Blossoms from the Sky True stories from the Japanese pilots who volunteered to fly an experimental rocket-powered aircraft on a one-way mission to save their nation from looming defeat. The Japanese called it the OHKA (cheery blossom), but to the American sailors and fighter pilots it was known as the BAKA BOMB. Discover the untold challenges faced by naval aircraft engineers as they raced to create the "Yokosuka MXY-7 Marudai," a new secret weapon that promised to sink a battleship with a single blow. Follow the young pilots as they make their individual decisions to volunteer for the mysterious training program. Meet the bomber crews who carried these human-guided, anti-ship missiles towards the US fleet near Okinawa. Discover the courageous US Navy and Marine Corps fighter pilots who saved thousands of lives by throwing themselves between the devastating flying bombs and the ships of US Naval Task Force 58. With over 200 photos, maps, and illustrations the reader will learn about the Ohka "Baka Bomb" and the Betty Bombers that ferried these "flying torpedoes" into battle.

The complete English translation of one of the great Zen classics and works of Japanese literature, by the founder of the Soto school—now in a single volume Treasury of the True Dharma Eye (Shobo Genzo, in Japanese) is a monumental work, considered to be one of the profoundest expressions of Zen wisdom ever put on paper, and also the most outstanding literary and philosophical work of Japan. It is a collection of essays by Eihei Dogen (1200–1253), founder of Zen’s Soto school. Kazuaki Tanahashi and a team of translators that represent a Who’s Who of American Zen have produced a translation of the great work that combines accuracy with a deep understanding of Dogen’s voice and literary gifts. This eBook includes a wealth of materials to aid understanding, including maps, lineage charts, a bibliography, and an exhaustive glossary of names and terms—and, as a bonus, the most renowned of all Dogen’s essays, “Recommending Zazen to All People.”

Just about everyone from my country, República Dominicana, dreams of moving to New York City, except for me. On the flight to New York, my first time on a plane, my first time away from Mami, I was finally free to cry. But nothing came out. I watched as the green mountains of my beloved island slipped away far below. Fifteen-year-old Nina Perez is faced with a future she never expected. She must leave her Garden of Eden, her lush island home in Samana, Dominican Republic, when she's sent by her mother to live with her brother, Darrio, in New York, to seek out a better life. As Nina searches for some glimpse of familiarity amid the urban and jarring world of Washington Heights, she learns to uncover her own strength and independence. She finds a way to grow, just like the orchids that blossom on her fire escape. And as she is confronted by ugly secrets about her brother's business, she comes to understand the realities of life in this new place. But then she meets him—that tall, green-eyed boy—one that she can't erase from her thoughts, who just might help her learn to see beauty in spite of tragedy. From the acclaimed author of the color of my words comes a powerful story of a girl who must make her way in a new world and find her place within it.

Escape to a magical land where beautiful flowers blossom as big as trees, delicate butterflies and dragonflies lead you soaring high into the sky, and playing with mother nature's friends is a common way of life. In this adventure the Blossoms of Floraland unveil their special flower powers and help a feathery friend in desperate need, while discovering that some who live in the wild are nicer than they seem. The book is beautifully colored by well known illustrator Tyler Hollis.

In these poems, the poet restlessly inhabits the night, finding it terrifying and beautiful, searching for meaning in the yard, the neighborhood, the heavens and every wise book he owns. These urban pastoral meditations employ ritual and repetition to create a kind of mantra, seeking surrender to that state of meditation leading to enlightenment—yet arguing with the idea of surrendering any attachments at all to this world we’ve been given to learn and love: a city garden cohabitated by ancient Romans and tattooed kids, automobiles and hollyhock, maurauding cats and the Buddha. “I should be satisfied with the household gods,” he mourns, but is satisfied with nothing, determined to fit the whole world into his poems lest the one essential thing slip by. From “The One God is Mysterious” The king and his queen are feasting. . They recline, sumptuously, on long divans. and are attended by naked servants. They. can have anything they want, this much is. clear, and I believe they have been having. sex with one another and with the servants. Why wouldn’t they? Who among the servants. . would not be honored to help? And it’s Babylon. after all, and doesn’t Babylon exist in your. memory? Isn’t Babylon the clear rumbling. of your heart at ease with its every craving—. not the way it is now, fenced off with spiked wire. and old pipes, with signs telling the pedestrians. to beware: the litter, the old cans rusting. No, . this is my own memory of excess and extravagance, . of abandonment to the weight of everything. that pulls me down to ruin, those same ticks. and voices that lift me up and fill me with breath. “Frank Gaspar’s poems are agile and forceful, their narratives clear and absorbing. In them, he is speaking to the reader—but also to himself, or perhaps to some hazy divinity or to the blue sky. I felt in his voice no attempt to persuade me of anything. I felt only the abiding imperative to get it right. Which is, of course, what real writing is all about.”—Mary Oliver

A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.

Poetic and sparse, a bedtime story told by the elements.

Big Brown bear and the four little bears enjoy a picnic under blossoming trees, but a blustery wind makes flying kites an adventure.

From the author of the critically-acclaimed debut People Who Knew Me comes the story of one man’s determination to abandon his will to live. Jonathan Krause is a man with a plan. He is going to quit his advertising job and, when his money runs out, he is going to die. He just has one final mission: A trip to Japan. It’s a trip he was supposed to take with his girlfriend, Sara. It’s a trip inspired by his regrets. And it’s a trip to pay homage to the Japanese, the inventors of his chosen suicide technique. In preparation for his final voyage, Jonathan enrolls in a Japanese language class where he meets Riko, who has her own plans to visit her homeland, for very different reasons. Their unexpected and unusual friendship takes them to Japan together, where they each struggle to make peace with their past and accept that happiness, loneliness, and grief come and go—just like the cherry blossoms. Haunted by lost love, Jonathan must decide if he can embrace the transient nature of life, or if he must choose the certainty of death.