(Educational Piano). The definitive source for blues riffs and licks! Features performance notes for and accompanying audio examples of fills and embellishments, turnarounds, tags and licks in the style of Ray Charles, Dr. John, Professor Longhair, and Johnny Johnson.

(Homespun Tapes). This easy play-along follow-up to Blues Piano, Volume 1 is the learning blues pianist's ticket to the next level! David Cohen helps develop the powerful grooves beloved by blues and rock n' roll players alike. His unique step-by-step teaching method is modular, building logically on each preceding section. Once the basics are mastered, adding walking basses, boogie woogie lines, New Orleans-style rhumba rhythms, 9th chords, "the Fats Domino shuffle" and other variations become second nature. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

(Harmonica). If you're just getting started or a veteran looking to add more licks to your arsenal, this book with audio is for you. From basic 12-bar blues backing riffs to mojo-packed solo licks, Steve Cohen shares 100 time-tested licks to help you get the most out of your 10-hole diatonic harp. All examples are played on a C harp and are written in standard notation and harmonica tab. The audio includes demonstration tracks for all of the licks many with play-along tracks. Includes: cross harp and straight harp licks; boogie-woogie licks; stop-time licks; ascending & descending licks; funk licks; shuffle licks; horn-adapted licks; glissandro licks; octave licks; warble licks; over-blowing chromatic licks; turn-arounds and endings. Also include many riffs in the styles of Sonny Boy Williamson II, Little Walter, Howlin' Wolf, Jimmy Reed, James Cotton, and more!

DVD contains MP3 demos and backing tracks, and TNT2 software which allows users to isolate and loop parts, and change tempos and keys.

(Harmonica). This book is perfect for intermediate to advanced players who want to employ a more versatile approach to slow blues playing. Four different keys and crosses, plus liberal use of all three registers of the instrument, will prove just how versatile a 10-hole C diatonic harp can be. Each of the 16 solos, written and recorded by renowned blues-harpist Steve Cohen, is chock full of great licks andtechniques for you to learn and incorporate into your playing: scale licks, octavelicks, overblow licks, incremental bend licks, high-note blow bend licks, warblelicks. The variety of slow blues changes and feels include: 12-bar and 8-bar progressions, stop-time, country blues, jazzy blues, minor blues, major blues, shuffles, straight time and more. This book contains detailed harmonica transcriptions written in standard notation and harmonica tab; a summary list of the key, position, and song format; and a brief lesson about the chord progression and highlighted playing techniques.

(Guitar Collection). This book and audio package contains 55 traditional blues arrangements chock-full of chords, licks, riffs, and lines for you to pick up and play. Many different blues forms are presented, from 12-bar and 8-bar progressions to minor and slow blues patterns providing loads of fun for the serious bluesman to the casual hobbyist. The audio features a demonstration of every example in the book.

(Guitar Method). The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 includes tuning; playing position; musical symbols; notes in first position; C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; over 80 great songs, riffs, and examples.

(Piano Instruction). The authentic guide to traditional and modern blues keyboard playing, with rhythm and soloing concepts for piano and organ. Build your blues vocabulary with ideas for ensemble playing; intros, turnarounds, licks and endings; piano and organ accompaniment; phrasing and soloing; and much more. Written by Marty Sammon, keyboardist in Buddy Guy's band. This book includes access to audio demonstration tracks featuring Marty and his band playing the examples in the book.

100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.

(Schott). Volume 1 introduces the intermediate pianist to the basic chord-types used in jazz, from major and minor triads to seventh and ninth chords. Other topics include: Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, the diatonic cycle, secondary dominants, II-V-I sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training, discography (suggested listening). 28 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Autumn Leaves * Fly Me to the Moon * In a Sentimental Mood * Mannenberg * On Green Dolphin St (Part 1) * Ornithology * Song for My Father * Straight No Chaser * Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques. Also includes audio files for download, containing erformances of all pieces, played by Tim alone or with his trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included, in which the piano is panned to one speaker, providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments, with guidance to hand on every page. Audio is accessed online.