No one would attack equality, would they? Quentin Letts just might. Not the notion of equality itself but the way it has become an industry for lobbyists, class warriors and New Labour's ageing Trots. Egalitarianism is a mania for today's policymakers and the soupy-brained halfwits we contrive to elect to public office. Appalled by free thinking, these equality junkies want to crush all individualism in our nation of once indignant eccentrics. Equality has been defiled by the ethnic grievance gang, by the harpies of feminist orthodoxy, by those risk-averse jackboots of town-hall bureaucracy with their quotas and creeds. Fair damsel Liberty has been whored by the best practice brigade, by the proceduralists of multinational corporatism in their company ties, by the glottal-stopping, municipal bores who insist that everyone must have prizes and that no culture can be dominant. Tilters against convention are assailed for their 'inappropriate' behaviour. Supporters of grammar schools are 'snobs'. Social nuance, once a vital lure to self-improvement, is deemed 'unacceptable'. Twenty-first century Britain's political cadre is so paralysed by class paranoia that it stops us attaining the best in schools, manners, language, fashion, popular culture. Elitism is a dirty word. The BBC stamps out the Queen's English because it is not 'accessible'. Celebrity morons are cultural pin-ups. Thick rools, OK. The glottal-stopping oikishness of our urban streets can be linked to modern equality's refusal to deplore. The prattishness of Jonathan Ross arises from a mad insistence that vulgarity is valid. Still think equality is such a great thing? You might not after reading this urgent, exasperated, witheringly funny book. Praise for 50 People Who Buggered Up Britain: '[Quentin Letts] discharges his duty with flair and tracer precision...an angry book, beautifully written.' The Spectator

No one would attack equality, would they? Quentin Letts just might. Not the notion of equality itself but the way it has become an industry for lobbyists, class warriors and New Labour's ageing Trots. Egalitarianism is a mania for today's policymakers and the soupy-brained halfwits we contrive to elect to public office. Appalled by free thinking, these equality junkies want to crush all individualism in our nation of once indignant eccentrics. Equality has been defiled by the ethnic grievance gang, by the harpies of feminist orthodoxy, by those risk-averse jackboots of town-hall bureaucracy with their quotas and creeds. Fair damsel Liberty has been whored by the best practice brigade, by the proceduralists of multinational corporatism in their company ties, by the glottal-stopping, municipal bores who insist that everyone must have prizes and that no culture can be dominant. Tilters against convention are assailed for their 'inappropriate' behaviour. Supporters of grammar schools are 'snobs'. Social nuance, once a vital lure to self-improvement, is deemed 'unacceptable'. Twenty-first century Britain's political cadre is so paralysed by class paranoia that it stops us attaining the best in schools, manners, language, fashion, popular culture. Elitism is a dirty word. The BBC stamps out the Queen's English because it is not 'accessible'. Celebrity morons are cultural pin-ups. Thick rools, OK. The glottal-stopping oikishness of our urban streets can be linked to modern equality's refusal to deplore. The prattishness of Jonathan Ross arises from a mad insistence that vulgarity is valid. Still think equality is such a great thing? You might not after reading this urgent, exasperated, witheringly funny book. Praise for 50 People Who Buggered Up Britain: '[Quentin Letts] discharges his duty with flair and tracer precision...an angry book, beautifully written.' The Spectator

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The ‘bog bodies’ of north-western Europe have captured the imaginations of poets and archaeologists alike, allowing us to come face-to-face with individuals from the past. Their exceptional preservation permits us to examine minute details of their lives and deaths, making us reflect poignantly on our own mortality. But, as this book argues, the bodies must be resituated within a turbulent world of endemic violence and change. Reinterpreting the latest continental research and new discoveries, and featuring a ground-breaking ‘cold case’ forensic study of Worsley Man, Manchester Museum’s ‘bog head’, it brings the bogs to life through both natural history and folklore, revealing them as places that were rich and fertile yet dangerous. The book also argues that these remains do not just pose practical conservation problems but also philosophical dilemmas, compounded by the critical debate on if – and how – they should be displayed.

British Summer Time Begins is about summer holidays of the mid-twentieth century and how they were spent, as recounted to Ysenda Maxtone-Graham in vividly remembered detail by people who were there. Through this prism, it paints a revealing portrait of twentieth-century Britain in summertime: how we were, how families functioned, what houses and gardens and streets were like, what journeys were like, and what people did all day in their free time. It explores their expectations, hopes, fears and habits, the rules or lack of rules under which they lived, their happiness and sadness, their sense of being treasured or neglected - all within living memory, from pre-war summers to the late 1970s. Ysenda takes us back to the long stretch of time from the last days of June till the early days of September - those months when the term-time self was cast off and you could become the person you really were, and you had (if you were lucky) enough hours in the endless succession of days to become good at the things that would later define your adulthood. The 'showpiece' part of the summer holidays was 'the summer holiday', when families took off to the seaside, or to grandparents' houses teeming with cousins, or on early package holidays to France or Spain, siblings wedged into the back of small cars, roof-racks clattering, mothers preparing picnics. British Summer Time Begins is as much about the long weeks either side of that holiday as the trip itself: the weeks when nothing much officially happened, boredom often lurked nearby, and you vanished for hours on end, nobody much knowing or even caring where you were. Could it be that those unscheduled days were actually the most important and formative of your life? From the author of the beloved Terms & Conditions, British Summer Time Begins is a delightful, nostalgic and joyous celebration of summers.

Introduction : prohibition and a ritual regime -- A history of mediation -- Fasting, bodies, and the calendar -- Proliferations of mediators -- Blood, silver, and coffee -- Spirits in the marketplace -- Concrete, bones, and feasts -- Echoes of the host -- The media landscape -- The knowledge of the world -- Conclusion

Bogs are fascinating landscapes for ecologists, climatologists, archaeologists, environmental historians and water managers. But many bogs have been damaged, and legislative protection - as 29 case studies demonstrate - is not enough to conserve the rest.

From the Sunday Times bestselling author Which fifty people made Britain the wreck she is? From ludicrous propagandist Alastair Campbell to the Luftwaffe's allies, the modernist architects, it's time to name the guilty. Quentin Letts sharpens his nib and stabs them where they deserve it, from TV gardener Alan Titchmarsh, the dumbed-down buffoon who put the 'h' in Aspidistra, to the perpetrators of the 'Credit Crunch'. Margaret Thatcher ruptured our national unity. The creators of EastEnders trashed our brand over high tea. Thus, he argues, are the people who made our country the ugly, scheming, cheating, beer-ridden bum of the Western world. Here are the fools and knaves and vulgarians who ripped down our British glories and imposed the tawdry and the trite. In a half century we have gone from end-of-Empire to descent-into-Hell.

In the early 1970s, Britain seemed to be tottering on the brink of the abyss. Under Edward Heath, the optimism of the Sixties had become a distant memory. This book recreates the gaudy, schizophrenic atmosphere of the early Seventies: the world of Enoch Powell and Tony Benn, David Bowie and Brian Clough, Germaine Greer and Mary Whitehouse.

In Nazi Germany, Hitler portrayed the Jews as vermin and six million people were killed. Metaphors can make the unreasonable seem reasonable, the illegitimate appear legitimate, and good people turn evil. Top speechwriter Simon Lancaster goes on a mission to explore how metaphors are used and abused today. From Washington to Westminster, Silicon Valley to Syria, Glastonbury to Grenfell, he discovers the same images being used repeatedly. Scum! Bitch! Vegetable! Whilst vulnerable groups are dehumanised, the powerful are hailed as stars, angels or even gods. Prepare to take a journey into the surreal. This book raises profound questions about the power of language and the language of power. You will never think about words in the same way again.