With her dimensional-door-opening key, Devyn escapes through the multiverse to mend her broken heart. She visits her life as a Victorian aristocrat in the age of dinosaurs, an astronaut watching planets die, a ritual sacrifice—and, worst of all, a pop idol with an intensely overbearing stage mom! Let’s hope she survives.

A new series from two bright-eyed and bushy-tailed little scamps! A woman running away from a broken heart discovers a mother-key into parallel universes. The rules are: The key can work on any door. The mother will only let you visit 53 universes. Do not ask to speak to the mother. Never hop more than 53 times.

It’s Christmas in snowy Los Angeles, and Devyn “Dagger” Dagny is heartbroken. Her twelve-year relationship with her ex Natasha has just come to a tragic end, she’s an aimless college dropout floundering at her job, and now her best friend is getting married to the wrong guy. But what if she could start all over again? A mysterious stranger. Something called an “anti-door” and a “mother-key.” Only 53 chances. Eternal Sunshine of the Spotless Mind meets Locke and Key as writer WYATT KENNEDY and artist LUANA VECCHIO take you on an emotional journey across the multiverse. “Every so often, a book crosses your path that serves as both a burning reminder of what only comics can do and as a warning shot to the rest of the industry, putting all of us on notice. What KENNEDY and VECCHIO have created is a thrumming, heartfelt bravado story that defies genre even as it defies expectation. It is, genuinely, glorious. It is an overused phrase in an era of quick-copy and blurbs, but, in all sincerity, BOLERO is a must-read.” —GREG RUCKA Collects BOLERO #1-5

Devyn’s life is back on track! Newly hop-free and surrounded by loving friends and an amazing boyfriend, she’s finally found her perfect world…right? Then why can’t she sleep? Where’d she leave her key? The Anti-door is humming louder, and someone has to enter it.

Kristen Henderson has taken on the task of expressing the intangible through the use of concrete images that are familiar to the senses. Her strong imagery frequently evokes elements of nature, to carry us out of the technological consciousness of the modern world to a more natural, unencumbered state.

Vol. 1-36 (1879-1914) give statistics for 1878-1913.