Life is full of tears and smiles.Our delights are shortlived whereas our tears leave a mark on our cheeks. These poems paint colourful pictures of our innermost emotions such as love and hate. Love that sparks with a smile and hate that howls into tears. Simple words have been used to paint a picture of the story behind poems where metaphors and similes play crucial roles to sharpen the image. The colours in the story are embedded in the form of conflicts and contrasts in the poems. Endings are at times sad and leave a mark on our memory whereas some poems end with the happiest colours of the emotions.In Blush of the Rainbow I present a kaleidoscopic view of life and love. Love is all we think about, all we do, and all we know. Love is much more than we can show.

In Not Just Love, Mojibur Rahman embeds into his verses various expressions of life such as emotional, material, social, political, scientific, spiritual and other facets, without which people would remain incomplete. Rahman's use of everyday words along with metaphors and similes sharpens the image painted in each poem. Poems of struggles and triumph, lack and abundance, weakness and strength, war and peace and even love and hate imbue the pages, giving readers a heightened sense of being there. In this collection, he interweaves poems of diverse shades of sentiments, setting this book apart from other anthologies. Born in Northern India, Mojibur Rahman completed a degree in Marketing and established his own computer company in 1990. He is married with four children. His first book, Blush of the Rainbow, was published in 2005. His interests are socialising, participating in politics, writing and being involved in activities for the good of the common people. He lives with his family members in Reading, situated about 35 miles outside London, UK.

Megan Falley’s much-anticipated fourth collection of poetry shocks you with its honesty: whether through exacting wit or lush lyrical imagery. It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems for, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud. Known best for breathtaking last lines and truths that will bowl you over, Drive Here and Devastate Me will “relinquish you from the possibility of meeting who you could have been, and regretting who you became.”