The club is run-down and dimly lit. Onstage, a black singer croons and weeps of heartbreak, fighting back the tears. Wisps of smoke curl through the beam of a single spotlight illuminating the performer. For any music lover, that image captures the essence of an authentic experience of the blues. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest. From B.L.U.E.S. and the Checkerboard Lounge to the Chicago Blues Festival itself, Grazian's gritty and often sobering tour in Blue Chicago shows us not what the blues is all about, but why we care so much about that question.

The bittersweet, sharply observed stories in Blue in Chicago introduce British readers for the first time to Bette Howland, a forgotten great of twentieth-century American fiction, perfect for fans of Lucia Berlin, Lydia Davis and Alice Munroe.

List of IllustrationsList of TablesAcknowledgmentsIntroductionPart I. The Quest for Independence, 1920-19401. Building Independence in Suburbia2. Peopling the Subur 3. The Texture of Everyday Life4. The Politics of IndependencePart II. Closing Ranks, 1940-19655. "A Beautiful Place"6. The Suburban Good Life Arrives7. The Racializing of Local PoliticsEpilogueAcronyms for Collections and ArchivesNotes Copyright © Libri GmbH. All rights reserved.

In 1906 the baseball world saw something that had never been done. Two teams from the same city squared off against each other in a World Series that pitted the heavily favored Cubs of the National League against the hardscrabble American League champion White Sox. Now, more than a century later, noted historian Bernard A. Weisberger tells the tale of a unique time in baseball, a unique time in America, and a time when Chicago was at the center of it all. When Chicago Ruled Baseball brings to life a dazzling epoch in a land of the self-made man—where A. G. Spalding helped establish baseball as both a national pastime and a thriving business, where Mordecai “Three-Finger” Brown overcame a horribly disfiguring injury and pitched his way into the Hall of Fame . . . and Tinkers-to-Evers-to-Chance proved that you could use teamwork to stand out as stars. Weisberger brings to life an unforgettable story of how a city that had rebuilt itself from the ashes of the Great Fire thirty-five years earlier became the focal point of an entire baseball-loving country, and one grand sporting contest staked its claim as one of the most remarkable and electrifying World Series ever to be played. Some images that appeared in the print edition of this book are unavailable in the electronic edition due to rights reasons.

Contains essays that depict and decry the rapid growth and disappearing natural landscapes of the Sunbelt

Americans conceive of the process of political representation as operating like a "transmission belt." Elections convey citizens' preferences unchanged into the legislative assembly and thereby allow them to participate, through their representatives, in the political affairs of the nation. This conception stands firmly in the tradition of liberal thought, as does much theory about political representation. In that tradition, government is defined primarily in terms of power, and elections are little more than the means by which that power is transferred from the people to their representatives. In The Blue Guitar (the title alludes to a poem by Wallace Stevens), Nancy L. Schwartz offers a radically new understanding of representation. As she sees it, representatives should be—and, in the past, have been—more than mere delegates or trustees of individual desires and interests and the process of representation more than the appropriation of power and control. Ideally, representation should transform both representative and citizen. Representatives should be caretakers of the community, not the watchdogs of special interest groups or individuals. Citizens in turn should feel increased personal responsibility for the whole that membership in the community entails. Moreover, representatives should serve as founders of their constituencies, constituting communities whose members value citizenship as an end in itself. In her analysis, Schwartz canvasses the political experience of ancient, medieval, and Renaissance city-states to discover the communitarian meaning of citizenship, and she draws on classical political theory from Plato to Rousseau and Hegel, on the political sociology of Marx and Weber, and on such contemporary theorists as Arendt and Pitkin. Schwartz also enters the controversy over whether local, state, and national legislators should be selected by district or at-large elections. After examining a set of key Supreme Court cases on voting rights and district elections, she proposes that representatives come from single-member geographic districts.

IN THE GRAND TRADITION OF EIGHT MEN OUT . . . the untold story of baseball’s ORIGINAL SCANDAL Did the Chicago Cubs throw the World Series in 1918—and get away with it? Who were the players involved—and why did they do it? Were gambling and corruption more widespread across the leagues than previously believed? Were the players and teams “cursed” by their actions? Finally, is it time to rewrite baseball history? With exclusive access to surprising new evidence, Sporting News reporter Sean Deveney details a scandal at the core of baseball’s greatest folklore—in a golden era as exciting and controversial as our sports world today. This inside look at the pivotal year of 1918 proves that baseball has always been a game overrun with colorful characters, intense human drama, and explosive controversy. "The Original Curse is not just about baseball. It is a sweeping portrait of America at war in 1918. . . . In the end, the proper question is not, ‘How could a player from that era fix the World Series?’ It’s, ‘How could he not?’” —Ken Rosenthal, FOX Sports, from the Introduction "Sean Deveney plays connect-the-dots in this intriguing account of a possible conspiracy to throw the 1918 World Series. Thoroughly researched and well written, The Original Curse is a must-read for baseball fans and anyone who loves a good mystery. Is Max Flack the Shoeless Joe of the 1918 Cubs? Deveney lays out the case and let's readers decide if the fix was in." —Paul Sullivan, Cubs beat writer, Chicago Tribune "This book gives the reader a fun and honest look at baseball as it used to be-- the good guys, the gamblers, the cheaters, the drunks, the inept leaders. But, more than that, it puts those characters into the context of Chicago, Boston and America at the time of World War I, and you wind up with a unique way to explain the motivations of those characters." —David Kaplan, host, Chicago Tribune Live and WGN's Sports Central “Deveney’s painstaking study of the 1918 World Series between the Cubs and Red Sox argues that the Black Sox scandal was not an aberration and might have had an antecedent. Deveney’s scholarship does not detract from his ability to spin a good tale: his tendency to imagine players’ conversations will remind readers of Leigh Montville’s The Big Bam: The Life and Times of Babe Ruth.... A welcome companion to Susan Dellinger’s Red Legs and Black Sox: Edd Roush and the Untold Story of the 1919 World Series, Deveney’s book contributes greatly to our understanding of this decisive period in baseball and American morals." —Library Journal

London First, do no harm... But he hurts me like no other. I left France because there was nothing left for me there. No more school, no more family, nothing. Starting a new life is never easy but I was prepared. I was ready for it. Until I met Dr. Zachary Ford, the tall, dark and tasty curse of my life. He is rough and full of hate...for me, for her, for women in general. But there's something magnetic between us. Visceral. A reaction I didn't believe I was capable of. Zach is my Savior but he'll also be my downfall. He'll break me. Zach I will remember that warmth, sympathy, and understanding may outweigh the surgeon's knife... But I can't give her sympathy. I don't want to. The day London walked into my Operation Room was the day everything else went to hell. She's a delicate flower and I'm a brutal man, I should stay away. I should let her walk. But I can't. I need to have this woman, to take her, and to make her shiver under my touch. I will hurt her. And I might even enjoy doing it.

This account of the discovery and examination of a mummified extinct steppe bison in loess deposits of Pleistocene age in interior Alaska near Fairbanks, gives a picture of bison evolutionary history and ecology on the 'Mammoth Steppe'.

Burke is one of the most cold-blooded yet strangely honorable heroes in the history of crime fiction, an outlaw who makes his living by preying on the most vicious of New York City’s bottom-feeders, those who thrive on the suffering of children. In Andrew Vachss’s tautly engrossing novel Burke is given a purse full of dirty money to find the infamous Ghost Van that is cutting a lethal swath among the teenage prostitutes in the ‘hood. He also gets help in the form of a stripper named Belle, whose moves on the runway are outclassed only by what she can do in a getaway car. But not even Burke is prepared for the evil that is behind the Ghost Van or for the sheer menace of its guardian, a cadaverous karate expert who enjoys killing so much that he has named himself after death.