This is the first full biography of James Rendel Harris (1852-1941), Bible and patristic scholar, manuscript collector, Quaker theologian, devotional writer, traveller, folklorist, and relief worker. Drawing on published and unpublished sources gathered in the United States, Europe, and the Middle East, many of which were previously unknown, Alessandro Falcetta tells the story of Harris's life and works set against the background of the cultural and political life of contemporary Britain. Falcetta traces the development of Harris's career from Cambridge to Birmingham, the story of his seven journeys to the Middle East, and of his many campaigns, from religious freedom to conscientious objection. The book focuses upon Harris's innovative contributions in the field of textual and literary criticism, his acquisitions of hundreds of manuscripts from the Middle East, his discoveries of early Christian works – in particular the Odes of Solomon – his Quaker beliefs and his studies in the cult of twins. His enormous output and extensive correspondence reveal an indefatigable genius in close contact with the most famous scholars of his time, from Hort to Harnack, Nestle, the 'Sisters of Sinai', and Frazer.

The twin deities known by the ancient Greeks as the Dioskouroi, and by the Romans as the Gemini, were popular figures in the classical world. They were especially connected with youth, low status and service, and were embraced by the common people in a way that eluded those gods associated with regal magnificence or the ruling classes. Despite their popularity, no dedicated study has been published on the horse gods for over a hundred years. Henry John Walker here addresses this neglect. His comparative study traces the origins, meanings and applications of the twin divinities to social and ritual settings in Greece, Vedic India (where the brothers named Castor and Pollux were revered as Indo-European gods called the Asvins), Etruria and classical Rome. He demonstrates, for example, that since the Dioskouroi were regarded as being halfway between gods and men, so young Spartans - undergoing a fierce and rigorous military training - saw themselves as standing midway between animal and human. Such creative interpretations of the myth thus played a central role in the culture and society of antiquity.

In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E

How did the early believers receive and understand the Gospel according to Mark? Mark's Gospel cannot be fully understood unless we recognize the spiritual needs, hopes, and fears of his first-century audience and emerging church. Through the Eyes of Mark immerses its readers in the realities of Mark's world. It presents the findings of dozens of the world’s leading biblical and New Testament scholars and historians in an easy-to-understand format. Through the Eyes of Mark is a must-read for students of religion, enlightening for general readers, and a fresh addition to the field of Markan studies.

Although primogeniture is commonly assumed to have prevailed throughout the world and firstborns are regarded as most likely to achieve success, many of the most prominent figures in biblical literature are younger offspring, including Isaac, Jacob, Joseph, Moses, Samuel, David, and Solomon. Adducing evidence from a wide range of disciplines, this study demonstrates that ancient Israelite fathers were free to choose their primary heirs. Rather than being either legally mandated or a protest against the prevailing norm, the Bible's propensity for younger offspring conforms to a widespread folk motif, evoking innocence, vulnerability, and destiny. Within the biblical context, this theme heightens God's role in supporting ostensibly unlikely heroes. Drawing on the resources of law, anthropology, folklore, and linguistics, Greenspahn shows how these tales serve as complex parables of God's relationship to his chosen people, also reflecting Israel's own discomfort with the contradiction between its theology of election and the reality of political weakness.

The story of Jason and the Argonauts is one of the most famous in Greek myth, and its development from the oldest layers of Greek mythology down to the modern age encapsulates the dramatic changes in faith, power and culture that Western civilization has seen over the past three millennia. From the Bronze Age to the Classical Age, from the medieval world to today, the Jason story has been told and retold with new stories, details and meanings. This book explores the epic history of a colorful myth and probes the most ancient origins of the quest for the Golden Fleece--a quest that takes us to the very dawn of Greek religion and its close relationship with Near Eastern peoples and cultures.