"Can preaching recover a Blues sensibility and dare speak with authority in the midst of tragedy? America is living stormy Monday, but the pulpit is preaching happy Sunday. The world is experiencing the Blues, and pulpiteers are dispensing excessive doses of non-prescribed prosaic sermons with severe ecclesiastical and theological side effects." â€"from chapter 1 Uniquely gifted preacher Otis Moss III helps preachers effectively communicate hope in a desperate and difficult world in this new work based on his 2014 Yale Lyman Beecher Lectures. Moss challenges preachers to preach with a "Blue Note sensibility," which speaks directly to the tragedies faced by their congregants without falling into despair. He then offers four powerful sermons that illustrate his Blue Note preaching style. In them, Moss beautifully and passionately brings to life biblical characters that speak to today's pressing issues, including race discrimination and police brutality, while maintaining a strong message of hope. Moss shows how preachers can teach their congregations to resist letting the darkness find its way into them and, instead, learn to dance in the dark.

Every Sunday, Otis Moss III and his preaching attract over 5,000 people to Chicago's Trinity United Church of Christ. Moss describes himself as, "a jazz-influenced pastor with a hip-hop vibe committed to the Gospel of Jesus Christ rooted in love and justice." He admits he can talk endlessly about theology, popular culture, and movies, and has even based some of his best sermons, collected in this book, on these powerful films: The Wiz, 12 Years a Slave, The Butler, The Book of Eli, The Color Purple, Avatar, Flight, and For Colored Girls. Discussion questions are included, making it ideal for individuals or groups, movie nights and book clubs.

“No other publication in the twentieth century has upended antiquated theological notions, truncated political ideas, and socially constructed racial fallacies like Jesus and the Disinherited. Thurman’s work keeps showing up on the desk of anti-apartheid activists, South American human rights workers, civil rights champions, and now Black Lives Matter advocates.” –Rev. Otis Moss III, author of Blue Note Preaching in a Post-Soul World and senior pastor at Trinity United Church of Christ A commemorative edition of the work that inspired Martin Luther King Jr. and helped shape the civil rights movement In this beautiful gift edition of the classic theological treatise, complete with a place-marker ribbon and silver gilded edges, celebrated theologian and religious leader Howard Thurman (1899–1981) revolutionizes the way we read the gospel. Thurman lifts Jesus up as a partner in the pain of the oppressed and reveals the gospel as a manual of resistance for the poor and disenfranchised. In this view, the example of Jesus’s life shows us that hatred does not empower—it decays. Only by recognizing fear, deception, contempt, and love of one another can God’s justice prevail. With a new foreword by acclaimed womanist theologian Kelly Brown Douglas, this edition of Jesus and the Disinherited is a timeless testimony of faith that demonstrates how to thrive and flourish in a world that attempts to destroy one’s humanity from the inside out. Having witnessed firsthand the depths of white supremacy and the heights of human civility, Thurman reiterates the inherent dignity of all of God’s children.

This volume, which launches the Engaging Worship series from Fuller Theological Seminary's Brehm Center for Worship, Theology, and the Arts, offers a unique study of sermon delivery. While many books offer advice on how to prepare, write, and preach a sermon, this volume is distinctive in approaching the subject from the perspective of performance. The authors, who teach at a variety of seminaries and divinity schools across the nation, examine how the sermon can bring God's word to life for the congregation. In that sense, they consider the idea of performance from a wide range of theological, artistic, and musical viewpoints. These thoughtful essays will engage clergy and students with new ways of looking at the art of preaching.

A bright new resource for working preachers. Packed with preaching wisdom from twenty-seven outstanding American preachers from various religious and ethnic backgrounds.

This book argues compellingly for the centrality of mission in understanding the church and provides a model for congregational leadership that will help move congregations beyond a maintenance mentality to vital engagement with the world God loves. Nessan's model of congregational leadership is strongly centered on worship life of a congregation and the entirety of the church's ministry. The chapters provide solid theological and practical direction on the themes of worship, education, fellowship, stewardship, evangelism, global connections, ecumenism, and social ministry. It is a book that will find a home in both the academy and the parish a textbook for seminarians and a guide and resource for pastors and lay congregational leaders.

"This book is a clarion call for African American preachers to think more deeply about the aims and ends of their preachingnamely to stop putting so much emphasis on celebratory endings to our sermons and focus more on the substantive content in our sermons. Our so-called celebratory preaching, designed to excite the congregation into action through a highly emotional closing of the sermon, has had the opposite effect. Rather than inducing action, it has lulled generations of black congregants to sleep. While we are jumping up and down, shouting, and waving our hands in the air every Sunday during the worship hour, we seem not to notice the growing number of churched and unchurched alike who are becoming powerfully alienated from any form of institutional religion." from the introduction "Celebration" is a term that has long been used to describe African American preaching, characterized by content that affirms the goodness and powerful intervention of God as well as style that builds from quiet beginnings to an emotionally rich crescendo in conclusion. Cleophus J. LaRue argues that while celebration is one of African American preaching's greatest gifts to the larger church, too many black preachers have become content with the form of celebrationvolume, vocabulary, pitch, speed, rhythm, and the liketo the neglect of its essencethe proclamation of the mighty acts of God in the lives of their congregations and communities. This kind of preaching, LaRue contends, fails to address the ongoing problems of the African American community and is powerless to prevent the growing disaffection of black America with the black church. In words both prophetic and practical, LaRue suggests ways to improve black preaching that honor both the form and the power of the African American homiletical practice of celebration. Preachers will learn how to use celebration more selectively and as part of a fully formed preaching practice rather than as a means of distracting the congregation from pressing social and theological questions. The book includes six illustrative sermons from LaRue as well as Paschal Sampson Wilkinson Sr., Brian K. Blount, and Claudette Anderson Copeland.

This dissertation explores the experiential contours of Pentecostalism as a liberative praxis. The connection between Pentecostalism and social change is a burgeoning line of inquiry, particularly in the Global South, but this study focuses on the history of Pentecostalism in the US, beginning with the production and circulation of the African American Spirituals. Bringing theories of affect into conversation with ritual studies, this interdisciplinary work traces personal stories and experiences from the author and examines them in light of Pentecostal traditions that stem from the Azusa Street Revival in Los Angeles, California, the birthplace of the Pentecostal movement. William J. Seymour's vision at Azusa was egalitarian and transgressed the societal boundaries and norms of race and gender in the early twentieth century. Pentecostalism was and is informed by Black, queer, female, and other voices often silent or rendered invisible. Without this representation, Pentecostalism is simply one tradition among many co-opted and appropriated for the ongoing colonial projects of the modern Western world. Therefore, this book explores Blackpentecostal tradition: specifically, The Fellowship of Affirming Ministries (TFAM), a predominately Black LGBTQ+ movement that integrates Pentecostal worship and theology with an inclusive, liberative theology.

This collection of more than fifty of Fred Craddock's sermons provides a glimpse of a master preacher at work. Amazingly, only one of the sermons was preached from a manuscript written in advance, as Craddock considered a sermon to be an event in the world of sound. As a result, the selections here wonderfully reflect and preserve Craddock's "voice" and engage readers with all the immediacy of the spoken word.

Though the United States has been a relatively diverse nation, Americans have historically lived close to those who are ethnically and culturally like them. The unfortunate effects of slavery, Jim Crow, segregation, housing discrimination, prejudice, and bigotry have been key reasons for demographic divisions. While divisions remain, communities that were once monoethnic are experiencing changes that are enriching. The challenge for these communities is to work to break down barriers that prevent lasting authentic relationships resulting in spiritual growth. Churches in these communities are at a crossroads and face a choice: do they keep doing what is comfortable despite the changes in their neighborhoods, or do they work to resemble their neighbors? Preaching Without Borders addresses the challenges preachers face when they attempt to be faithful to the text while contextualizing it so that people of every nation, tribe, and tongue can be transformed by Jesus.