In recent decades, Native American literature has experienced a resurgence in prominence and popularity. Beginning with the 1969 publication of N. Scott Momaday's Pulitzer Prize–winning novel House Made of Dawn, and continuing with the work of Paula Gunn Allen, Linda Hogan, Louise Erdrich, and Craig Lesley, American Indian writers have become an increasingly visible part of the literary landscape. In this collection of thirty varied and powerful short stories, almost all being published here for the first time, emerging talents carry on the tradition of their storytelling ancestors.

"Son Of The Red Earth" is based on a story told to me in 1967. The story centers around the life of young Jorney Wilson. Starting in the early 1930s, Jorneys story is about the harsh reality of living with an alcoholic, abusive father and his struggle to keep skin and bones together for the both of them. Sold off to a neighboring farmer for the sum of fifty dollars, Jorney vows not to take another beating. He finds he has to fight back to keep that very thing from happening. With Silas Baldwin down on the ground and maybe dead, Jorney flees to a life of running and hiding, always just one step ahead of the law. From working for the Civilian Conservation Corps (C.C.C.) to running moonshine whisky, Jorney finds a way to get by and makes some lasting friendships along the way. When he finds the girl of his dreams, it seems everything is going to work out alright after all. But then Carl Betterman of the Bureau of Criminal Investigation (BOCI) manages to capture him with a truck load of moonshine whisky. When he finds himself on trial for murder, the darkest days of his young life are ahead of him. Jorney Wilson was truly born of the red earth, thus the title of this book. Follow him as he tries to make a life for himself and find justice and vindication for a crime he didnt commit. Share his adventures as he roams the countryside and helps make history in the young and growing state of Oklahoma. Sit with him in the dark cells of the Atoka County Jail as he awaits his trial for murder. Live with him as he fights to be free as a Son of the Red Earth.

The fifteen Native women writers in Reckonings document transgenerational trauma, yet they also celebrate survival. Their stories are vital testaments of our times. Unlike most anthologies that present a single story from many writers, this volume offers a sampling of two to three stories by a select number of both famous and lesser known Native women writers in what is now the United States. Here you will find much-loved stories, many made easily accessible for the first time, and vibrant new stories by well-known contemporary Native American writers as well as fresh emergent voices. These stories share an understanding of Native women's lives in their various modes of loss and struggle, resistance and acceptance, and rage and compassion, ultimately highlighting the individual and collective will to endure against all odds. Reckonings features short stories by: Paula Gunn Allen, Kimberly M. Blaeser, Beth E. Brant, Anita Endrezze, Louise Erdrich, Diane Glancy, Reid Gómez, Janet Campbell Hale, Joy Harjo, Linda Hogan, Misha Nogha, Beth H. Piatote, Patricia Riley, Leslie Marmon Silko, and Anna Lee Walters.

This A-Z reference contains 275 biographical entries on Native American women, past and present, from many different walks of life. Written by more than 70 contributors, most of whom are leading American Indian historians, the entries examine the complex and diverse roles of Native American women in contemporary and traditional cultures. This new edition contains 32 new entries and updated end-of-article bibliographies. Appendices list entries by area of woman's specialization, state of birth, and tribe; also includes photos and a comprehensive index.

Presents a collection of critical essays analyzing modern Native American writers including Joy Harjo, Louise Erdrich, James Welch, and more.

Surviving in Two Worlds brings together the voices of twenty-six Native American leaders. The interviewees come from a variety of tribal backgrounds and include such national figures as Oren Lyons, Arvol Looking Horse, John Echohawk, William Demmert, Clifford Trafzer, Greg Sarris, and Roxanne Swentzell. Their interviews are divided into five sections, grouped around the themes of tradition, history and politics, healing, education, and culture. They take readers into their lives, their dreams and fears, their philosophies and experiences, and show what they are doing to assure the survival of their peoples and cultures, as well as the earth as a whole. Their analyses of the past and present, and especially their counsels for the future, are timely and urgent.

Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.

Here First is an important new collection of essays by Native American writers compiled by Arnold Krupat and Brian Swann, the editors of I Tell You Now: Autobiographical Essays by Native American Writers. In Here First, authors such as Sherman Alexie, Greg Sarris, and Elizabeth Woody tell the stories of their lives and their art. Each essay demonstrates the breadth of experience of twenty-seven individuals united in the creative expression of a Native American heritage. Each has a different relation to that heritage, and in describing it through personal and family history, with verse and in anecdotes, the writers give a strong image of the different cultures that have shaped them. This is living history and the kind of collective memoir that makes for fascinating and rewarding reading--one of the most vivid and diverse portraits of Native American culture available today.

Summarizes, analyzes, and explores the themes of the major works of notable Native American authors, and presents short biographies about them.

Following the structure of other titles in the Continuum Introductions to Literary Genres series, Native American Literatures includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list. This book offers students, writers, and serious fans a window into some of the most popular topics, styles and periods in this subject. Authors studied in Native American Literatures include: N. Scott Momaday, Leslie Marmon Silko, Louise Erdrich, James Welch, Linda Hogan, Gerald Vizenor, Sherman Alexie, Louis Owens, Thomas King, Michael Dorris, Simon Ortiz, Cater Revard and Daine Glancy>