Explores visual representations of the Allied bombing war on Germany to reveal how Germans remembered and commemorated WWII

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The plots, of which there are many, are suspended between affluent, city life and an isolated village in the West Country. It is the story of a love that develops between a respectable paediatrician and a young, female social worker; an affair to be deviously manipulated by a beautiful but deranged widow.In part, it explores the winddings of male sexuality from the view point of four female characters, while the compassionate and confused man in the middle, cursed with being unable to understand nor control his sexual urges, is left open to extreme exploitation. He is a child, serial killer.., living a double life. However, with care and great tenderness, our social worker, on discovering the appalling truth, finally breaks through and finds the answer to the madness haunting him.

The author of The Dead Beat and This Book is Overdue! turns her piercing eye and charming wit to the real-life avatars of Indiana Jones—the archaeologists who sort through the muck and mire of swamps, ancient landfills, volcanic islands, and other dirty places to reclaim history for us all. Pompeii, Machu Picchu, the Valley of the Kings, the Parthenon—the names of these legendary archaeological sites conjure up romance and mystery. The news is full of archaeology: treasures found (British king under parking lot) and treasures lost (looters, bulldozers, natural disaster, and war). Archaeological research tantalizes us with possibilities (are modern humans really part Neandertal?). Where are the archaeologists behind these stories? What kind of work do they actually do, and why does it matter? Marilyn Johnson’s Lives in Ruins is an absorbing and entertaining look at the lives of contemporary archaeologists as they sweat under the sun for clues to the puzzle of our past. Johnson digs and drinks alongside archaeologists, chases them through the Mediterranean, the Caribbean, and even Machu Picchu, and excavates their lives. Her subjects share stories we rarely read in history books, about slaves and Ice Age hunters, ordinary soldiers of the American Revolution, children of the first century, Chinese woman warriors, sunken fleets, mummies. What drives these archaeologists is not the money (meager) or the jobs (scarce) or the working conditions (dangerous), but their passion for the stories that would otherwise be buried and lost.

NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today

Purdue Studies in Romance Literatures publishes studies on topics of literary, theoretical, or philological importance that make a significant contribution to scholarship in French. Italian. Luso Brazilian, Spanish, and Spanish American literatures. --Book Jacket.

“An elegantly constructed and often funny story about a man, a woman and . . . ‘the greatest modern English architect never to have built a building’” (The New York Times Book Review). Geoff Nicholson’s novel tells the story of Christopher Howell, a cult architect who allegedly built just one building, and the search for that fabled building―reputedly a wild, willful amalgam of styles ranging from eleventh-century Norman to twentieth-century Neutra. Ingeniously built into the narrative are bits of Howell’s essays that celebrate the idea of the “Cardboard House” and the architecture of impermanence. When Howell’s daughter—and keeper of his flame—Kelly, and a Howell groupie named Jack Dexter hook up in a free-falling love affair, the search for this apocryphal building becomes a search for a lost past. Brilliantly funny and seriously obsessive, Female Ruins shows how the castles we build are often symbols of our own needs, follies, and magnificent obsessions. “A meditative tale of a physical and psychological homecoming that builds its quiet and riveting plot through the dreams, achievements and theories of a dead architect with a mysterious legacy. . . . Nicholson eschews the sarcastic bite of his earlier books (such as Whitbread-nominee Bleeding London), unraveling a complex, subtle story with equally intricate and modulated characters. This restraint, which artfully leads the reader to the poignant yet satisfying denouement, gives the novel special appeal.” —Publishers Weekly “With his two protagonists, Nicholson has created believably flawed human beings, and if they sometimes come off as mouthpieces for architectural theory, it is a forgivable sin in an otherwise enjoyable novel.” —Booklist

Named a Best Book of the Year by NPR and LitHub Winner of the 2021 Science in Society Journalism Book Prize A fascinating and provocative new way of looking at the things we use and the spaces we inhabit, and a call to imagine a better-designed world for us all. Furniture and tools, kitchens and campuses and city streets—nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider—or reconsider—the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it—from cyborg arms to customizable cardboard chairs to deaf architecture—Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body’s stunning capacity for adaptation—rather than a rigid insistence on “normalcy”—look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.

This book highlights the ruin's prolific resurgence in Latin American cultural life at the turn of the millennium and sharply reveals a stirring creative drive by artists and intellectuals toward ethical reflection and change in the midst of ruinous devastation.

This book offers the first study of ruination in the Hebrew Bible. Drawing on scholarship in biblical studies, archaeology, contemporary historical theory, and philosophy, he demonstrates how the ancient experience of ruins differed radically from that of the modern era.