An exploration of traditional Koran textile art techniques. Bojagi, sometimes called Pojagi, is a traditional Korean textile art. Centuries old, it was originally textiles made for every day living with scraps of left-over fabrics artfully put together. They often resemble works of modern artists such as Mondrian and Klee. Today, the technique now produces beautiful textiles that are fast influencing textile art in the West, particularly amongst quilters. Using her own work and the work of other artists, leading expert on the subject Sara Cook demonstrates the techniques and how modern textilers can interpret the principles of Bojagi creatively in exciting new work. The book covers a brief history and understanding of Bojagi in Korean culture, then covers: Fabrics and sewing equipment (incl. silk, hemp and ramie); Obanseak – technique and designs of bojagi colours and symbolism; Colour Seams and Embellishments; and Jagokbo – textiles pieced from tiny scraps. A beautiful book that offers textile artists and quilters a range of ideas to use i their own work. As with the obsession with Shibori, this technique brings one of the East's most creative textiles to a Western audience for the first time.

A creative guide to a unique and beautiful form of Korean art, steeped in ancient tradition. Bojagi are textiles that wrap, cover, carry, or store objects. Some are made from whole pieces of fabric and some are patched together from small scraps of cloth - they are a unique form of Korean textile art. The careful arrangement of shapes and colours shows an abstract composition which has made bojagi popular with textile artists and quilters today. In this book, experienced artist and educator Youngmin Lee gives you comprehensive step-by-step instructions on traditional bojagi techniques and materials, and provides a history of the art form in Korean culture - which dates back to the Joseon dynasty - where it continues to occupy a prominent place in the daily lives of Koreans. Learn hand stitch techniques, seam finishes and decorative motifs on a range of materials from ramie, hemp and cotton to silk and naturally dyed, eco-printed materials. Youngmin introduces a variety of beautifully illustrated projects, with a modern twist - from gift wrap to wall hangings to cushions and clothing - whilst always being true to ancient Korean textile traditions.

The exhibition of “Korean Bojagi Changing into New Concept from Tradition” shows the modernization works of Korea in Fabric Arts and Design to develop unique originality and genuine creativity using cultural assets of Museums. Wemen’s desire filled in aessthetics on daily life Breathing of Color Graceful and Soft Light Shallow strems Plastic Arts and Hand Crafts of one by one hand-stitching Challenging Bojagi Bojagi Chainging into New concept

A book that will make you see fabric in a whole new way! From its origins as wrapping cloths made from scraps of fabric to its place in contemporary textile art shows, Bojagi--the traditional art of Korean patchwork quilting--is a wonderfully versatile mode of expression that can transform a room or a wardrobe. Written by master instructor Choi Yangsook, Korean Patchwork Quilting teaches you step-by-step techniques through the art of assembling bits of lightweight fabric, by means of invisible seams, to create contemporary pieces for your home and life. The 37 projects in this book include: Hangings for walls and windows Exquisite table runners and table cloths Delicate bags and pouches Zakka ("miscellaneous") accessories Quirky jewelry pieces And more! This Korean folk craft has played an important role in Korean culture for centuries. The distinct "window pane" appearance of a Bojagi quilt often resembles a modern abstract painting or stained glass window, but can also be made of single-color fabric for an elegant look. Lessons, diagrams and templates, along with a few simple knotting and embroidery techniques, present a wide range of projects so that novices can try their hand and more experienced quilters can enjoy a satisfying challenge.

Korean handicrafts are often overshadowed by those of China and Japan, preventing them from being recognized for their unique charm and cultural value. Frustrated with this widespread ignorance of Korean crafts, two American authors set out to write 100 Thimbles in a Box: The Spirit and Beauty of Korean Handicrafts, hoping that an English-language book on the topic would help bring some deserving global attention to Korea s strong crafting history. The book s title draws from a tradition dating back to the Joseon Dynasty in which a bride would present handmade thimbles to her husband s female relatives to wish them good fortune and a long life. The stunning beauty of 44 of Korea s traditional crafts sorted into ceramics, fiber arts, paper, inlay, metal, wood, and painting is presented in detail with over 400 pictures found in the book. While other publications have focused on one or two of these handicraft categories, this is the first English-language guide that brings these diverse genres together in a single volume.

Traces a boy's journey across India as he searches for a sacred buffalo bell stolen from his tribe.

When Ji-su's mother is chosen by the emperor to be a seamstress in his court, Ji-su vows to learn to sew the beautiful Korean bojagi, or wrapping cloths, just as well so that she will also be summoned to the palace and be reunited with her mother. Ji-su's mother has been chosen by the Korean king to be a seamstress at the palace and sew bojagi, or wrapping cloths, for the royal household. It is a great honor, but to Ji-su it means saying good-bye to her mother. The only way for them to be reunited, Ji-su realizes, is for her to become a seamstress just as talented and be chosen to serve the king. Through the changing seasons, Ji-su sews, learning the craft from her great-aunt and practicing her stitches tirelessly. One day, she finally has the chance to show her work to the palace Sanguiwon master, who has the power to bring her to her mother or to dash her hopes of being reunited. Is her sewing fine enough for the king?