. We'll also tackle the big issues, like how Bollywood is using its platform to make powerful social commentary and fight for a more inclusive and representative industry. Ever been swept away by the passion of Bollywood's fan culture? We'll take you behind the scenes of the digital age fandom, where social media, fan clubs, and online communities are transforming how audiences connect with their favorite stars and films. And let's not forget the business side of things. Bollywood isn't just about art; it's an economic powerhouse. We'll uncover the secrets of Bollywood's financial success, from box office blockbusters to merchandising empires. But what happens when Bollywood clashes with Hollywood? We'll compare and contrast these two cinematic giants, exploring their unique styles, values, and global impact. So, if you're ready to uncover the magic, meaning, and the sheer masala of Bollywood, this book is your ticket. Whether you're a lifelong fan or a curious newcomer, this second edition is packed with fresh insights, untold stories, and a whole lot of Bollywood love. Get ready to be entertained, enlightened, and maybe even inspired to break into a dance!

Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.

This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.

This volume of India Briefing examines India's changing fortunes through economy, politics, labor, the cultural roots of Hindu nationalism, foreign relations, and Bollywood.

This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist. ​

This Indian film music book is a collection of eighty essays about the people who made remarkable music in Bollywood cinema, especially during the great era, and the ideas such people brought to the recording studios. When songs had to go without rhythms or when melodies had plenty of Q n A in them. In this music book, we flirt with Rock n Roll and scan songs that speed up at the end, we peep behind the screen to see what the idea was behind chorus songs in our films – even if there was no one to sing that chorus on the screen; it’s a huge list. These pages are a reflection of the time when everyone was fired up in their art, and when no one wanted to finish last in the race. It is about artists who every now and then dreamt ideas, and only after crystallizing things perfectly in their mind’s eye, went out to translate and transform their dreams into unforgettable melodies in Indian movies. Jukebox will interest the layman as well as the academician.

Following the format of the journal, the texts, in three parts, testify musical experience in different representations, from elementary school practices to music festivals and resident chamber music, mentioning categories accepted in the Portuguese society, among others, referring to the popular, folk/world and art music.

The transitional politics of Eurasian space is marked by a constant struggle among three sets of ideas and institutions: the 1 is the remarkable resilience of Soviet ideas and institutions; 2, an attempt by the regimes of these states to reinvent the historical and cultural traditions of preSoviet periods; and third is an attempt by a section of the powerful elite to superimpose Western liberal ideas and institutions. There is a strange intertwining of these ideas and institutions. This book examines the extent to which the postSoviet politics has departed from the Soviet one. What are the new ideational structures emerging in these states and how far have they crystallised into institutions? What are the external influences which are shaping the institutions in the Eurasian space? And finally, what are the various dynamics of geopolitics in this region? Experts from various countries will delve into the shifting dynamics of Eurasian politics.