Kniha přibližuje tvůrčí vztah mezi skladatelem Bohuslavem Martinů a básníkem Miloslavem Burešem. Objasňuje jejich spolupráci ve druhé polovině 50. let, vznik kantát Otvírání studánek, Romance z Pampelišek, Legenda z dýmu bramborové nati a Mikeš z hor, ale také jejich nerealizované plány. Přináší nový pohled na dobový kontext. Publikace vychází v česko-anglické zrcadlové edici. The book describes the creative relationship between the composer Bohuslav Martinů and the poet Miloslav Bureš. It explains their cooperation in the second half of the 1950s, the creation of the cantatas Opening of the Springs, Romance of Dandelions, Legend of the Smoke of potato nati and Mikeš of the Mountains, but also their unrealized plans. It brings a new perspective on the context of the period. The publication is published in a Czech-English mirror edition.

This annotated bibliography uncovers the wealth of resources available to prospective researchers and supports emerging scholarship and inquiry into the life and music of this Czech composer. It includes all secondary sources on Martinu and his music, as well as chronology of his life and a complete list of works.

Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for practicing conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts, it is an account of the complete choral output of the most significant composers of this genre throughout history. Organized by era (Medieval, Renaissance, Baroque, Classical, Romantic, and Modern), Choral Repertoire covers general characteristics of each historical era; trends and styles unique to various countries; biographical sketches of over 500 composers; and performance annotations of more than 5,000 individual works. This book will be an essential guide to programming, a reference tool for program notes and other research, and, most importantly, a key resource for conductors, instructors, scholars, and students of choral music.

Monografie je prvním svazkem připravované edice zabývající se korespondencí českého hudebního skladatele Bohuslava Martinů s jeho rodinou v Poličce. Tento svazek obsahuje 61 nejstarších korespondenčních dokumentů (dopisy, pohlednice a telegram) z období od jeho studentských let na pražské konzervatoři v letech 1906–1910 až po konec roku 1931. Jedná se o korespondenci jednostrannou, dochovaly se pouze dopisy Bohuslava Martinů adresované rodině, obdržené dopisy skladatel vzhledem k velkému rozsahu své korespondence nearchivoval. I přesto lze v těchto dokumentech nacházet unikátní autentická sdělení, v nichž sám Martinů komentuje svou životní i profesní cestu. Dopisy jsou představeny v podobě diplomatického přepisu a doplněny poznámkovým aparátem. The monograph is the first volume in a new series that will encompass the correspondence of the Czech composer Bohuslav Martinů with his family in Polička. This volume contains 61 of the oldest items of correspondence (letters, postcards, and one telegram) from the time of his studies at the Prague Conservatoire in 1906–1910 until the end of 1931. The correspondence is one-sided as only letters sent by Bohuslav Martinů to his family were preserved; the composer did not keep the letters he received from his family due to the large volume of his correspondence overall. Even so, these documents are unique and authentic expressions, in which Martinů remarks on both his personal and his professional life. The Czech version provides an exact diplomatic transcription of Martinů’s manuscript.

Bohemian composer Bohuslav Martinu (1890-1959) was exceptionally prolific, composing over 400 imaginative, well-crafted, and diverse pieces, including symphonies, operas, ballet scores, and other orchestral works. For 12 years (1941-1953), he lived in America, during which he enjoyed a brilliant reputation, and his works were played by nearly all the major orchestras. Yet today, his works are rarely performed. In Bohuslav Martinu: The Compulsion to Compose, F. James Rybka provides a documented explanation for Martinu's amazing output: he had Asperger syndrome. Indeed, Martinu is believed to be the first composer ever to be documented, albeit retrospectively, with an autistic spectrum disorder. In this unique biography, Rybka follows Martinu's life from his birth in Policka, Bohemia to his composition studies with Albert Roussel, his escape from Nazis, and his rise as an internationally recognized composer with premieres of his works in Boston, Prague, London, and Basel. As Rybka explains how the dynamics of Asperger Syndrome affected the composer's work, readers will more fully appreciate Martinu's accomplishments and legacy. Containing important letters and photographs, this book will inspire and inform those impacted by autism but will also be of interest to music scholars and students alike.

The monograph consists of a set of correspondence with Miloš Šafránek, a Czech diplomat, music journalist, Martinů's biographer, and a promoter of his work. The volume contains the diplomatic transcriptions of 168 letters, six postcard, five postal cards, one telegram, and one lettercard from the period of 1928-1959. The vast majority of the correspondence is unilateral, addressed to Šafránek; only two of the items were sent by Šafránek. The method of diplomatic transcription, chosen by the authors of the edition, respects the peculiarities of Martinů's linguistic expression. Comprehensive annotations provide historical context and illustrate the political circumstances of the most tumultuous years of the twentieth century, but they also comment on the genesis of compositions.