The ocean dominates the surface of the earth and is in the pages of the Bible too. The Bible offers a view of the sea and the life it supports which affirms its intrinsic value to God as a good, and indeed essential, part of creation. At the same time, it also speaks perceptively of the sea’s vulnerability to damage and change. The Bible’s focus on the sea raises questions about economics and the interconnectedness of communities, whilst further references to the sea raise questions about our human-centredness and spirituality, and about our fear of chaos and disaster. In a unique collaborative project, the oceanographer Meric Srokosz and the biblical scholar Rebecca Watson not only offer environmental insights on the sea, but also connect the ocean with other key issues of broader concern—spirituality, economics, chaos, and our place in the world. Each chapter concludes with ideas for discussion and reflection, and for suggested actions in the light of the issues raised. The book will present a fresh new lens through which to view the Bible and as such inform biblical scholars, students, and preachers alike. Table of Contents: 1. The Sea and Salvation 2. The Sea and Spirituality 3. The God of the Sea and All that Fills It 4. Human Creatures and the Life of the Sea 5. The Sacred Sea 6. Coping with Chaos and Uncertainty: The ‘Chaotic’ Sea 7. The Vast, Vulnerable Sea: A Spacious Sea? 8. Economics, Hubris and Human Community: Travel and Trade on the Sea 9. Blue Planet, Blue God

Brimir and Hulda are best friends who live on a small island on a beautiful blue planet where there are only children and no adults. Their planet is wild and at times dangerous, but everything is free, everyone is their friend, and each day is more exciting than the last. One day a rocket ship piloted by a strange-looking adult named Gleesome Goodday crashes on the beach. His business card claims he is a “Dream.ComeTrueMaker and joybringer,” and he promises to make life a hundred times more fun with sun-activated flying powder and magic-coated skin so that no one ever has to bathe again. Goodday even nails the sun in the sky and creates a giant wolf to chase away the clouds so it can be playtime all the time. In exchange for these wonderful things, Goodday asks only for a little bit of the children’s youth—but what is youth compared to a lot more fun? The children are so enamored with their new games that they forget all the simple activities they used to love. During Goodday’s great flying competition, Hulda and Brimir fly too high to the sun and soar to the other side of planet, where they discover it is dark all the time and the children are sickly and pale. Hulda and Brimir know that without their help, the pale children will die, but first they need to get back to their island and convince their friends that Gleesome Goodday is not all that he seems. A fantastical adventure, beautifully told, unfolds in a deceptively simple tale. The Story of the Blue Planet will delight and challenge readers of all ages.

The adventure begins with the true story of 15-year-old Derek, who has a brush with death and a chance encounter that introduces him to an unseen cosmic conflict. He sees what the forces of evil have done in the past, and what the future holds. Trouble on the Blue Planet is an engaging way to share end-time truths with both the young and the not-so-young.

Co-published by the David Suzuki Foundation.

Many scientists look at the universe and conclude we are here by chance. The astronomer and historian Owen Gingerich looks at the same evidence—and the fact that the universe is comprehensible to our minds—and sees it as proof for the intentions of a Creator-God. The more rigorous science becomes, the more clearly God’s handiwork can be understood.

The blue whale is the biggest creature on Earth. But a hollow Mount Everest could hold billions of whales! And though Mount Everest is enormous, it is pretty small compared to the Earth. This book is an innovative exploration of size and proportion.

The Whitbread Prize–winning author of Oranges Are Not the Only Fruit delivers a novel that “transports us to something like the future of our own planet” (The Washington Post Book World). On the airwaves, all the talk is of the new blue planet—pristine and habitable, like our own was sixty-five million years ago, before we took it to the edge of destruction. Off the air, Billie Crusoe and the renegade Robo sapien Spike are falling in love. Along with Captain Handsome and Pink, they’re assigned to colonize the new blue planet. But when a technical maneuver intended to make it inhabitable backfires, Billie and Spike’s flight to the future becomes a surprising return to the distant past—“Everything is imprinted forever with what it once was.” What will happen when their story combines with the world’s story? Will they—and we—ever find a safe landing place? Playful, passionate, polemical, and frequently very funny, The Stone Gods will change forever the stories we tell about the earth, about love, and about stories themselves. “Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures.” —The New York Times Book Review “[A book] that you don’t so much read as drink in, refuse to put down, cast inside of like a hunting dog, seeking against all odds the insight that will illuminate everything, a true answer to the fix we’re in.” —Los Angeles Times “A vivid, cautionary tale—or, more precisely, a keen lament for our irremediably incautious species.” —Ursula K. Le Guin, bestselling author of Changing Planes

A scientific and mythological tour of the solar system.

Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.